IMMANENCE AND THE PRINCIPLE OF ULTIMACY IN THE DIMASA CULTURE OF NORTHEAST INDIA

Authors

  • Dr. Santosh Hasnu Department of History Hansraj College University of Delhi

DOI:

https://doi.org/10.29121/shodhkosh.v4.i1.2023.2746

Keywords:

Dimasa, Tribal Culture, Animism, Creation, Harvesting Festivals, Afterlife, Immanence

Abstract [English]

The Dimasa, a tribal community in Northeast India, enjoy a long and proud heritage. Their creation stories, their celebrations of sacrifices and particularly the thanksgiving festival Bushu/Busu (harvesting festival), and their beliefs about death and afterlife are examined. Their stories, practices, and culture reveal a society that presents a non-dualistic, immanent worldview.

References

The journal Business History Review brought out a special issue on Indian business history in spring 2014. See, Barpujari, S. K. . History of the Dimasas (from Earliest Times to 1896 A.D.). Haflong, Assam: Autonomous Council, N. C. Hills District, 1997, p.15.

Baruah, S. L. A Comprehensive History of Assam. New Delhi: Munshiram Manoharlal, 1985, pp.78-80.

Barpujari, S. K. . History of the Dimasas, p.36

Bordoloi, B.N. The Dimasa Kacharis of Assam. Guwahati: The Tribal Institute of Assam, 1984, p.20.

ibid, p.30.

ibid, p.34.

Cederlof, Gunnel, Founding an Empire on India's Northeast Frontiers 1790-1840: Climate, Commerce, Polity, Oxford University Press, New Delhi, 2014. p.189. DOI: https://doi.org/10.1093/acprof:oso/9780198090571.001.0001

Danda, Dipali. Among the Dimasa of Assam: An Ethnographic Study. New Delhi: Sterling, 1978. p.144.

ibid, p. 136.

ibid, p. 134.

ibid, p. 132.

ibid, p. 113.

ibid, p. 37.

Bordoloi, B.N. The Dimasa Kacharis of Assam. Guwahati: The Tribal Institute of Assam, 1984, p.60.

Danda, Dipali. Among the Dimasa of Assam: An Ethnographic Study. New Delhi: Sterling, 1978. p.131.

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Published

2023-06-30

How to Cite

Hasnu, S. (2023). IMMANENCE AND THE PRINCIPLE OF ULTIMACY IN THE DIMASA CULTURE OF NORTHEAST INDIA. ShodhKosh: Journal of Visual and Performing Arts, 4(1), 990–996. https://doi.org/10.29121/shodhkosh.v4.i1.2023.2746