FEMINISM IN THE MUSICAL LANDSCAPE OF NORTH- EAST INDIA: AN IN-DEPTH ANALYSIS

Authors

  • Dr. Samidha Vedabala Assistant Professor, Department of Music, Sikkim University, Gangtok, Sikkim, India

DOI:

https://doi.org/10.29121/shodhkosh.v5.i1.2024.869

Keywords:

Feminism in Music, North-East Indian Music, Gender Representation

Abstract [English]

This research explores the intricate interplay between feminism and the musical landscape of North-east India, focusing on the state of Assam, Sikkim, and Meghalaya, delving into both traditional and contemporary expressions. In the region known for its diverse cultures, the study aims to elucidate the place of women in traditional music, analyze the representation of women in contemporary genres, and the feminist that are prevalent in the North-east Indian music tradition and industry. Through ethnographic fieldwork, interviews, and a comparative analysis of gender dynamics in the industry, the research seeks to uncover the ways in which music acts as a conduit for challenging and reshaping societal perceptions of gender roles. The findings aim to contribute to the global discourse on feminism in music while providing nuanced insights into the unique cultural context of North-east India. This research not only adds to academic knowledge but also holds practical implications for fostering gender equality and empowerment within the regional music scene.

Downloads

Download data is not yet available.

References

Boungpui, R. L. (2014). Gender Relations and the Web of Traditions in Northeast India.

Campbell, C., & Mannell, J. (2016). Conceptualizing the Agency of Highly Marginalized Women: Intimate Partner Violence in Extreme Settings. Global Public Health, 11(1-2), 1-16. https://doi.org/10.1080/17441692.2015.1109694 DOI: https://doi.org/10.1080/17441692.2015.1109694

Choudhury, S., & Kumar, S. (2022). Gender Discrimination and Marginalization of Women in North-East India. Journal of Public Affairs, 22(4). https://doi.org/10.1002/pa.2625 DOI: https://doi.org/10.1002/pa.2625

D'Enbeau, S., Villamil, A., & Helens-Hart, R. (2015). Transcending Work-Life Tensions: A Transnational Feminist Analysis of Work and Gender in the Middle East, North Africa, and India. Women's Studies in Communication, 38(3), 273-294. https://doi.org/10.1080/07491409.2015.1062838 DOI: https://doi.org/10.1080/07491409.2015.1062838

Das, M. (2001). Changing Family System Among a Matrilineal Group in India. In the 24th General Conference of the International Union for the Scientific Study of Population (IUSSP), Salvador, Brazil.

Esposito, E. (2021). Introduction: Critical Perspectives on Gender, Politics and Violence. Journal of Language Aggression and Conflict, 9(1), 1-20. https://doi.org/10.1075/jlac.00051.int DOI: https://doi.org/10.1075/jlac.00051.int

Gogoi, P. P., & Kikhi, K. (2023). Kinship, Double Descent and Gender Politics Amongst the Dimasas of Northeast India. Asian Ethnicity, 1-17. DOI: https://doi.org/10.1080/14631369.2023.2234853

Hughes, C. (2003). Women's Contemporary Lives: Within and Beyond the Mirror. Routledge. https://doi.org/10.4324/9780203451618 DOI: https://doi.org/10.4324/9780203451618

Jamir, A. (2021). Subjugation of Women in Northeast India. Literary Endeavour, 12(4).

Kabeer, N. (2005). Gender Equality and Women's Empowerment: A Critical Analysis of the Third Millennium Development Goal 1. Gender & Development, 13(1), 13-24. https://doi.org/10.1080/13552070512331332273 DOI: https://doi.org/10.1080/13552070512331332273

Kasbekar, A. (2006). Pop Culture India!: Media, Arts, and Lifestyle. Bloomsbury Publishing USA.

Kerman, J. (2009). Contemplating Music: Challenges to Musicology. Harvard University Press.

Krishna, S. (2023). Routledge Readings on Colonial to Contemporary Northeastern India: Customary Practices, Gender and Livelihoods. Taylor & Francis. https://doi.org/10.4324/9781003323921 DOI: https://doi.org/10.4324/9781003323921

Mahanta, B., & Nayak, P. (2013). Gender Inequality in North East India. PCC Journal of Economics and Commerce, 7, 1-13. https://doi.org/10.2139/ssrn.2202044 DOI: https://doi.org/10.2139/ssrn.2202044

McRobbie, A. (2008). The Aftermath of Feminism: Gender, Culture and Social Change. The Aftermath of Feminism, 1-192.

Mishra, D. K. (2007). Gender, Forests and Livelihoods: A Note on the Political Economy of Transition in North-East India. Social Change, 37(4), 65-90. https://doi.org/10.1177/004908570703700404 DOI: https://doi.org/10.1177/004908570703700404

Parpart, J. L., Rai, S. M., & Staudt, K. A. (2003). Rethinking Empowerment: Gender and Development in a Global/Local World. Routledge. https://doi.org/10.4324/9780203220078 DOI: https://doi.org/10.4324/9780203220078

Saikia, U. S., & Dasvarma, G. L. (2007). Endangered Gender in a Matrilineal Society: Evidence from the Khasi Tribe in Northeast India. Asian Soc Sci, 3, 48-58.

Samdarshi, P., Kashyap, T. B., & Prabhu, S. (2020). Cultural Diversity. YOJANA, 64(8).

Stone, C., & O'shea, S. (2013). Time, Money, Leisure and Guilt-the Gendered Challenges of Higher Education for Mature-Age Students. Australian Journal of Adult Learning, 53(1), 90- 110.

Thompson, D. (1994). Defining Feminism. Australian Feminist Studies, 9(20), 171-192. https://doi.org/10.1080/08164649.1994.9994750 DOI: https://doi.org/10.1080/08164649.1994.9994750

Widya, T., & Asnani, A. (2020). Radical Feminism in Eka Kurniawan's Novel Beauty is a Wound. Journal of Language, 2(1), 9-16. https://doi.org/10.30743/jol.v2i1.2477 DOI: https://doi.org/10.30743/jol.v2i1.2477

Downloads

Published

2024-02-20

How to Cite

Vedabala, S. (2024). FEMINISM IN THE MUSICAL LANDSCAPE OF NORTH- EAST INDIA: AN IN-DEPTH ANALYSIS. ShodhKosh: Journal of Visual and Performing Arts, 5(1), 214–221. https://doi.org/10.29121/shodhkosh.v5.i1.2024.869