COMMUNICATING AFRICANNESS THROUGH A CONTENT ANALYSIS OF MUSIC, DANCE, VISUAL ARTS AND LITERARY WORKS OF AFRICAN BLACKS IN THE DIASPORA

Authors

  • Ewomazino Daniel Akpor Associate Professor, Department of Mass Communication, University of Delta, Agbor, Delta State, Nigeria
  • Ayo Ernest Elebute Professor, Resource Centre for Arts, Culture and Communication Development, Cherry Tree Court, Fairlawn London, SE7 7DX, United Kingdom
  • Bettina Oboakore Agbamu Lecturer 1, Department of Mass Communication, University of Delta, Agbor, Delta State, Nigeria
  • Suleiman Ileanwa Ocheni Research Fellow, Resource Centre for Arts, Culture and Communication Development, Ibadan, Oyo State, Nigeria
  • Olayinka Foluso Daramola Lecturer 1, Department of Mass Communication, Hallmark University, Ijebu Itele, Ogun State, Nigeria
  • Jacob Olawuyi Assistant Lecturer, Department of Mass Communication, Hallmark University, Ijebu Itele, Ogun State, Nigeria

DOI:

https://doi.org/10.29121/shodhkosh.v7.i1.2026.6606

Keywords:

African Diaspora, Cultural Communication, Identity Formation, Diasporic Literature, Intercultural Dialogue

Abstract [English]

This study investigates how Black people in the diaspora have retained and adapted their traditional art forms such as music, dance, visual arts, and literary works, as communication tools for expressing and negotiating Africanness within transnational contexts. Anchored in communication studies and African diaspora scholarship, the research adopts a content-analysis design to examine a purposive sample of creative productions, including Afro-beats, hip-hop fusions, diasporic visual arts and performance displays, as well as contemporary African diasporic literature. Through systematic coding and thematic analysis, the study identifies recurring communication patterns, symbols, and narrative motifs that convey identity, belonging, resistance, and cultural memory. The findings reveal that diasporic African artists and performers employ performance, imagery, movement, rhythm, and storytelling as multimodal languages that sustain cultural continuity while challenging Eurocentric representations. These artistic forms reimagine Africa as both a geographic reality and a symbolic homeland, enabling dispersed communities to articulate shared histories and collective aspirations. Furthermore, the creative expressions function as communicative acts of identity construction, allowing individuals and groups to negotiate hybrid cultural spaces while maintaining connections to ancestral traditions. The study concludes that the arts operate as powerful sites of intercultural dialogue, resistance, and solidarity, reaffirming the centrality of communication in preserving diasporic cohesion and transmitting African cultural consciousness across generations. Ultimately, this research contributes to interdisciplinary conversations on cultural communication, transnational identity formation, and the role of artistic expression in shaping global narratives of the African diaspora.

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Published

2026-02-09

How to Cite

Akpor, E. D., Elebute, A. E., Agbamu, B. O. ., Ocheni, S. I., Daramola, O. F. ., & Olawuyi, J. (2026). COMMUNICATING AFRICANNESS THROUGH A CONTENT ANALYSIS OF MUSIC, DANCE, VISUAL ARTS AND LITERARY WORKS OF AFRICAN BLACKS IN THE DIASPORA. ShodhKosh: Journal of Visual and Performing Arts, 7(1), 71–85. https://doi.org/10.29121/shodhkosh.v7.i1.2026.6606