ECONOMICS OF CULTURAL GOODS: MARKET FOR CULTURAL AND VISUAL ARTS IN INDIA

Authors

  • Dr. Mohammed Younus K Assitant Professor Of Economics, Government First Grade College, Kamalapur-585 313. Kalaburagi, Karnataka.

DOI:

https://doi.org/10.29121/shodhkosh.v4.i1.2023.3265

Keywords:

Cultural Goods, Visual Arts, Of Cultural Goods, Economic Goods, Non-Economic Goods

Abstract [English]

This alrticle discusses economics of cultural goods, sepcifically, visual arts, in case of India. The theoretical discussion on this question covers, often categorized traditionally, economic goods and non-economics goods. The production and marketing mechanism in respect of these two goods is subjected to indepth analysis. The case of cars prices and winning value of paintings is taken to support the arguemnt made in this article. The methodology followed is basic in nature. The prices of cars and paintings are analysed based on decriptive statistics. The results demonstrate that these two goods, though differently priced, obey laws of production and marketing within the framework of economic process. The findings of the article strengthens the argument that there are no goods which are ecxeptional to the laws of economics once they are subjected to transaction by exchange. The article conludes that cultural goods though unique in their own way comes within the scope of economic system

References

Abbing, H. (2002). Economic Value Versus Aesthetic Value: Is There Any Financial Reward for Quality? In Why Are Artists Poor?: The Exceptional Economy of the Arts (pp. 52–77). Amsterdam University Press. http://www.jstor.org/stable/j.ctt45kdz4.6 DOI: https://doi.org/10.1515/9789048503650-004

Cadela, G., &Scorcu, A. E. (1997). A Price Index for Art Market Auctions: An Application to the Italian Market of Modern and Contemporary Oil Paintings. Journal of Cultural Economics, 21(3), 175–196. http://www.jstor.org/stable/41810634 DOI: https://doi.org/10.1023/A:1007442014954

Dekker, E. (2015). Two approaches to study the value of art and culture, and the emergence of a third. Journal of Cultural Economics, 39(4), 309–326. http://www.jstor.org/stable/44289569 DOI: https://doi.org/10.1007/s10824-014-9237-y

Jevons, Stanley (1871). The Theory of Political Economy. McMillan and Company. London.

Keynes, J.M. (1936): The General Theory of Employment, Interest and Money.

Klamer, A. (1996). The Value of Culture. In A. Klamer (Ed.), The Value of Culture: On the Relationship between Economics and Arts (pp. 13–28). Amsterdam University Press. http://www.jstor.org/stable/j.ctt46mwr9.4

Lee, H.-C., Chen, W.-W., & Wang, C.-W. (2015). The role of visual art in enhancing perceived prestige of luxury brands. Marketing Letters, 26(4), 593–606. http://www.jstor.org/stable/24571618 DOI: https://doi.org/10.1007/s11002-014-9292-3

Menger, Carl (1976). Principles of Economics. Ludwig von Mises Institute. USA.

Ricardo, David (1817). On the Principles of Political Economy and Taxation. London.

Robbins, Lionel (1932). An Essay on the Nature and Significance of Economic Science. MacMillan and Company Limited. London.

Samuelson, Paul A (1947). Foundations of Economic Analysis. Oxford University Press. London.

Schönfeld, S., &Reinstaller, A. (2007). The effects of gallery and artist reputation on prices in the primary market for art: a note. Journal of Cultural Economics, 31(2), 143–153. http://www.jstor.org/stable/41810949 DOI: https://doi.org/10.1007/s10824-007-9031-1

Throsby, D. (1994). The Production and Consumption of the Arts: A View of Cultural Economics. Journal of Economic Literature, 32(1), 1–29. http://www.jstor.org/stable/2728421

Vickrey, William (1961). Counter speculation, Auctions, and Competitive Sealed Tenders. J. Financ DOI: https://doi.org/10.2307/2977633

Downloads

Published

2023-06-30

How to Cite

Younus K, M. (2023). ECONOMICS OF CULTURAL GOODS: MARKET FOR CULTURAL AND VISUAL ARTS IN INDIA. ShodhKosh: Journal of Visual and Performing Arts, 4(1), 1228–1236. https://doi.org/10.29121/shodhkosh.v4.i1.2023.3265