BEYOND THE OFFICIAL PHOTOGRAPH: COMPARATIVE STUDY OF MEDIA AND PARTY PORTRAITS OF INDIAN WOMEN POLITICIANS

Authors

  • Lubna Sadaf Naqvi Ph.D., Research Scholar, Department of Political Science and Public Administration, School of Humanities and Social Science, Nims University Rajasthan, Jaipur- 303121, India
  • Dr. Bikashdev Chhura Assistant Professor and Head, Department of Political Science and Public Administration, School of Humanities and Social Sciences, Nims University Rajasthan, Jaipur-303121, India
  • Aarti Sharma Research Scholar, Ganpat University, Mehsana, Gujarat, India
  • Prof. Dr. Bhavana Sharma Professor of Law, The Assam Royal Global University, Guwahati, Assam, India
  • Dr. Sumit Agarwala Associate Professor, Royal School of Law and Administration, Assam, India
  • Dr. Amit Verma Associate Professor and Assistant Registrar (Helpdesk), Journalism and Mass Communication, Centre for Distance and Online Education, Manipal University Jaipur, India

DOI:

https://doi.org/10.29121/shodhkosh.v7.i1.2026.7044

Keywords:

Visual Politics, Women Politicians, Political Portraits, Media Framing, Party Communication, Gendered Representation, Political Imagery

Abstract [English]

In modern democracies, political portraits are quite important in the development of the perception of the populace regarding leadership, legitimacy and gender. This paper analyzes the visual representation of Indian women politicians under three types of regimes, namely, official, party, and media, which are ruled by various institutional, ideological and journalistic logics. Going beyond the analysis of isolated images, the study uses the comparative framework including the visual content coding, the regime-based analysis, and the evaluation based on the case studies. A data collection of publicly available portraits was collected through a structured coding scheme that comprises of setting, pose, affect, symbolism, textual elements, and personalization. The results indicate systematic differences at the regime level: institutional power and disinterest are highlighted in official portraits, ideological symbolism and collective identity are in the foreground of party portraits, and personalization, dramatization, and emotional expressiveness are prioritized in media portraits. Cases allow also revealing that identical political players are graphically re-created even between regimes, and reveal a stable trade-off between power and personalization. This research is important to visual politics and gender studies by providing a regime-specific approach of analyzing how political imagery reproduces negotiation of gendered leadership stories. The findings highlight the importance of considering visual analysis as a unified part of political communication studies and have a base to conduct cross-national, longitudinal, and computational research of political representation.

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Published

2026-01-31

How to Cite

Naqvi, L. S., Chhura, B., Sharma, A., Sharma, B., Agarwala, S., & Verma, A. (2026). BEYOND THE OFFICIAL PHOTOGRAPH: COMPARATIVE STUDY OF MEDIA AND PARTY PORTRAITS OF INDIAN WOMEN POLITICIANS. ShodhKosh: Journal of Visual and Performing Arts, 7(1), 60–70. https://doi.org/10.29121/shodhkosh.v7.i1.2026.7044