A STUDY ON THE USAGE OF CAMERA TECHNIQUES FOR COMMUNICATION IN CINEMA (WITH SPECIAL REFERENCE TO MRINAL SEN’S BHUVAN SHOME)
DOI:
https://doi.org/10.29121/shodhkosh.v3.i2.2022.217Keywords:
Cinema, Camera Techniques, Communication Process, Mass MediaAbstract [English]
Communication is one of the most important parts of human life. We cannot live without communicating with each other. There are many forms and mediums of communication among which cinema is considered one of the most important modes of communication. Not only this it also has the power to influence the mass and bring about some changes in the society. It has the power to shape the mind of people and give them a new direction in life. Films are made in many different spoken languages, but cinema has its own visual language as well. Camera techniques are one of them. A lot is conveyed through cameras in movies which at times even dialogues cannot convey. The camera is not just used to record the act done by the actors, but it is the bridge between the audience and the performers which helps to connect them to each other. Using camera techniques in a way which leaves a good and long impact over the mind of the audience is difficult and only good directors gave the capability of doing so. When we watch any movie, we are taken into the journey of characters by the director and camera plays the role of a vehicle which helps us to go on this journey. Thus, camera can be considered not just equipment but a tool for making the story telling process more interesting and the process of communication more impactful.
Downloads
References
Baranowski, A. M. (2017). Effect of Camera Angle on Perception of Trust and Attractiveness. Empirical Studies of the Arts, 1-11. https://doi.org/10.1177/0276237417710762. DOI: https://doi.org/10.1177/0276237417710762
Chandler, D. (2001). The ‘Grammar’ of Television and Film.
Choudhary, B., and Bhattacharyya, K. (2014). Communication from Indian Perspective with Special Reference to Nātyashāstra. Dev Sanskriti Interdisciplinary International Journal, 4, 62–72. https://doi.org/10.36018/DSIIJ.V4I0.46 DOI: https://doi.org/10.36018/dsiij.v4i0.46
Jowett, G. (1991). Movies as Mass Communication. Canadian Journal of Communication, 16(2). https://doi.org/10.22230/cjc.1991v16n2a617
Kumar, A. (2019). Bhuvan Shome – An Analysis with Reference to 5 Codes of Roland Barthes. International Conference of Modern Research in Social Science. Milan : IOMRSS, 39-38.
Kumar, K. J. (2013). Mass Communication in India. Jaico Publication House.
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Sheuli De Sarkar, Dr. Urvashi Parmar
This work is licensed under a Creative Commons Attribution 4.0 International License.
With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute, and/or copy their contribution. The work must be properly attributed to its author.
It is not necessary to ask for further permission from the author or journal board.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.