ANCESTRAL INTELLIGENCE AND ADAPTIVE SYSTEMS- BIOMIMICRY AS A BRIDGE FOR GLOBAL CONTINUITY IN JAIPUR CLOTHING EMBELLISHMENT TECHNIQUES

Authors

  • Nagendra Kumar Gupta Research Scholar, JECRC University, Ramachandrapuram Industrial Area, Vidhani, Sitapura Extension, Jaipur 303905, Rajasthan, India
  • Sunita Yadav Assistant Professor and Head of Department, Guide, JECRC University, Ramachandrapuram Industrial Area, Vidhani, Sitapura Extension, Jaipur 303905, Rajasthan, India

DOI:

https://doi.org/10.29121/shodhkosh.v7.i8s.2026.7710

Keywords:

Biomimicry, Ancestral Intelligence, Jaipur Textile Craft, Regenerative Design, Cultural Sustainability

Abstract [English]

While commonly viewed as a recent approach to innovation by mimicking biology in technological designs, biomimicry had been practiced by indigenous textile traditions prior to the establishment of such a field of science through material adaptability, cyclical modes of production, and patterning systems based on observations of ecology. The following research will focus on analysing Jaipur's textile decoration traditions, including techniques like block printing, resist dyeing, embroidery, and motif creation inspired by flora and fauna, as embodied biomimetic design systems that evolved independently of any theory.


Following the design of a convergent mixed method research strategy, the research uses ethnographic interviews with 26 artisans, sustainability perception questionnaires conducted among 128 artisans, morphological analysis of motifs, and Life Cycle Assessment modelling according to ISO 14040/44 standards. The analysis of collected data showed that the water consumption and waste intensity in traditional production were significantly lower than in machine-assisted techniques (p < 0.05). Waste intensity differences were found to vary between 27% and 62%. Morphology analysis also demonstrated the biomimetic characteristics of Jaipur's floral motifs in terms of structure similarities to growth forms with radial symmetry and recursive scale patterning’s.


Based on these results, the paper further proposes a model entitled the Three-Layered Adaptive Continuity Model where the concepts of Material Science (Body), Digital Biology (Mind) and Heritage Preservation (Soul) work together as inter-related components of a regenerative craft system. By shifting the understanding of traditional textile heritage into an adaptation of adaptive bio-cultural infrastructure, the study offers insights into sustainable practices in sustainability, regenerative design and biomimicry literature. Thus, the Jaipur case becomes a unique example of a sustainable transition approach, which combines the use of embodied knowledge with recycling of material elements.

References

Adamson, G. (2013). The invention of craft. Bloomsbury.

Allwood, J. M., et al. (2006). Well dressed? Sustainability of clothing and textiles. University of Cambridge.

Appadurai, A. (1986). Introduction: Commodities and the politics of value. In The social life of things. Cambridge University Press.

Bar-Cohen, Y. (2006). Biomimetics—Using nature to inspire human innovation. Bioinspiration & Biomimetics, 1(1), P1–P12. https://doi.org/10.1088/1748-3182/1/1/P01

Benyus, J. M. (1997). Biomimicry: Innovation inspired by nature. HarperCollins.

Bernard, H. R. (2017). Research methods in anthropology (6th ed.). Rowman & Littlefield.

Braun, V., & Clarke, V. (2006). Using thematic analysis. Qualitative Research in Psychology, 3(2), 77–101. https://doi.org/10.1191/1478088706qp063oa

Burry, M. (2011). Scripting cultures. Wiley.

Cherenack, K., & van Pieterson, L. (2012). Smart textiles challenges. Journal of Applied Physics, 112(9), 091301. https://doi.org/10.1063/1.4742728

Creswell, J. W., & Plano Clark, V. L. (2017). Designing and conducting mixed methods research (3rd ed.). SAGE.

Crill, R. (1999). Indian embroidery. V&A Publications.

Denzin, N. K., & Lincoln, Y. S. (2018). The Sage handbook of qualitative research (5th ed.). SAGE.

Dhamija, J. (2004). Handwoven fabrics of India. Aryan Books.

Drucker, J. (2011). Humanities approaches to digital humanities. Digital Humanities Quarterly, 5(1).

Ellen MacArthur Foundation. (2013). Towards the circular economy. https://ellenmacarthurfoundation.org

Field, A. (2018). Discovering statistics using IBM SPSS statistics (5th ed.). SAGE.

Finnveden, G., et al. (2009). Recent developments in LCA. Journal of Environmental Management, 91(1), 1–21. https://doi.org/10.1016/j.jenvman.2009.06.018

Fletcher, K. (2014). Sustainable fashion and textiles: Design journeys (2nd ed.). Routledge.

Geissdoerfer, M., Savaget, P., Bocken, N. M. P., & Hultink, E. J. (2017). The circular economy—A new sustainability paradigm? Journal of Cleaner Production, 143, 757–768. https://doi.org/10.1016/j.jclepro.2016.12.048

Gillow, J., & Barnard, N. (1991). Traditional Indian textiles. Thames & Hudson.

Goel, A., McAdams, D., & Stone, R. (2014). Biologically inspired design. Springer. https://doi.org/10.1007/978-1-4471-5248-4

Guinée, J. B. (2002). Handbook on life cycle assessment. Springer. https://doi.org/10.1007/0-306-48055-7

Gwilt, A. (2014). Fashion design for living. Routledge.

Harrison, R. (2013). Heritage: Critical approaches. Routledge.

Helms, M., Vattam, S., & Goel, A. (2009). Biologically inspired design. Design Studies, 30(5), 606–622. https://doi.org/10.1016/j.destud.2009.04.003

ISO. (2006). ISO 14040: Environmental management—Life cycle assessment—Principles and framework. ISO.

ISO. (2006). ISO 14044: Environmental management—Life cycle assessment—Requirements and guidelines. ISO.

Jain, J. (2012). India’s craft traditions and sustainability. Marg Journal, 64(3).

Kennedy, E. B., Fecheyr-Lippens, D., Hsiung, B. K., Niewiarowski, P. H., & Kolodziej, M. (2015). Biomimicry: A path to sustainable innovation. Design Issues, 31(3), 66–73. https://doi.org/10.1162/DESI_a_00352

Kirchherr, J., Reike, D., & Hekkert, M. (2017). Conceptualizing the circular economy. Resources, Conservation & Recycling, 127, 221–232. https://doi.org/10.1016/j.resconrec.2017.09.005

Kirshenblatt-Gimblett, B. (2004). Intangible heritage as metacultural production. Museum International, 56(1–2), 52–65. https://doi.org/10.1111/j.1350-0775.2004.00458.x

Kopytoff, I. (1986). The cultural biography of things. In A. Appadurai (Ed.), The social life of things (pp. 64–91). Cambridge University Press.

Kozlowski, A., Searcy, C., & Bardecki, M. (2015). Corporate sustainability reporting in the apparel industry. Journal of Business Ethics, 130(3), 707–724. https://doi.org/10.1007/s10551-014-2114-8

Labadi, S. (2013). UNESCO, cultural heritage and outstanding universal value. AltaMira Press.

Lepora, N. F., Verschure, P., & Prescott, T. J. (2013). The state of the art in biomimetics. Bioinspiration & Biomimetics, 8(1), 013001. https://doi.org/10.1088/1748-3182/8/1/013001

Liebl, M., & Roy, T. (2003). Handmade in India. Economic and Political Weekly, 38(51–52), 5366–5376.

Mang, P., & Reed, B. (2012). Designing from place: A regenerative framework. Building Research & Information, 40(1), 23–38. https://doi.org/10.1080/09613218.2012.621341

Mang, P., Haggard, B., & Reed, B. (2016). Regenerative development and design. Wiley.

Manovich, L. (2013). Software takes command. Bloomsbury.

Marchand, T. H. J. (2010). Embodied knowledge in craft apprenticeship. Journal of the Royal Anthropological Institute, 16(1), S7–S25. https://doi.org/10.1111/j.1467-9655.2010.01605.x

Mattila, H. (2006). Intelligent textiles and clothing. Woodhead. https://doi.org/10.1533/9781845691721

McDonough, W., & Braungart, M. (2002). Cradle to cradle: Remaking the way we make things. North Point Press.

Miller, D. (2005). Materiality: An introduction. Journal of Material Culture, 10(1), 5–9. https://doi.org/10.1177/1359183505050099

Niinimäki, K., et al. (2020). The environmental price of fast fashion. Nature Reviews Earth & Environment, 1, 189–200. https://doi.org/10.1038/s43017-020-0039-9

Oxman, N. (2010). Material-based design computation. MIT Journal of Design and Science.

Oxman, R., & Oxman, N. (2014). Theories of the digital in architecture. Routledge.

Pawlyn, M. (2011). Biomimicry in architecture. RIBA Publishing.

Pedersen Zari, M. (2007). Biomimetic approaches to architectural design for increased sustainability. Sustainable Development, 15(5), 279–292. https://doi.org/10.1002/sd.333

Rebitzer, G., et al. (2004). Life cycle assessment: Framework. Environment International, 30(5), 701–720. https://doi.org/10.1016/j.envint.2003.11.005

Reed, B. (2007). Shifting from sustainability to regeneration. Building Research & Information, 35(6), 674–680. https://doi.org/10.1080/09613210701475753

Ripp, M., & Rodwell, D. (2016). Governance in World Heritage sites. Journal of Cultural Heritage Management and Sustainable Development, 6(2), 123–140. https://doi.org/10.1108/JCHMSD-02-2015-0006

Sandin, G., & Peters, G. M. (2018). Environmental impact of textile reuse and recycling. Journal of Cleaner Production, 184, 353–365. https://doi.org/10.1016/j.jclepro.2018.02.266

Scrase, T. J. (2003). Globalization and artisan labour in India. South Asia Research, 23(2), 153–170. https://doi.org/10.1177/026272800302300202

Sennett, R. (2008). The craftsman. Yale University Press.

Shen, B., Li, Q., Dong, C., & Perry, P. (2017). Sustainability issues in textile and apparel supply chains. Sustainability, 9(9), 1592. https://doi.org/10.3390/su9091592

Singh, M. (2016). Block printing traditions of Rajasthan. Textile History, 47(1), 34–56. https://doi.org/10.1080/00404969.2016.1143532

Smith, L. (2006). Uses of heritage. Routledge.

Soini, K., & Dessein, J. (2016). Culture–sustainability relation. Sustainability, 8(2), 167. https://doi.org/10.3390/su8020167

Speck, T., & Speck, O. (2008). Process sequences in biomimetic research. Bioinspiration & Biomimetics, 3(4), 046002. https://doi.org/10.1088/1748-3182/3/4/046002

Stoppa, M., & Chiolerio, A. (2014). Wearable electronics and smart textiles. Sensors, 14(7), 11957–11992. https://doi.org/10.3390/s140711957

Tao, X. (Ed.). (2001). Smart fibres, fabrics and clothing. Woodhead. https://doi.org/10.1533/9781855736580

Tarlo, E. (1996). Clothing matters: Dress and identity in India. University of Chicago Press.

Terzidis, K. (2006). Algorithmic architecture. Architectural Press.

Throsby, D. (2010). The economics of cultural policy. Cambridge University Press.

UNESCO. (2003). Convention for the safeguarding of the intangible cultural heritage. https://ich.unesco.org

UNESCO. (2011). Recommendation on the historic urban landscape. https://whc.unesco.org

Vincent, J. F. V., Bogatyreva, O. A., Bogatyrev, N. R., Bowyer, A., & Pahl, A. K. (2006). Biomimetics: Its practice and theory. Journal of the Royal Society Interface, 3(9), 471–482. https://doi.org/10.1098/rsif.2006.0127

Wahl, D. C. (2016). Designing regenerative cultures. Triarchy Press.

Wahl, D. C., & Baxter, S. (2008). Designer’s role in sustainable solutions. Design Issues, 24(2), 72–83. https://doi.org/10.1162/desi.2008.24.2.72

Van Langenhove, L. (Ed.). (2007). Smart textiles for medicine and healthcare. Woodhead. https://doi.org/10.1533/9781845692933

Downloads

Published

2026-05-09

How to Cite

Gupta, N. K., & Yadav, S. (2026). ANCESTRAL INTELLIGENCE AND ADAPTIVE SYSTEMS- BIOMIMICRY AS A BRIDGE FOR GLOBAL CONTINUITY IN JAIPUR CLOTHING EMBELLISHMENT TECHNIQUES. ShodhKosh: Journal of Visual and Performing Arts, 7(8s), 258–265. https://doi.org/10.29121/shodhkosh.v7.i8s.2026.7710