CONFLUENCE OF ART AND TECHNOLOGY WITH SPECIAL REFERENCE TO CONTEMPORARY ART PRACTICE IN INDIA

Authors

  • Dr. Waseem Mushtaq Associate Professor, Fine Arts Section, Women’s College, Aligarh Muslim University, U.P. India

DOI:

https://doi.org/10.29121/shodhkosh.v3.i1.2022.50

Keywords:

Art and Technology, Postmodernism, Indian Contemporary Art

Abstract [English]

For centuries, across the worlds, artists have struggled to invent new techniques to perfect their articulation, which in turn has changed art and its relation to the viewer. In the course of art history technology has served as a useful aid to develop innovative methods for making art. For long the utilitarian notion of technology did not clash with the metaphysical or intuitive notions of art. But in modern times the reproduction technology has raised questions concerning authenticity and originality of an artwork. In the present transitory times, the digital technology is continuously redefining art and the manner in which the art/audience response circuit has undergone a paradigm shift.  The present paper attempts to delineate a capsule account of the confluence between art and technology in general and discuss how Indian contemporary artists engage the art/technology interface in their art practice.

Downloads

Download data is not yet available.

References

Baldwin J. (2015). Self-Immolation by Technology': Jean Baudrillard and the Posthuman in Film and Television. In. Hauskeller M., Philbeck T.D., Carbonell C.D. (Eds.). The Palgrave Handbook of Posthumanism in Film and Television, Palgrave Macmillan. London. https://doi.org/10.1057/9781137430328_3. DOI: https://doi.org/10.1057/9781137430328_3

Benjamin, W. (1935). The Work of Art in the Age of Mechanical Reproduction. a. Prism Key Press.

Dadi, I. (2010). Modernism and the Art of Muslim South Asia, The University ofa. North Carolina Press.

Halley, P. (2014). Abstraction and Culture, Aroop, A Series of Arts, Poetry, and Ideas. Raza Foundation. New Delhi.

Hoskote, R. (2003). Indian Art : Influences and Impulses in the 1980s and 1990s, Indian Art : An Overview (Eds.). Gayatri Sinha, Rupa & Co, New Delhi.

Panikkar, S. Bhatt, J. (2003). History of Printmaking in India. Indian Art : An Overview (Eds.). Gayatri Sinha, Rupa & Co, New Delhi.

Ramachandran, A. (2003). The Marketing Strategies of a Modern Indian Artist - Raja Ravi Verma, Indian Art : An Overview (Eds.) Gayatri Sinha, Rupa & Co, New Delhi.

Shapiro, G. (2003). Archeology of Vision, Foucault and Nietzsche on Seeing and Saying. University of Chicago Press.

Downloads

Published

2022-01-26

How to Cite

Mushtaq, W. (2022). CONFLUENCE OF ART AND TECHNOLOGY WITH SPECIAL REFERENCE TO CONTEMPORARY ART PRACTICE IN INDIA. ShodhKosh: Journal of Visual and Performing Arts, 3(1), 27–40. https://doi.org/10.29121/shodhkosh.v3.i1.2022.50