Name: Dr. Prashant Phirangi

Affiliation: Assistant Professor-Stage-II, Department of Graphic Art (Printmaking), Visva-Bharati, Central University, India

Email: prashant.phirangi@visva-bharati.ac.in / phirangi.007@gmail.com

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Dr. Prashant Phirangi is Assistant Professor-Stage-II, Department of Graphic Art (Printmaking), Visva-Bharati, Central University, India.

Educational Qualifications:

• 2006-B.F.A in Painting, Gulabarga Univesrsity, Kalaburgi-585105, Karnataka, INDIA
• 2008-M.F.A. in Graphic Art (Printmaking), Visva-Bharati-Central University, Santiniketan,West Bengal, INDIA
• 2009-UGC NET Qualified in Visual Arts (UGC Ref.8542/NET-JUNE-2009 Roll No:2400806)
• 2018-Ph-D in Graphic Art (Printmaking)-“New Ways of Indian Printmaking: Documentation and Critical Analysis” (Date of Registration -13.09.2013/VB-63 of 2006-2008, Date of Award 29/08/2018)

Projects:

• Jan’2023- till Present- working on ‘Plate Lithography : Experimentation and Documentation’ Self-funded project for Academic and research purpose
• March’2020- Did a ‘Non-toxic Printmaking’ financial assistance for minor research by Visva-bharati University, Santiniketan. /Project-FY-2019-20
• Feb’2014- did a ‘Cyanotype Process’ financial assistance for minor research by Dept. of Graphic Art,Visva-bharati University, Santiniketan

Workshop/Academic Programme:

• 2019- Resource person for ‘Etching viscosity & ‘Polyester Plate-Lithography’ at Charukala, Faculty of fine arts, University of Dhaka, Bangladesh
• 2018- Resource person for the ‘Cyanotype process’ in Mayo School-Ajmer, Rajasthan
• 2018- Resource person for ‘Gum dichromate Process’ in the School of Fine Arts -Nagpur, Maharashtra
• 2017- Resource person for the ‘Cyanotype process’ at the Chitrakala Parishath, Bengaluru, Karnataka
• 2016- Resource person for ‘Polyester Plate-Lithography’ at college of visual arts, CAVA, Mysore, Karnataka
• 2015- Resource person for ‘Cyanotype process’ at Charukala, Faculty of fine arts, University of Dhaka, Bangladesh
• 2015- Resource person for the ‘Mixed Media’-Printmaking workshop, at ideal fine arts, Gulbarga, Karnataka
• 2014- Resource person for the ‘Mixed Media Printmaking’ at Chitrakala Parishath, Bengaluru, Karnataka
• 2013- Resource person for the ‘Cyanotype Process’ at Chitrakala Parishath, Bengaluru, Karnataka

Seminars /talks/Lecture Presentation:

• 2021-webinar- on ‘digital art’ organized by kannada university, Hampi, Karnataka
• 2021-webinar- on “contemporary art: digital wave” organized by Delhi public school Hyderabad
• 2020-national conference on the contribution of ‘Dr. B.R. Ambedkar to modern India’ organized by sc/st/obc cell Visva-Bharati university
• 2019-presentation and seminar on “polyester plate lithography and etching viscosity process” at charukala, faculty of fine art, Dhaka University, Bangladesh
• 2018- presentation and seminar on “cyanotype process” at mayo girl’s school Ajmer, Rajasthan
• 2018-presentation and seminar on “gum bichromate process” at the School of fine arts, Nagpur, India
• 2016- presentation and seminar on ‘non-toxic printmaking’ Chitrakala Parishath, Bengaluru, Karnataka
• 2016 paper presentation on “non- toxic printmaking” students workshop at dept. of Graphic art, Visva-Bharati university, Santiniketan
• 2015-presentation of works on ‘cyanotype’ at the faculty of fine art, Dhaka University, Bangladesh
• 2012- national level on “installation art” seminar at Gulbarga University, Gulbarga, Karnataka

Exhibition:

• 2022-G7 Szekelyfodi grafikai biennale, Szeklerland
• 2023-“The road less traveled’ international Printmaking exhibition, Chola Art Gallery, CHALAKUDY, Kerala
• 2022-2nd International print biennale,Exhibition at Chitrakala Parishath, Bengaluru
• 2022-IPC international mini-print national Taiwan Normal University, TAIWAN
• 2022-“The road less traveled’ international exhibition of Prints, Kerala Lalithkala Akademi Art Gallery , KOZHIKODE
• 2022-mini print biennale- Microtopia International Art fest’22, Bangladesh
• 2021-2nd International print biennale,Lalitkala Academi, Jahangir Art Gallery -Mumbai
• 2020-Cyanotype print in alternative photography.com USA
• 2017- guanlan prints exihibition China
• 2017-21st international ex-libris and small graphics competition sint-niklaas
• 2017-greek biennial of prints-GREECE
• 2016-mtg-international triennial of prints Krakow-POLAND
• 2016-guanlan prints exihibition china
• 2016-‘voda fest’-baroda-gujrat, India
• 2016-mini print exhibition –goa, India
• 2010-mmx-american biennale exhibition, university of Iowa, USA
• 2010-11th international Triennale of prints-krakow-Poland
• 2009-14th international biennale of prints-France

Awards:

• 2021-2nd prize ‘best drawing’ Kurukshetra University, Kurukshetra
• 2017-best entry-21st international exlibris-sint-niklaas-Poland
• 2017-7th aifacs, “digital art, aifacs-award”, new Delhi
• 2017-Guanlan print biennale China
• 2016-litho kielce’15-trinnale-Krakow, Poland
• 2015-2nd prize- Greek biennial of prints-Greece
• 2015-best entry -mtg-2015-international triennial of prints Krakow-Poland
• 2013-4th international Guanlan print biennale China
• 2009-14th international biennale of prints-France

Administrative Experience:

• 2020-2021, 2021-2022 & 2022-2023-NEP Committee member, Kala-Bhavana(Institute of fine Arts), visva-bharati, University, Santiniketan
• 2022-23-Ordinance Committee member, Kala-Bhavana(Institute of fine Arts), visva-bharati,University, Santiniketan
• 2023-Subject Expert-Selection Committee, DAV Public School, Durgapur
• 2021-22-Currier Advancement Scheme – Member (Institute of fine Arts), visva-bharati,University, Santiniketan
• 2022-2023- Member of Board of Studies- External member, Davangere University, Karnataka
• 2021-2022 Member PhD -Ordinance committee, Kala-Bhavana (Institute of fine Arts), visva-bharati, University, Santiniketan
• 2020-21,2021-22 Member of Departmental Research Committee, (Institute of fine Arts), visva-bharati, University, Santiniketan
• 2021-Co-ordinator- Admission Cell, (Institute of fine Arts), visva-bharati, University, Santiniketan
• 2021-2022-Superientedent of Examination, (Institute of fine Arts), visva-bharati, University, Santiniketan
• 2020-2021-Superientedent of Examination, (Institute of fine Arts), visva-bharati, University, Santiniketan
• 2019-External Examiner-PG-Examination Duty, M.S. University, Vadodara
• 2017-External Examiner-UG-Examination Duty, Lucknow University, Lucknow
• 2017-Member CBCS-Syllabus committee, Kala-Bhavana (Institute of fine Arts), visva-bharati, University, Santiniketan

Publications:

• 2021-‘Rubbings:An Art of Documentation’, ISSN:2629-1452, Ongshumali-Magazine
• 2021-“Digitography:Ondugrahike”, KARBIL/2015/64767,Vol-3,Issue-9, ‘DrushyaBelaku’RigionalKannada&English Bilingual Art magazine
• 2021-‘Urbanization in Visual perception’Vol-8,issue-2,pageNo-144-147, ISSN:2349-5162, JETIR-Journal of Emerging Technologies and Innovative Research
• 2021-Art: as a medium of Communication’, ARTIST’sNOTION-Vol-01, Artikel-Art Magazine
• 2019-‘Perception of Digitography’,Vol-IX,Issue-XVIII-XIX,Page-No-42-47, ISSN:2348-5337, Art Echo Publisher, Shilpangan
• 2019-‘Printmaking:The Medium Expression in a Mechanical Reproduction’Vol-8, issue-2,Page.No-30-33, Print-ISSN:2278-3296/Online-ISSN:2349-4441, Indian Journals Academic Discourse: A Refereed Research Journal
• 2018-‘The Role of prints’,Vol.-01, issue-04,page no-283-286, ISSN:2456-4303, IJMLSS-International Journal of manegement, Law & Science Studies
• 2018-‘Printmaking Perspectives:The Contemporary Phenomena of Old Methods’ Vol-5,No-17, page-No-120-123, ISSN-2348-6228, CURRENT JOURNAL
• 2018-‘Transformation: image making in printmaking’Vol-5, Issue-9, Page No-08-11, ISSN:2394-4404,IJIRAS-International Journal of innovative Research & Advanced studies
• 2018-‘Xylography:Interpretation of Wood plank’Issue-109,PageNo-44-50, ISBN:978-81-938383-6-5, ‘KalaVaarthe’Karnataka lalitha kala academi
• 2018-‘A Notion: stop motion animation’Vol-7,issue-2,Page.No-13-23, Print-ISSN:2278-3296/Online-ISSN:2349-4441, Indian Journals,Academic Discourse: A Refereed Research Journal
• 2017-‘Cyanotype:An Experimentation of Printmaking in Non-Conventional Method’Vol-4,N0-17, Page no.-251-256, ISSN:2319-6297, The Original Source
• 2017-“Non-toxic Printmaking” KARBIL/2015/64767, Vol-2, Issue-7, Page No-50-57, ‘DrushyaBelaku’Rigional Kannada & English Bilingual Art magazine
• 2017-“A Creative Attitude in printmaking” Vol.IV, No-1, Page no-241-246, ISSN:2348-6708, The Voice-JOURNAL
• 2017-“An approach :New Ways of printmaking”,Volume:6,issue:1, Page No-28-37, Print-ISSN:2278-3296/Online-ISSN:2349-4441, Indian Journals, Academic Discourse: A Refereed Research Journal