Vol. 5 No. 1 (2024): Volume 5 Issue 1 January-June- 2024

Articles

• SARUKHETRI PITAL SARAI CLUSTER: ARTISTIC AND AESTHETIC SENSE OF FOLK ART FORMS ANTHROPOLOGICAL PERSPECTIVE
  

  Dr. Drabita Dutta

  1–15

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• BOLLYWOOD CINEMA AND MENTAL ILLNESS: AN APPROACH TO BALANCE ENTERTAINMENT AND EXACTNESS
  

  Jyotsana Sinha, Gopal Singh

  16–29

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• STUDENTS' ENGAGEMENT WITH SOCIAL MEDIA REELS: SCOPE FOR NEWS OUTLETS
  

  Dr S. Kannan, Dr. M. Anuradha

  30–37

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• DANCE AS MIRROR OF SOCIAL AND CULTURAL CHANGE: A PEEK INTO MANIPURI PERFORMANCE HISTORY
  

  Dr. Khangembam Khoni

  38–51

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• DEMONIZING MOTHERHOOD: MIRRORING THE MONSTROUS FEMININE IN THE BOLLYWOOD HORROR MOVIE CHHORII (2021)
  

  Virginia Kashyap, Rashmita Devi, Dr. Prachand Narayan Piraji

  52–62

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• SATTRIYA DANCE: AN AESTHETICAL OUTLOOK
  

  Dimple Saikia

  63–71

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• REFLECTION OF BANARAS IN THE PAINTINGS OF JAYASRI BURMAN
  

  Neha Saha

  72–81

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• ENACTING THE GODS: THE PERFORMANCE OF HAOBA NURABI EPISODE IN THE LAI HARAOBA OF MANIPUR
  

  Kshetrimayum Premchandra

  82–96

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• MEDIA’S CONTRIBUTION TO SOCIETY’S RESISTANCE AND EMPOWERMENT: A STUDY OF THE GOD OF SMALL THINGS
  

  Roshee Vaid

  97–104

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• EXPLORING THE EFFICACY OF INTEGRATING ILLUSTRATION IN PACKAGE DESIGN
  

  Rajeev Sharma, Dr. Khushboo Chaturvedi

  105–114

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• TRADITIONAL HANDICRAFTS OF UTTAR PRADESH
  उत्तर प्रदेश के परम्परागत हस्तशिल्प
  

  Dr. Sunita Gupta, Ruchin Verma

  115–123

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• CULTURES OF ORALITY AND PERFORMATIVITY IN THE PERFORMING ART TRADITION OF PURULIA CHHAU
  

  Maheshwar Kumar, Dr. Amarjeet Nayak, Pranaya Kumar Swain

  124–136

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• SHRINE PAINTINGS OF THE POTRAJA COMMUNITY: DEPICTING AGRARIAN CULTURE AND RITUALS
  

  Dr. Vikram Kulkarni

  137–151

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• CHROMATIC CHRONICLES: EXPLORING THE SYMBOLISM AND SIGNIFICANCE OF COLOR IN ANURAG KASHYAP'S FILMS
  

  Tanmay Samanta, Dr. Nitesh Tripathi

  152–172

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• AN ASSESSMENT OF PARADIGM SHIFT IN PEOPLE’S PRIORITIES TOWARD INTERIOR DESIGNING OF SPACE DURING THE PANDEMIC OUTBREAK
  

  Damanpreet Chugh, Dr. Prabhjot Kaur

  173–191

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• BREAKING STEREOTYPES: PORTRAYAL OF MOTHERHOOD IN NEW-AGE MALAYALAM CINEMA WITH SPECIAL REFERENCE TO KUMBALANGI NIGHTS AND UYARE
  

  Dr. Anu Paul

  192–198

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• STUDY ON SCULPTURAL ART OF TEN JAINA IMAGES FROM THE ODISHA STATE MUSEUM OF BHUBANESWAR
  

  Ratnakar Mohapatra

  199–213

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• FEMINISM IN THE MUSICAL LANDSCAPE OF NORTH- EAST INDIA: AN IN-DEPTH ANALYSIS
  

  Dr. Samidha Vedabala

  214–221

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• UNBOXING NEW MASCULINITY: ANALYSING KEN’S EVOLUTION IN BARBIE’23
  

  Javairia Nousheen, Dr. Abhisarika Prajapati

  222–232

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• REEL RHYTHMS: A STUDY ON HOW CARNATIC MUSICIANS EMBRACE INSTAGRAM'S REEL ROUTE TO RESONATE WITH THE YOUNGER GENERATION
  

  Srivaralaxmi Venkatraman, Dr. Uma Maheswari P

  233–245

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• REFLECTION OF MEDIA IN VIOLENCE AGAINST WOMEN WITH SPECIAL REFERENCE TO LUCKNOW DISTRICT
  

  Zeeshan Haider Rizvi, Dr. Ritu Singh Meena

  246–257

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• CONTEMPORISING PUNJABI CINEMA: CHRONOLOGY AND CULTURE
  

  Dr. Harneet Kaur

  258–273

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• POEM IN MOTION: A UNIQUE BLEND OF EAST AND WEST IN SANDHYA RAJU’S PERFORMANCE POETRY OF MAYA ANGELOU’S POEM ‘PHENOMENAL WOMAN’
  

  Dr. Sajna Sanal

  274–278

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• 'DIGITAL MINIMALISM' - A STUDY TO FIND OUT WAYS TO MAKE THE BEST USE OF DIGITAL TECHNOLOGIES AND MINIMISE ITS ILL-EFFECTS
  

  Saheb Kumar, Dr. Lok Nath

  279–290

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• NṞTYA GAṈAPATI: INSIGHTS FROM LITERATURE, ICONOGRAPHY AND BHARATANATYAM
  

  K. Vadivelou, Dr. Saju George

  291–298

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• ANALYSIS OF GOVT INITIATIVES TO BOOST HANDICRAFT INDUSTRY IN INDIA
  

  Dr. Prashant Kalshetti, Dr. Sonali Patil, Bharat Jadhav

  299–314

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• A REVIEW ON HAND BLOCK PRINTING IN INDIA
  

  Preetha R

  315–330

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• A STUDY OF THE ARTISTIC TRADITION OF ELEGANT TOYS OF INDUS VALLY CIVILIZATION
  सिन्धु सभ्यता में निर्मित लालित्यपूर्ण खिलौनों की कलात्मक परम्पराः एक अध्ययन
  

  Dr. Namita Tyagi, Tulika Tiwari

  331–339

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• TANG-KHA PAINTING: AN APPRAISAL
  

  Dr. Ankush Gupta

  340–348

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• HANDLOOM AND CONSTRUCTION OF IDENTITY: A STUDY AMONG THE BODO WOMEN WEAVERS OF ASSAM
  

  Rishma Basumatary, Dr. Teresa L. Khawzawl

  349–360

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• IMPACT OF MUSICAL APPEAL IN ADVERTISEMENT ON CONSUMER MINDSET
  

  Dr. Kunal Patil, Dr . Geetali Tilak, Dr. Priyanka Pawar

  361–374

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• ROLE OF INDIAN BANKING SECTOR TO BOOST MUSIC AND PERFORMANCE ARTS INDUSTRY IN INDIA
  

  Dr. Avinash Hanmant Ghadage, Dr. Shardha Thakur, Dr. Harshal Raje

  375–391

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• EMERGENCE OF TALENT ANALYTICS IN HUMAN RESOURCE MANAGEMENT WITH REFERENCE TO MUSIC AND PERFORMING ARTS INDUSTRY IN INDIA
  

  Dr. Priyanka Kulkarni, Dr. Asmita Namjoshi, Dr. Minal D. Kalamkar

  392–404

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• MALE DIRECTORS CONTRIBUTING TO WOMEN EMANCIPATORY CINEMA: A PENTADIC ANALYSIS OF TWO INDIAN FILMS
  

  Dr. Karuna Sharma

  405–414

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• CINEMATIC DEPICTIONS OF BUSINESS: REALISM, ETHICS, AND EDUCATION
  

  Dr. R. Vasanthan, D. Keerthi, Dr. J. Karthikeyan

  415–420

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• CONTEMPORARY INDIAN WOMEN ARTISTS AS DIGITAL SOCIAL COMMENTATORS ON WOMEN'S EMPOWERMENT
  

  Deepanjali Dayal, Dr. Rajesh Chauhan

  421–427

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• UNLOCKING EXPRESSION: ART'S TRANSFORMATIVE IMPACT WITHIN THE WALLS OF MANDOLI SUB-JAIL NEW DELHI (INDIA)
  

  Jyoti

  428–440

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• AESTHETICS OF JACKAL’S JUDGEMENTS IN THE FOLKTALES OF TRIBAL COMMUNITIES OF JHARKHAND
  

  M. Ramakrishnan, Shalini Pallavi

  441–473

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• PYAAVS AND PAANPOIS - A STUDY OF THE CHANGING FACE OF PUBLIC WATER DISPENSING UNITS OF PUNE
  

  Nikita Bipin Mahajani

  474–488

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• DESIGN FOR SUSTAINABILITY USING A CRAFT-BASED HUMAN-CENTRIC APPROACH AND CONSUMER PARTICIPATION
  

  Dr. Anupam Saxena, Shalini Pandey

  489–509

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• UNFOLDING THE VISUAL ABBREVIATIONS: A SEMIOTIC READING OF ACADEMY AWARD- WINNING FILM PARASITE DIRECTED BY BONG JOON-HO
  

  Remya K. Plalamattom, Dr. Shima Mathew

  510–515

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• MAPPING TRADITION AND MODERNIZATION: A STUDY ON THE EVOLUTION OF COSTUMES OF THE TRIPURI AND REANG WOMEN IN TRIPURA
  

  Dr. Gitanjali Roy

  516–532

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• KATHAK DANCE EDUCATION AS A SOURCE OF SPIRITUAL DEVELOPMENT
  

  Anubhi Sharma, Dr. Suchitra Harmalkar

  533–541

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• PIONEERING MOTHER’S PREFERENCES FOR CHILDREN’S WEAR
  

  Divya Jaiswal, Ekta Sharma, Nargis Fatima

  542–551

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• SATIRE AND ITS RHYTHM THROUGH THE LENS OF CARICATURE AND CARTOON PRACTICES IN INDIA: A REVIEW
  

  Jashadeep Kar, Dr. Saday Chandra Das

  552–567

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• WHY THEATRE? PERSPECTIVES FROM INDIAN THEATRE ARTISTES IN THE CONTEXT OF NĀṬYAŚĀSTRA
  

  Vishakha Rajurkar Raj, Dev Vrat Singh

  568–581

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• PRACTICE-BASED PHD IN VISUAL ART: AN INQUIRY REGARDING THE CURRENT SITUATION OF INDIAN ART EDUCATION
  

  Prosenjit Raha, Pallavi Majumder

  582–595

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• READING SILAPPADIKARAM IN THE CONTEMPORARY TIMES: A STUDY OF ITS PERFORMATIVE ASPECTS
  

  Venkata Naresh Burla, Dr. M. Ramakrishnan

  596–609

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• QUESTIONS OF KNOWLEDGE AND POWER: CONTESTATIONS WITH SPECIAL REFERENCE TO THE PERFORMANCE OF DOUDINIS OF THE BODOS OF ASSAM
  

  Ivy Daimary, Dr. Madhurima Goswami

  610–618

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• THE ART OF GAMIFICATION FOR SOCIETAL MIND SHIFTS: REFINING HUMAN BEHAVIOUR THROUGH STRATEGIC ENGAGEMENT
  

  Deepak Sharma, Dr. Jitendra Sharma, Dr. Niket Mehta

  619–631

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• EMPOWERING COMMUNITIES: ASSESSING THE EFFECTIVENESS OF PROGRAMS AND LISTENERSHIP OF COMMUNITY RADIO
  

  Shivam Rastogi, Dr. Ravi Suryavanshi

  632–641

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• EXPLORING SKILLS THAT CAN BE IMPARTED TO PHYSICALLY CHALLENGED YOUTH FOR SELF- RELIANCE
  

  Madhu Bala Singh, Dr. Nargis Fatima, Dr. Ekta Sharma

  642–651

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• (CON) TEXTUALISING GOND ART AND PAINTINGS FOR LIFE WRITING AND INDIAN GRAPHIC NARRATIVE: REFERENCE TO BHIMAYANA: EXPERIENCES OF UNTOUCHABILITY
  

  Sushil Sarkar

  652–665

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• DESIGN DEVELOPMENT AND DIGITAL PRINTING OF HOME FURNISHING ARTICLES USING “AQUATIC MOTIFS”
  

  Divya Jaiswal, Ekta Sharma, Nargis Fatima

  666–674

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• EXAMINE THE VIEWPOINTS OF B.ED. TEACHERS REGARDING THEATER-BASED TEACHING (TBT)
  

  Vinod Kumar Jain, Ruby Sharma

  675–690

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• MIGRATION WITHIN FRAMES: REPRESENTATION OF GULF MIGRATION IN THE CARTOONS OF KERALAM
  

  Dr. Basil Thomas, Dr. Gem Cherian

  691–702

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• THE IMPACT OF STREAMING SERVICES ON YOUTH TELEVISION VIEWING HABITS AND MEDIA LITERACY
  

  Dr. Somanath Sahoo

  703–716

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• METAPHORICAL RESONANCE: GURU DUTT’S CINEMATIC INTERPRETATION OF ‘KAAGAZ KE PHOOL’ AND ITS PARALLEL WITH ‘DEVDAS’
  

  Dr. Rashi Mishra

  717–728

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• ANALYZING RAGHU RAI'S PHOTOGRAPHIC EXPEDITION AND CULTURAL HERITAGE PRESERVATION IN INDIA
  

  Dr. C P Rashmi

  729–742

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• EXPLORING THE HISTORICAL LAYERS OF VICTORIAN SOCIETY & FASHION TRENDS: A LITERARY REVIEW
  

  Jyoti Sawant, Ramratan Guru, Priyanka Yadav, Makarand Sharad Bapat, Jaswant Singh, Paramjeet Kaur

  743–757

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• NURTURING CREATIVITY IN NON-ART-SPECIALISED PROSPECTIVE TEACHERS: A CASE STUDY
  

  Susmita Lakhyani

  758–771

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• KATHAKALI'S SOCIAL MAGIC: THE SOCIAL PRESENCE OF THE DANCE DRAMA
  

  Vishnu Achutha Menon, N Boobalakrishnan, Prasad Aswathi, Amrita S, Juby Thomas

  772–784

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• VERNACULAR ARCHITECTURE OF JODHPUR: A RESILIENT APPROACH TO SUSTAINABLE ENVIRONMENT
  जोधपुर की स्थानीय वास्तुकला- उर्जा संकट की पूर्ति हेतु एक लचीली प्रणाली
  

  Aruna Baghel, Dr. Priyanka Mehta, Dr. Anshu Agrawal

  785–815

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• PROPAGANDA IN AIADMK'S 2021 CAMPAIGN SONG: A MULTIMODAL DISCOURSE ANALYSIS
  

  Neelambari G V, Balasubramaniam Jeyapal

  816–827

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