FILM FINANCING AND THE DIGITAL MARKET: FUTURE, THE ROLE IN INDIA WITH AND MODELS OF FINANCING
DOI:
https://doi.org/10.29121/shodhkosh.v4.i1.2023.3822Keywords:
Film Financing, Digital Market, Indian Film Industry, Crowdfunding, Streaming Platforms, Hybrid Financing Models, Intellectual Property, Future TrendsAbstract [English]
Film financing has undergone a revolutionary transformation in the digital age, introducing innovative methods to fund, distribute, and monetize films. This paper examines the role of digital markets in reshaping the financing and economic models of the Indian film industry. By exploring crowdfunding, digital rights sales, and streaming platforms, it evaluates how technological advancements have impacted the accessibility and sustainability of film financing. The study also identifies challenges, such as intellectual property protection, and assesses the potential of hybrid models in promoting inclusive and profitable filmmaking.
References
Ganti, T. (2012). Producing Bollywood: Inside the Contemporary Hindi Film Industry. DOI: https://doi.org/10.1515/9780822395225
Choudhary, S. (2020). "The Digital Evolution of Film Distribution in India." Media Studies Journal, 38(3), 45-60.
Ministry of Information and Broadcasting. (2021). Annual Report on Indian Media and Entertainment Industry.
Roshan, P. (2019). Independent Cinema in India: Financing, Production, and Distribution.
Netflix India. (2022). Streaming Trends in India: 2020-2022.
UNESCO. (2017). The Digital Shift in Global Media Industries.
Basu, A. (2020). Bollywood and Beyond: The Business of Indian Cinema. Oxford University Press.
Bhattacharya, S. (2019). "Financing Films in India: Challenges and Opportunities in a Changing Economy." Journal of Media Economics, 32(4), 287-305.
Dasgupta, P. (2021). Digital Disruption in Indian Cinema: OTT Platforms and Changing Dynamics. SAGE Publications.
Goel, R., & Jain, P. (2022). "Role of Public-Private Partnerships in Indian Film Financing." Economic and Political Weekly, 57(2), 48-55.
Gokulsing, M., & Dissanayake, W. (2018). Indian Popular Cinema: A Narrative of Cultural Identity. Routledge.
Gupta, A. (2021). "Impact of OTT Platforms on Indian Film Distribution: A Strategic Analysis." Journal of Entertainment and Media Studies, 15(3), 112-128.
IBEF. (2023). "Media and Entertainment Industry in India: Growth and Trends." Indian Brand Equity Foundation.
Kapoor, S. (2020). "Challenges in Financing Regional Cinema in India." South Asian Journal of Arts and Culture, 6(1), 34-56.
Mishra, V. (2019). Bollywood Cinema: Temples of Desire. Routledge.
Mukherjee, A. (2020). "Film Production and Blockchain Technology: The Future of Indian Film Financing." Asia-Pacific Journal of Film Studies, 8(4), 289-302.
NFDC India. (2022). Report on Co-Production Trends in the Indian Film Industry. National Film Development Corporation of India.
Pandey, K. (2023). "Economic Impact of Film Tourism in India: A Case Study of Bollywood and Regional Cinema." Tourism Economics, 29(2), 230-245.
Sen, M. (2020). Reel to Real: Understanding Indian Cinema Financing Models. HarperCollins India.
Sharma, A. (2021). "The Rise of Independent Filmmaking in India: Funding and Distribution Challenges." Global Media Journal – Indian Edition, 13(1), 56-78.
Thomas, S. (2019). Cinema Beyond Borders: International Co-Productions in Indian Cinema. Penguin Random House.
UNCTAD. (2021). "Creative Economy Outlook: Indian Cinema and the Global Market." United Nations Conference on Trade and Development.
Varma, S. (2022). "Exploring Equity and Debt Models in Indian Film Financing." Indian Journal of Finance, 16(8), 15-29.
World Economic Forum. (2023). Future of Media and Entertainment: Trends and Challenges for the Indian Film Industry. WEF Publications.
Yadav, P. (2022). "Sustainability in Indian Cinema: Financing Green Film Productions." Journal of Sustainable Media Practices, 9(3), 45-59.
Zafar, H. (2021). "Digital Distribution and the Future of Indian Cinema." Media Watch Journal, 12(2), 133-152.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Dr. Amit Padmakar Oak
This work is licensed under a Creative Commons Attribution 4.0 International License.
With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute, and/or copy their contribution. The work must be properly attributed to its author.
It is not necessary to ask for further permission from the author or journal board.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
