https://www.granthaalayahpublication.org/Arts-Journal/ShodhKosh/issue/feed ShodhKosh: Journal of Visual and Performing Arts 2026-03-27T08:59:23+00:00 Editor ShodhKosh editor@shodhkosh.com Open Journal Systems <p>ShodhKosh: Journal of Visual and Performing Arts is a half-yearly journal of visual and performing arts, in which research papers are published in Hindi and English language. This journal combines all topics related to Arts. The main objective of the journal is to make academics, scholars and students studying all aspects of arts. Through the journal, we want to provide the form of a repository by collecting all research papers related to the subjects of all arts. And this is our main objective.</p> <p>Editor-in-chief:<br />Dr. Kumkum Bharadwaj (Associates Professor (HOD) in Fine Arts, Maharani Laxmibai Girls P.G. College, Indore, India)</p> <p>Managing Editor:<br />Dr. Tina Porwal (PhD, Maharani Laxmibai Girls P.G. College, Indore, India)</p> https://www.granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/7362 TRADITIONAL CHINESE ARCHITECTURAL ELEMENT INTEGRATION AS A PREDICTOR OF FENG SHUI-INSPIRED SPATIAL VITALITY: EFFECTS ON SPIRITUAL CHARM AND CULTURAL INDENTITY 2026-03-27T08:59:23+00:00 Junsong Wang 13871588807@163.com <p>The fast modernization of urban areas has frequently resulted in the demise of culturally significant architectural design, particularly the incorporation of traditional Chinese architectural concepts into contemporary constructed environments. As a result, many contemporary settings lack cultural identity, spatial coherence, and experiential depth. Addressing this issue, this study investigates how incorporating traditional Chinese architectural aspects improves spatial vitality, spiritual experience, and cultural identity in contemporary design. The study specifically investigates the effects of Traditional Chinese Architectural Element Integration—which includes spatial philosophy integration, material and ecological integration, and symbolic and cultural abstraction—on Feng Shui-Inspired Spatial Vitality, as well as its impact on spiritual charm and cultural identity. A quantitative study methodology was used, with data obtained from individuals who have experienced traditional Chinese architectural surroundings using online and onsite questionnaire questionnaires. A total of 250 valid responses were collected and analysed using Structural Equation Modelling (SEM) to test the predicted correlations between the study variables. The findings show that spatial philosophy integration has the greatest influence on increasing Feng Shui-inspired spatial vitality, followed by material and ecological integration and symbolic cultural abstraction. Furthermore, Feng Shui-inspired spatial vitality enhances both spiritual attractiveness and cultural identity in architectural settings. This study advances architectural theory by offering an integrated framework that connects classical spatial philosophy, cultural symbols, and ecological materials to experience spatial outcomes. Practically, the findings suggest how architects and urban planners might reinterpret ancient Chinese architectural principles in contemporary design to produce culturally relevant, environmentally responsive, and experientially rich constructed spaces.</p> 2026-03-27T00:00:00+00:00 Copyright (c) 2026 Junsong Wang https://www.granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/7241 EXPERIENTIAL LEARNING IN MUSIC EDUCATION: FINDINGS FROM THE MBKM INTERNSHIP PROGRAM AT FLOW MUSIC GBI RUMAH PERSEMBAHAN 2026-03-25T10:29:20+00:00 Junita Batubara junitabatubara@uhn.ac.id Herman Herman Herman@outlook.com Jenny Ria Pakpahan Jennyria.Pakpahan@outlook.com Sri Rustiyanti Sri.Rustiyanti@outlook.com Jubelando O. Tambunan Jubelando.Tambunan@outlook.com Sherly Sherly Sherly@outlook.com Baharui Halawa Baharui.Halawa@outlook.com <p>This study discusses the outcomes of experiential learning derived from the MBKM internship program conducted at Flow Music GBI Rumah Persembahan, Medan. The internship was carried out over eleven meetings (27.5 hours) during the period of October–December 2024, with activities including music instruction, administrative tasks, and event management. Data were obtained through direct practice, observation, and reflection. The results indicate an improvement in musical competence, particularly in piano and guitar performance skills, as well as an enhanced understanding of teaching methods appropriate to students of various age groups. In addition, students gained experience in music education administration, such as course scheduling, musical instrument inventory management, and document organization. The internship also contributed to the development of soft skills, including communication, time management, discipline, and problem-solving abilities. These findings confirm the importance of internship programs as a bridge between theory and practice while preparing students for professional careers in the field of music education. In conclusion, a structured internship not only strengthens technical and pedagogical skills but also shapes holistic readiness to face the creative industry.</p> 2026-03-25T00:00:00+00:00 Copyright (c) 2026 Junita Batubara, Herman Herman, Jenny Ria Pakpahan, Sri Rustiyanti, Jubelando O. Tambunan, Sherly Sherly, Baharui Halawa https://www.granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/7218 BEDROOM THEATRE: A PRACTICE-LED THEATRICAL METHOD FOR INTIMATE SOCIAL REFLECTION AND RELATIONAL REFRAMING 2026-03-25T09:39:30+00:00 Prafulkumar Rameshkumar Panchal prafulrpanchal22@gmail.com <p>Contemporary theatre has increasingly shifted toward intimate, socially responsive forms that challenge conventional assumptions about space, spectatorship, and the ethics of representing private life. This article elaborates Bedroom Theatre as a new performance method anchored in the bedroom—not as a literal venue, but as a conceptual and dramaturgical constraint. Bedroom Theatre selects narratives that are plausibly and meaningfully “bedroom-only”: incidents shaped by privacy, vulnerability, secrecy, relational negotiation, and the threshold between care and harm (e.g., infidelity discovery, conjugal misunderstanding, coercive silence, self-harm risk, domestic conspiracy, trauma disclosure). The method is defined by a micro-cast (typically 2–3 performers, with 1–2 additional roles only if essential), close audience proximity, compressed dramaturgy, and a deliberate refusal of sensationalism. Crucially, Bedroom Theatre interprets difficult incidents through dialogue, empathy, and non-violent relational inquiry, aiming to provoke audience reflection and potential reframing rather than judgment, escalation, or spectacle. Positioned within practice-as-research and applied theatre a tradition, Bedroom Theatre is presented as therapeutically informed but not therapy: it does not claim clinical outcomes, yet it designs conditions for social reflection and relational learning. The article offers a formal framework (principles, dramaturgical model, spatial grammar, rehearsal protocols), addresses ethical safeguards (anti-voyeurism, psychological safety, responsible depiction of self-harm and violence), and proposes evaluation pathways for future empirical study.</p> 2026-03-25T00:00:00+00:00 Copyright (c) 2026 Prafulkumar Rameshkumar Panchal https://www.granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/7213 DIGITAL SCREENS AND SHIFTING REVENUES: AUDIENCE ACCEPTANCE OF OTT PLATFORMS IN POST-PANDEMIC TAMIL CINEMA 2026-03-07T10:26:08+00:00 Raja Kannan J rj9997@srmist.edu.in Padmanabhan T padmanat@srmist.edu.in <p>The change that has befallen Tamil cinema after the pandemic has increased the pace at which the distribution and revenue ecosystem of the industry is adopted by over-the-top (OTT) platforms. This paper explores the acceptance of the audience to OTT channels and its implications on the switch to new revenue models in post-pandemic Tamil cinema. It bases its study on Technology Acceptance Model (TAM), Uses and Gratifications Theory (UGT), Diffusion of Innovation Theory, and Platform Economy lenses to structure the conceptual framework of understanding behavioral and economic aspects of digital adoption. The methodology used was on a quantitative survey basis and the data was gathered on the audience of Tamil cinema on various demographic groups. The results indicate that convenience, entertainment gratification, and perceived usefulness are the factors that have a strong impact on the intention to adopt OTT, whereas social influence has a relatively low impact. Most of the respondents indicated their favor toward the OTT watching, yet theatrical experience has not yet lost its cultural value, especially when it comes to large scale commercial films. Also, OTT adoption was reported as positively related to the perceptions of revenue sustainability, which gives reason to believe that online platforms are perceived as stabilizing factors in the sector. The findings suggest that the move to the digital screens is a structural change instead of a transitional pandemic reaction. The introduction of hybrid release models as a strategically rational compromise between theatrical spectacle and the digital accessibility is possible. The research has implications to the literature of media economics and regional cinema as it empirically forms connections between audience behavior and changing revenue architectures. The results are strategic implications to producers, distributors, exhibitors and streaming platforms that are operating in the converged arena of digital and theatrical film distribution in Tamil cinema.</p> 2026-03-07T00:00:00+00:00 Copyright (c) 2026 Raja Kannan J., Padmanabhan T https://www.granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/7204 THE AESTHETICS OF DIGITAL IMAGES AND THE DYNAMICS OF VISUAL PRACTICES IN THE MEDIA ENVIRONMENT OF THE NEW ERA 2026-03-06T08:08:43+00:00 Alla Diachenko pani.alla0107@gmail.com Alla Breniuk pani.alla0107@gmail.com Volodymyr Petrashyk pani.alla0107@gmail.com Kseniia Nikolenko pani.alla0107@gmail.com Daryna Yaremenko pani.alla0107@gmail.com <p>The use of digital technologies has become a central element in artistic practice in the 21st century. In terms of creative techniques and communication formats - digital images are now becoming autonomous artistic artifacts that are being circulated in the global art market and obtaining material worth through sales. The growing awareness of digital art as a potential for new forms of artistic creation and new ways of communicating between artists and viewers has become one of the central themes in contemporary art discourse. The objective of this project was to determine the variables influencing the sale price of specific artistic products. For this study, we applied a comprehensive visual, formal, and contextual analysis of twenty of the most expensive digital visual art products sold during recent years. We were able to show that both highly detailed (works by Beeple) and simple, minimalistic images with pixelation (works by Larva Labs) created by the use of algorithms and other generative technologies (works by Dmitri Cherniak), as well as images composed of white text on a black background were among the most expensive works. The results of our study indicate that artistic technique does not significantly influence the price of digital images. Instead, the most important factors are a complex interplay of social-political concepts, the artist’s previous reputation and success within the art world.</p> 2026-03-06T00:00:00+00:00 Copyright (c) 2026 Alla Diachenko, Alla Breniuk, Volodymyr Petrashyk, Kseniia Nikolenko, Daryna Yaremenko https://www.granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/7199 EDUCATING THROUGH PLAY: AN AI GAME FRAMEWORK FOR SAFEGUARDING AND TEACHING FOLK TRADITIONS 2026-02-21T12:08:01+00:00 Sunil Sudam Khatal khatalsunils88@gmail.com Monika Dhananjay Rokade monikarokade4@gmail.com Madhuri Navnath Gurav guravmadhuri93@gmail.com Vaishnavi Harishchandra Patil vaishnavi4patil@gmail.com Dhanashree Bhagwan Wadekar dhanshribw2003@gmail.com Piyush Pankaj Deshmukh piyush750@gmail.com <p>The blistering shift to the digitalization of the contemporary society has greatly changed the conventional ways of cultural transmission, and the intergenerational maintenance of the existence of the folk traditions gradually declined. Although digital archives and multimedia documents are helpful in preservation of intangible cultural heritage, they are frequently less interactive in nature, as well as not adaptively pedagogic. This paper suggests an AI-based Game Framework that will preserve and educate folk cultures by means of adaptive, play-based learning. The framework combines structured cultural knowledge representation, adaptive gameplay based on the reinforcement learning system, interactive storytelling based on Natural Language Processing and multiplex assessment analytics into one architectural model. A Cultural Knowledge Engine ciphers narrative, rituals, dance patterns, music patterns, and craft processes into modules of ontology, where authenticity and contextual integrity are guaranteed. An AI Adaptation Engine is a dynamically adjusted mission and narrative progression, which personalizes the difficulty of the missions and the narrative through real-time player modelling. Gameplay mechanics Experiential gameplay mechanics are a way to turn cultural elements into the form of a quest, rhythmic challenges, gesture activities, and a morally oriented decision-making. To avoid such misrepresentation, the system has ethical AI protection measures such as validation of cultural sensitivity and bias tracking systems. The implementation and comparative testing of prototypes prove the increased engagement with learners, their retention of knowledge, and cognitive awareness in contrast to the traditional forms of instruction. The findings reveal that adaptive intelligence combined with play-based pedagogy improves cognitive and affective aspects of cultural education. The developed framework has a contribution to the digital heritage preservation by offering a shift towards passive, but instead intelligent, participatory, and scalable cultural learning environments.</p> 2026-02-17T00:00:00+00:00 Copyright (c) 2026 Dr.Sunil Sudam Khatal, Dr. Monika Dhananjay Rokade, Madhuri Gurav Navnath, Vaishnavi Harishchandra Patil, Dhanashree Bhagwan Wadekar, Piyush Pankaj Deshmukh https://www.granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/7198 GRAMMAR PROFICIENCY OF ENGLISH MAJOR STUDENTS USING TIC-TAC-TOE STRATEGY IN PANGASINAN STATE UNIVERSITY, ASINGAN CAMPUS 2026-02-23T12:16:23+00:00 Elsa Q. Terre etere.asingan@psu.edu.ph <p>Grammar is essential to clear communication and can be challenging to teach effectively; however, incorporating interactive games can make the learning process more entertaining and Ceffective. This study is intended to determine the effectiveness of the Tic-Tac-Toe strategy in teaching English grammar and compared it to traditional methods. The researcher employed an explanatory research design to explore why the Tic-Tac-Toe strategy works by providing insights into its impact and guiding future research (George &amp; Merkus, 2023). The participants of the study were the 35 third year English major regular students from Pangasinan State University-Asingan Campus and were divided into two groups: one using the Tic-Tac-Toe strategy with technology aids and the other receiving traditional instruction. A post-test-only design was employed to assess the effectiveness of the two teaching methods. The results showed that the Tic-Tac-Toe strategy greatly outperformed traditional methods in improving grammar skills, though additional reinforcement may be necessary for long-term retention. Furthermore, it is recommended that educators could adopt the Tic-Tac-Toe strategy, integrate it with other innovative methods, explore advanced tools for complex grammar, align programs with students' linguistic backgrounds and implement continuous feedback mechanisms to enhance instructional approaches.</p> 2026-02-17T00:00:00+00:00 Copyright (c) 2026 Elsa Q. Terre https://www.granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/7197 NEURAL NETWORK–BASED MODELS FOR GESTURE RECOGNITION AND CHOREOGRAPHIC PATTERN SYNTHESIS 2026-02-21T10:50:05+00:00 Shraddha Sharma shraddhaindira@gmail.com Bhushankumar Nemade yogeshcsmss1@gmail.com Sheetal Mahadik yogeshcsmss1@gmail.com Bijith Marakarkandy yogeshcsmss1@gmail.com Pravin Jangid yogeshcsmss1@gmail.com Sandeep Kelkar yogeshcsmss1@gmail.com P. V. Chandrika yogeshcsmss1@gmail.com <p>The understanding of gestures and the synthesis of choreography can be viewed as two distinct sides of the human-AI interaction problem, which cannot be viewed as complementary and must be addressed through joint modeling of perception, synthesis, and real-time interaction. An interactive multimodal neural architecture consisting of spatial-temporal gesture encoding, latent motion representation learning, and style-conditioned choreography synthesis is proposed to facilitate end-to-end transfer of human movement from sense to expressive synthesized movement. The semantic consistency constraints in joint optimization will be used to ensure consistency between the perceived gesture intent and the synthesized choreography, while an edge cloud deployment approach will be utilized to facilitate interactive latency and energy-efficient execution. The experimental evaluation on benchmark datasets and live co-creative applications demonstrate high recognition accuracy, smooth and diverse motion synthesis, and successful semantic agreement and consistency in co-creating real-time settings. The formal user study also reveals high levels of perceptual realism, sense of expression, usability, and creative satisfaction, which verifies the framework as an excellent collaborative partner and not a passive generative tool. Managerial analysis Networks have lower production costs, scalable deployment opportunities, and therapeutic engagement of benefits in the areas of creative media, rehabilitation, and social robotics. The findings place gesture-based creative AI as a promising foundation of embodied intelligent interaction, and future research directions include the integration of emotion in creative choreography synthesis, adaptive reinforcement learning co-creation, and extreme low-latency edge synthesis</p> 2026-02-17T00:00:00+00:00 Copyright (c) 2026 Shraddha Sharma, Bhushankumar Nemade, Sheetal Mahadik, Bijith Marakarkandy, Pravin Jangid, Sandeep Kelkar, P. V. Chandrika https://www.granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/7194 SUSTAINABILITY, ETHICAL CAPITAL, AND INVESTMENT BEHAVIOUR: EMPIRICAL EVIDENCE FROM ESG MUTUAL FUND PREFERENCES IN CULTURAL AND CREATIVE INDUSTRIES 2026-02-21T09:41:41+00:00 Purnima Negi negipurnima17@gmail.com Dr. Mini Srivastava mini.abhi13@gmail.com <p>The accelerated growth of the Environmental, Social, and Governance (ESG) investing has altered capital allocation trends, especially in cultural and creative industries (CCI) in which sustainability and ethical capital play a major role in investor sentiment. Nonetheless, there is a weak empirical research concerning the impact of sustainability perceptions and ethical orientation on ESG mutual fund choices in this industry. The fundamental issue in this study is that there is not quantitative knowledge on the drivers of behaviour in ESG investment choices among investors that are involved in CCI-related funds. The study incorporates a behavioural finance model that incorporates the sustainability consciousness, ethical capital perception, risk tolerance and expected return orientation. A questionnaire was given out to 420 retail and institutional investors in a structured form, and then it was empirically analyzed in terms of Structural Equation Modeling (SEM) and logistic regression. The findings indicate that sustainability awareness can have a positive impact on ESG mutual fund preference by 48 percentage points whereas perceived ethical capital can be used to determine investment likelihood by 37 percentage points. As compared to traditional motives of return maximization, which explain 18 percent of the decision variance, risk-adjusted expectations of returns explain 29 percent of the variance. Moreover, the demographic moderation analysis showed that the millennial investors have a preference of 52% higher in ESG allocation than other age groups do. The general model accounts 64 percent of variance in the selection behavior in ESG mutual funds. The results affirm the fact that sustainability-oriented ethical considerations are much more important than the pure financial aspects of investment decisions in the cultural and creative industries. These findings are empirical evidence in favour of the incorporation of ethical capital measures into the portfolio strategy planning and policy-making of sustainable development of finance.</p> 2026-02-17T00:00:00+00:00 Copyright (c) 2026 Purnima Negi, Dr. Mini Srivastava https://www.granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/7192 AUTONOMOUS KINETIC SCULPTURES IN VISUAL CULTURE: A CROSS-DISCIPLINARY APPROACH TO ART AND ENGINEERING 2026-02-23T06:01:35+00:00 Dr. Ashish Suresh Patel ashishpatel2108@gmail.com Dr Nandini V Dhole nandini.dhole@gmail.com Shirish Jaysing Navale sjnavale@aissmscoe.com Dr. Girish Jaysing Navale girish.navale@aissmsioit.org <p>This paper discusses a cross-disciplinary paradigm, combining aesthetics theory, motion mechanism, embedded computing and adaptive control, to create self-controlling sculptures that can dynamically interact with their surroundings. Based on historical development of kinetic art, which began with mechanical experimentation in the early 20 th century to cybernetic and interactive installations, the study places the autonomous artworks of the contemporary era in both artistic and technological traditions. The paper discusses fundamental engineering ideas underlying such systems, such as the kinematic modeling, actuator selection, microcontroller-based architectures, sensor integration and feedback control systems. Special attention is paid to more and less autonomy, beginning with the behavioral programming under rules and ending with machine learning-based adaptive behavior. Mixed-method approach is a methodology that integrates both artistic prototyping and engineering simulation and performance evaluation by allowing the further refinement of expressive and functional aspects during the process. Through experimental implementations, it can be shown that the combination of real-time environmental sensing and adaptive algorithms can be used to increase the level of audience engagement and resilience of the system.</p> 2026-02-17T00:00:00+00:00 Copyright (c) 2026 Shirish Jaysing Navale, Dr. Ashish Suresh Patel, Dr. Nandini V Dhole, Dr. Girish Jaysing Navale