LEGACY OF PATRIARCHAL GOD AND THE POLITICS OF MYTH-MAKING: LOCATING THE GENDERED POSITION IN RELIGIOUS VISUAL ART

Authors

  • Abhijit Maity Lecturer, Department of English, Mahishadal Girl’s College, Vidyasagar University, West Bengal, India https://orcid.org/0000-0003-1265-0281

DOI:

https://doi.org/10.29121/shodhkosh.v3.i1.2022.66

Keywords:

Gendered Visual Culture, Myth-Making, Feminism and Religion, Patriarchy In India

Abstract [English]

This essay discusses how the imagination of women in India is framed up by the gender-biased mythical representations. By looking at the mythical representations that are circulated through centuries in many popular mages, paintings and calendar-portraits, a discursive pattern can be found that has positioned women in a secondary level, belonging to men. The family itself becomes a political site in the process of normalizing women’s submissiveness to men by comparing their actions with the Goddesses. By interrogating the gendered position of Goddess like Lakshmi and her male counterpart Lord Vishnu, this essay attempts to problematize with the mode of representation in religious visual images. I conclude by arguing that these religious representations in visual images have negative impact on the Hindu women, especially, in rural areas, and thus, keep the unhealthy gender role intact in Indian society.

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References

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Published

2022-01-15

How to Cite

Maity, A. (2022). LEGACY OF PATRIARCHAL GOD AND THE POLITICS OF MYTH-MAKING: LOCATING THE GENDERED POSITION IN RELIGIOUS VISUAL ART. ShodhKosh: Journal of Visual and Performing Arts, 3(1), 7–14. https://doi.org/10.29121/shodhkosh.v3.i1.2022.66