Vol. 3 No. 2 (2022): Volume 3 Issue 2 July-December - 2022

Articles

• CONTEMPORARY INDIAN ART FOR THE ANTHROPOCENE ERA: TAKING CHARGE OF A DYING PLANET
  

  Anukriti Bajpai

  1-14

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• INDIAN ART IN CONTEXT: MANUSCRIPT PAINTINGS OF BAL-GOPAL-STUTI
  

  Ruchi Agrawal, Dr Anu Ukande

  15-21

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• THE DANCE FORMS OF A DOUDINI IN KHERAI FESTIVAL OF THE BODOS OF ASSAM: AN ANALYTICAL STUDY FROM RELIGIOUS PERSPECTIVE
  

  Tapasi Hajowary

  22-30

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• A STUDY ON COLLAGE TECHNIQUE BY CONTEMPORARY INDIAN ARTISTS
  समकालीन भारतीय कलाकारों की कोलाज तकनीक का अध्ययन
  

  Manisha Verma, Ishwar Chand Gupta

  31-37

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• FOLK-STYLE TRADITIONS IN INDIGENOUS ART OF JAMINI ROY
  

  Sonika

  38-45

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• AN OVERVIEW OF FAIR AND FESTIVALS OF THE BODOS AND PARTICIPATION OF WOMENFOLK
  

  Bibungsar Swargiary biton

  46-56

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• SOHAN QADRI- A PAINTER IN SEARCH OF SEED OF SPIRITUALITY
  

  Kavita Singh

  57-65

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• SAYED HAIDER RAZA -A CELEBRATION OF NATURE
  

  Meenakshi Thakur

  66-72

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• COWRIE SHELLS IN OJO-ALAWORO: A NEXUS OF ART, CULTURE, TRADITION, HERITAGE, AND ECONOMIC DEVELOPMENT
  

  Noah Oluwasanjo AJAYI, ADEKOYA, Elizabeth Olanike

  73-88

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• THE MODALITY OF PROPPIAN “FALSE HERO”: NEITHER A HERO NOR A VILLAIN IN (FOLK) NARRATIVES AND REAL LIFE
  

  Ramakrishnan M.

  89-104

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• PROJECTING SELF ON SOCIAL MEDIA: A DRAMATURGICAL CONFLICT
  

  Dr. Chitra Tanwar, Dr. Anil Kumar Pandey

  105-114

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• THERUKUTHU AS A TRAINING METHOD FOR CONTEMPORARY THEATRE ACTOR
  

  Dr. K.R. Rajaravivarma, Suresh Chandra Das

  115-122

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• EN PLEIN AIR: A COMPARATIVE STUDY OF SUNLIGHT IN MANSFIELD AND MONET
  

  Utsha Roy

  123-131

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• “LA LA LA AMERICA”: A MULTIMODAL ANALYSIS OF SELECT SONG IN THE HOLLYWOOD MUSICAL WEST SIDE STORY (1961)
  

  Dr. Sajna Sanal

  132–143

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• UNVEILING THE MYSTIC REALMS OF NATURE- ARTIST PREM SINGH
  

  Kavita Singh

  144-151

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• READING RESEMBLANCES AND FLUIDITY BETWEEN THE ZIKIR SONGS OF AZAN FAKIR AND OTHER SONG GENRES IN ASSAM
  

  Dipanjali Deka

  152-159

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• FOLK MUSIC OF WESTERN ODISHA ‘GANDA BAJA’ THE TRADITION IN TRANSITION
  

  Deep Prajapati

  160-171

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• POTTERY IS A TRADITIONAL ART FORM OF THE BARAK VALLEY IN ASSAM, INDIA: A STUDY
  

  Dr. Binoy Paul

  172-175

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• DESIGN THINKING AS AN INNOVATIVE TEACHING METHOD FOR MEDIA AND COMMUNICATION COURSES
  

  Dr. G. Suresh Kumar

  176-195

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• CONFLICTS OF MEDIA REPRESENTATION; COMPARING DOMINANT THEORETICAL PERSPECTIVES
  

  Nabeel A, Dr V Sundararaman

  196-206

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• WARLI PAINTING: AESTHETICS OF INDIGENOUS ART FORM OF INDIA
  

  Dr. Mrutyunjaya Rao Kota

  207-215

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• ENHANCING COMMUNICATION SKILLS OF PROSPECTIVE TEACHERS THROUGH THERU-K-KOOTHU (STREET PLAY) – AN EMPIRICAL RESEARCH STUDY
  

  V. Parthiban, Dr. M. Vakkil

  216-225

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• A STUDY ON CONSUMER BEHAVIOUR OF URBAN INDIAN WORKING WOMEN TOWARDS OFFICE WEAR OUTFITS AND SUSTAINABLE FASHION
  

  Vandana Tripathi Nautiyal, Dr. Avadhut Atre

  226-235

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• DHVANI AND DANCE- CAN THERE BE A RELATIONSHIP?
  

  Pujita Krishna

  236-243

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• AN ANALYTICAL STUDY OF MANIPUR PAINTINGS IN PRE AND POST INDIA INDEPENDENCE
  

  Dr. Meinam Irikhomba Meetei

  244-251

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• SILENCE AS THE RHETORIC OF RESISTANCE IN HEISNAM KANHAILAL’S THEATRE PRACTICE
  

  Pranab Kumar Mandal

  252-258

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• CHILDHOOD EXPERIENCES IN PAINTINGS: EXPRESSIONS BY CONTEMPORARY INDIAN ARTISTS
  

  Tarun Kumar Sharma, Dr Shahid Parvez

  259-271

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• BUILDING ART DIPLOMACY: THE CASE OF CONTEMPORARY AMERICAN ART EXHIBITION IN LATIN AMERICA, 1941
  

  Andrea Matallana

  272-286

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• WEB SERIES CONTENT AND CHANGING LIFESTYLES OF THE AUDIENCES OF MADHYA PRADESH: AN ANALYTICAL STUDY
  वेब सीरीज विषयवस्तु व मध्य प्रदेश के दर्शकों की बदलती जीवनशैली एक विश्लेषणात्मक अध्ययन
  

  Manoj Patel, Shivendra Mishra

  287-301

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• WHAT DOES THE DMK’S 2021 ELECTION CAMPAIGN SONG FOCUS ON? : A MULTIMODAL DISCOURSE ANALYSIS
  

  G V Neelambari

  302-320

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• THE BASIS FOR THE CREATION OF THE DEPICTION DESCRIBED IN THE CHITRASUTRA
  चित्रसूत्र में वर्णित चित्रण सृजना के आधार
  

  Hari Om Shanker

  321-325

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• ROLE OF GURU IN THE SUSTENANCE OF PASSION TOWARDS CLASSICAL DANCE: A QUALITATIVE ENQUIRY
  

  Aishwarya Marathe, Rekha Wagani

  326-340

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• VIRTUOSITY OF RAJA RAVI VARMA AND SHYAM BENEGAL’S BHUMIKA – A VISUAL RELATION
  

  Rishabh Kumar, Anketa Kumar

  341-354

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• INCLUSIVITY IN SOCIAL MEDIA ADVERTISING: WAY AHEAD FOR BRANDS
  

  Neeru Joon, Meenakshi Hooda

  355-361

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• ABLEISM, STYLE, AND VISIBILITY: THE SHIFTING NARRATIVE AROUND BODY, BEAUTY, AND DESIRABILITY
  

  Farhan Ahmad, Jaspreet Kaur

  362–368

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• MEDIATING ROLE OF PRINT MEDIA IN SHAPING AWARENESS AND PERCEPTION ABOUT KISAN SAMMAN NIDHI SCHEME: A STUDY ON FARMERS OF GORAKHPUR DISTRICT UTTAR PRADESH
  

  Bal Krishna Mishra, Dr. Neekee Chaturvedi

  369–376

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• TEXTILE TECHNOLOGY OF MEITEI COMMUNITY AND ITS ASSOCIATED BELIEF SYSTEMS
  

  Dr. Yumnam Sapha Wangam Apanthoi M.

  377–387

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• A METAMORPHIC ANALYSIS OF FEMALE FORMS IN INDIAN PAINTINGS: MODERN & CONTEMPORARY PERIOD
  

  Saini Barkha, Pratibha

  388–397

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• ARRIVAL OF COMPLEX TV IN TAMIL OTT SERIES: A STUDY OF SUZHAL - THE VORTEX
  

  Maruthu Pandian, Sathyaprakash M. R

  398–410

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• REVALUATION OF TRADITIONAL PERFORMING ARTS IN THE POST-INDEPENDENT INDIAN THEATRE
  

  Dr. Venkata Naresh Burla, Dr. Sudarshan Yadav

  411–422

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• A STUDY ON THE USAGE OF CAMERA TECHNIQUES FOR COMMUNICATION IN CINEMA (WITH SPECIAL REFERENCE TO MRINAL SEN’S BHUVAN SHOME)
  

  Sheuli De Sarkar, Dr. Urvashi Parmar

  423–429

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• BLADE RUNNER 2049: A CASE STUDY OF AVANT-GARDE STORYTELLING
  

  Dr. Amrita Chakraborty, Dr. Sunayan Bhattacharjee

  430–436

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• SOCIAL INCLUSION OF WOMEN IN INDIAN ADVERTISING
  

  Vishwajit Singh

  437–446

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• ARTISTIC ANALYSIS OF HANDCRAFTED HORSES DEDICATED TO LOKDEVTA BABA RAMDEVJI
  लोकदेवता बाबा रामदेवजी को अर्पित हस्तशिल्पिय घोड़ों का कलात्मक विश्लेषण
  

  Manish, Dr. Renu Sharma

  447–457

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• THE ROLE OF VISUAL NARRATIVE IN ADVERTISING: DEPICTIONS OF WOMEN IN THE FRAMEWORK OF TEA CULTURE DURING INDIA'S COLONIAL PERIOD
  

  Nimesh Shah

  458–466

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• FEMINIST MESSAGES IN GURU DUTT’S PYAASA (1957): A DISTINCTIVE CASE STUDY
  

  Dr. Sunayan Bhattacharjee, Dr. Amrita Chakraborty

  467–476

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• HISTORIC INDIAN TEXTILES OF GOLD AND SILVER
  

  Radhana Raheja, Dr. Simmi Bhagat

  477–494

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• THE ART OF CAPTURING IMAGINATION IN CONTEMPORARY PAHARI MINIATURES
  

  Nirupama Singh

  495–503

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• THE STYLISTIC BEAUTY OF RABINDRANATH TAGORE'S PAINTINGS
  रवीन्द्रनाथ टैगोर के चित्रों का शैलीगत सौन्दर्य
  

  Dr. Poonam

  504–509

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• PERFORMING IDENTITIES, SEXUALITIES AND PLEASURES: A TRIBUTE TO LEO BERSANI (1931-2022)
  

  Abhijit Maity

  510–515

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• A CONCEPTUAL STUDY ON BHAJAN INTERPRETATION BASED ON ‘BHAJAN SAMRAT’ PADMASHREE DR. ANUP JALOTA’S POINT OF VIEW
  

  Manali Ghosh, Dr. Manasi Majumdar

  516–526

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• SERIOUSLY FRIVOLOUS: A NARRATIVE REVIEW OF THE GLOBAL EFFECTS OF POLITICAL HUMOUR ON POLITICAL SOPHISTICATION
  

  Pratibha Rani, Dr. Sudarshan Yadav

  527–539

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