Vol. 4 No. 1 (2023): Volume 4 Issue 1 January- June- 2023

Articles

• ABSTRACTION IN REFLECTION BY KISHAN MEENA: TANTRISM IN VISUALS (THE SOUL OF WATER)
  

  Sarabjeet Singh

  1-8

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• GREAT HERITAGE OF LIVING MASK MAKING TRADITION IN ASSAM: A CASE STUDY ON SRI SRI BOR ALENGI BOGIAI SATRA, TITABOR, JORHAT DISTRICT, ASSAM
  

  Dr. Raj Kumar Mazinder

  9-17

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• COVER DESIGN, FILM POSTER, AND SUBTITLES: SEMIOTICS OF PARATEXTS IN SELECTING PARODIES
  

  Sugadev T.

  18-28

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• FOLK ART MADE ON AUSPICIOUS OCCASIONS (CHOWK PURNA) IN THE CONTEXT OF UTTAR PRADESH
  मांगलिक अवसरों पर बनने वाली लोककला (चौक पूरना) उत्तर प्रदेश के सन्दर्भ में
  

  Ajay Jaitly, Saptami Pal

  29–33

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• DIGITAL IMMIGRANTS AND DIGITAL DECEPTION: CONSUMING AND COMBATING FAKE NEWS ONLINE
  

  Parinitha L Shinde, Dr. Sathyaprakash M. R

  34–47

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• DESIGN INTERVENTION ON THE MOTIF PATTERNS OF “KAPDA GONDA” CRAFT OF DONGRIA KONDH TRIBE OF ORISSA
  

  Twinkle Rastogi

  48–65

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• ART SPEAKS LOUDER THAN WORDS: INDIAN FOLK ART FOR ANTHROPOCENE
  

  Siddharth Shankar Upadhyay

  66–78

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• COMMUNICATING ANCIENT INDIAN CULTURE THROUGH MUSEUMS: WEBSITE ANALYSIS OF NATIONAL MUSEUM, NEW DELHI
  

  Abhishek Dubey

  79–94

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• PALLAVA ELEMENTS IN SOUTH AND SOUTHEAST ASIAN ART – VISUAL APPRAISAL
  

  R.K.K. Rajarajan, Dr Jeyapriya Rajarajan

  95–103

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• INFLUENCE OF TECHNOLOGY ON OTT SERIAL STORYTELLING: A STUDY ON THE PILOT OF SACRED GAMES
  

  Maruthu Pandiyan, Dr. Sathyaprakash M. R

  104–119

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• AESTHETICS AND VISUAL CONNOTATIONS OF RAJASTHANI FOLK ARTS: A CRITICAL STUDY
  

  Dr. Pinak Pani Nath, Shanti

  120–131

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• EKPHRASTIC POETRY AND INDIAN MINIATURE PAINTINGS: ARTISTRY AND AESTHETICS OF DEBASISH LAHIRI’S TETHER THAT LIGHT
  

  Dr. Pradipta Mukherjee

  132–140

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• BORDER DESIGNING AND IT’S DECORATION IN MUGHAL MINIATURE PAINTINGS
  

  Dr. Hari Om Shanker

  141–146

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• ROLE AND CONTRIBUTION OF PRINTMAKING TO THE MODERN INDIAN ART
  

  Ashima Goel, Udaya Narayana Singh

  147–160

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• DEPICTION OF INDIAN SOCIETY BY CONTEMPORARY WATERCOLOR ARTISTS
  समकालीन भारतीय जलरंग चित्रकारों द्वारा समाज का चित्रण़
  

  Rajni Bala, Ram Viranjan

  161–171

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• LANGUAGE AND COMMUNICATIVE MOVEMENT: DANCE, DISCOURSE REPRESENTATION, AND ILLOCUTIONS
  

  Tista Bagchi

  172–186

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• REPRESENTATION OF WOMEN IN EIGHTEENTH CENTURY MURAL PAINTINGS OF ODISHA: A SPECIAL FOCUS ON PAINTINGS OF BIRANCHINARAYAN TEMPLE OF GANJAM
  

  Dr Sankarsan Malik

  187–198

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• ROLE OF ARTS AND LITERATURE IN PERSONALITY DEVELOPMENT
  

  Dr. Ramesh Chand Meena, Dr. Monika

  199–204

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• EXISTING TRENDS OF HERITAGE CONSERVATION IN SHIMLA: A HILL TOWN IN INDIA
  

  Kanika Bansal, Pankaj Chhabra

  205–215

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• INDIAN ARCHITECTURE: SCENARIO AT THE DAWN OF INDEPENDENCE
  

  Pankaj Chhabra

  216–227

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• LOOK, LOOK! THIS SHRINE IS LEAKING RED “MENSTRUAL ACTIVISM IN NINA PAGALIES’ GRAPHIC TEMPLES”
  

  Aishwarya Katyal, Dr. Neha Jain

  228–241

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• PUNJABI POP MUSIC VIDEOS AS AN EFFECTIVE TOOL OF PROMOTION IN INDIA
  

  Mohit Kumar, Dr. Pawan Singh Malik

  242–251

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• PUBLIC SPACE DEVELOPMENT DIMENSIONS: A CRITICAL REVIEW
  

  Amrita Shukla, Dr. Pankaj Chhabra

  252–263

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• ‘EXHAUSTION --- APPARENT ON MY FACE’1: FICTIONALIZATION, GRAPHIC HISTORIOGRAPHY AND DATA VISUALIZATION OF WOMEN’S EXCLUSION IN VIDYUN SABHANEY AND SHOHEI EMURA’S ‘HARD TIMES’
  

  Anirban Guha Thakurta

  264–276

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• GERJATHHA FOLK DANCE OF MEGHWAL COMMUNITY OF RAJASTHAN
  राजस्थान के मेघवाल समुदाय का गेरजत्था लोकनृत्य
  

  Arsi Prasad Jha, Lokendra Singh Shekhawat

  277–285

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• AN ANALYSIS OF THE ART ELEMENTS UTILIZED IN A WORKS OF ART
  

  Meenakshi Thakur

  286–293

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• SILENCE – AN UNHEARD FACE OF LAYAM
  

  Bhavani U., Dr. S. Subbulakshmi

  294–299

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• RECONSIDERATION OF KANGRA MINIATURE PAINTING FROM THE DESIGN PERSPECTIVE
  

  Prosenjit Raha

  300–307

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• AN ANALYSIS OF FRAMING STRATEGIES FOR REDEVELOPMENT IN HISTORIC CITIES: AN ASSESSMENT
  

  Parminder Kaur, Harveen Bhandari

  308–317

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• PASSIVITY TO PERFORMATIVITY OF SACRED MOUNTAINS OF JE TSONGKHAPA AND MAHAKALA (GONBO) IN THE LUNGNAK VALLEY OF LADAKH: CONTEMPLATING THE CONTEMPORANEITY OF EPITOMES OF PAREIDOLIA (IN INDIA)
  

  Dr. Kalsang Wangmo, Ramakrishnan M., Stanzin Tsetan

  318–348

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• FROM CONSCIOUSNESS TO UNCONSCIOUSNESS: A BIOPSYCHOSOCIAL STUDY OF QALA
  

  Shohib Bashir, Binod Mishra

  349–355

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• LIGHTING DESIGN SCHEMES AND COLOURS IN DANCE PERFORMANCES: THE MAGICAL ILLUSION
  

  Murali Basa

  356–362

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• PERCEIVED IMPACT OF QUALITY OF KASHMIRI ART AND CRAFTS: AN EMPIRICAL STUDY
  

  Zubair Ahmad Dada, Rabia Quisar, Mushtaq Ahmad Lone, Nisar Ahmad Kakroo, Reyaz A Qureshi

  363–375

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• SMART CITIES: AN EMPIRICAL STUDY OF DEFINITIONS
  

  Ashish Batra, Pankaj Chhabra

  376–388

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• A HISTORICAL OVERVIEW OF EMERGENCE AND DEVELOPMENT OF SIKH ART IN PUNJAB
  

  Sukhandeep Kaur, Ram Viranjan

  389–402

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• THE POLITICS OF CUISINE: PORTRAYAL OF FOOD CULTURE IN THE CARTOONS OF TOMS
  

  Dr. Gem Cherian, Dr. Basil Thomas

  403–409

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• CULTURAL AND HISTORICAL IMPLICATION OF MUSEUM COLLECTION: REPRESENTATION OF REGIONS AND TRIBES IN THE NOSE RINGS OF AMRAPALI MUSEUM OF JAIPUR, INDIA
  

  Surbhi Mathur, Neekee Chaturvedi

  410–428

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• THE ROLE OF GOVERNMENT IN PROMOTING HANDICRAFT INDUSTRY: A CASE STUDY OF KASHMIR
  

  Ishfaq Majeed, Akhter Hussain Bhat, Rayees Azam

  429–442

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• EMOTION IN VISUAL DESIGN: A REVIEW
  

  Hemang Madhusudan Anglay

  443–452

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• INGENIOUS NOMADIC EXPRESSIONS: DECODING THE SEMIOTICS OF LAMBANI EMBROIDERY
  

  Beena Santosh Modathi, Anjali Karolia

  453–466

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• SHILPA GUPTA: AN ARTIST CONCEPTUALIZING WITH TECHNOLOGY
  

  Akshi Babbar, Dr. Gurcharan Singh

  467–476

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• REYNOLDS’ USE OF EDITORIAL CARTOONS FOR FIREBRAND ENVIRONMENTALISM
  

  Thankam K Abraham, Dr. Anej Somaraj

  477–483

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• SOCIAL METAPHORS IN THE INSTALLATION ART OF CONTEMPORARY INDIAN WOMEN ARTISTS
  

  Neetu Negi, Dr. Gurcharan Singh

  484–494

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• ART THERAPY: EXPLORING THE RELATIONSHIP BETWEEN ART THERAPY AND SPIRITUAL HEALING
  

  Rakshita Khurana, Vidisha Wadhawan

  495–501

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• THE ICONOGRAPHY OF LORD BHAIRAVA IN LITERARY SOURCES
  

  Simer Preet Sokhi

  502–514

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• SELF- PORTRAITS REGARDED AS THE VERY MANIFESTATION OF PSYCHOLOGICAL EVALUATION
  

  Srishti Sah Jagati, Dr. Annpurna Shukla

  515–522

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• DEVELOPMENT OF PAINTING IN MADHYA PRADESH
  

  Vinny Wadhwa, Dr. Alpana Upadhyaya

  523–536

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• THE SIGNIFICANCE OF UNIFORMITY IN KATHAK NRITTA HASTA
  

  Dr. Parul Purohit Vats

  537–543

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• THE INTERPLAY OF TECHNOLOGY AND CULTURE: A STUDY ON MOBILE PHONE PRACTICES AMONG MUKKUVA COMMUNITY
  

  Arathi C Babu, Samarjit Kachari

  544–556

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• COGNIZING NON-TOXIC PRACTICES IN THE PRINT PROCESSES: A STUDY OF VARANASI
  

  Ashwini R Kalyani, Dr. Peeyush Kumar Gupta

  557–565

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• AN APPROACH TO THE ARCHITECTONICAL METHOD THROUGH THE ANALYSIS OF THE DUTCH EMBASSY IN BERLIN BY KOOLHAAS & OMA
  

  Eneko Besa

  566–593

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• ICONOGRAPHIC CONDENSATION IN THE WORK OF REM KOOLHAAS. ON THE WAY FROM TRIPLE DISSOCIATION CONCEPT/MEANING/IMAGE TO THE AMBIVALENT IN-SIGNIFICANT MEANING
  

  Eneko Besa

  594–619

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• HISTORY, HERITAGE, AND PROSPECTS OF ZARDOZI AND BEADWORK BATUAS OF BHOPAL, MADHYA PRADESH
  

  Meeta Siddhu, Dr. Anjali Karolia

  620–632

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• REPRESENTATION OF WOMEN IN STONE SCULPTURAL ART AND ICONOGRAPHY OF ANCIENT KASHMIR
  

  Abdul Adil Paray

  633–650

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• INFLUENCE OF MUSIC PREFERENCES ON ANGER LEVELS AMONG COLLEGE STUDENTS: AN ANALYTICAL STUDY
  

  Chunmithra CV, Ghayathri Swetha Kumari R.A.

  651–659

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• TURNING ART INTO VISION: PROSE, POETRY, PAINTING INTERFACE OF LANDSCAPE ARTISTS, AND IMPRESSIONISTS
  

  Dr. Pradipta Mukherjee

  660–674

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