BLOCKCHAIN TECHNOLOGY FOR SECURING DIGITAL ART OWNERSHIP AND ENHANCING ARTIST AUTHENTICITY RECORDS

Authors

  • Pratibha V. Kashid Department of Information Technology, Sir Visvesvaraya Institute of Technology, Nashik, SPPU, Maharashtra, India
  • Avinash Somatkar Assistant Professor, Department of Mechanical Engineering, Vishwakarma Institute of Technology, Pune, Maharashtra 411037, India
  • Qingchang Guo Faculty of Education Shinawatra University, Thailand
  • Sharayu Rinkal Kawale Department of Computer Technology, Yeshwantrao Chavan College of Engineering, Nagpur, Maharashtra, India
  • Arivukkodi R Assistant Professor, Computer Science, Meenakshi College of Arts and Science, Meenakshi Academy of Higher Education and Research, Chennai, Tamil Nadu 600080, India
  • Shanthi R Assistant Professor, Department of Mathematics, Meenakshi College of Arts and Science, Meenakshi Academy of Higher Education and Research, Chennai, Tamil Nadu 600080, India

DOI:

https://doi.org/10.29121/shodhkosh.v7.i4s.2026.7483

Keywords:

Blockchain Technology, Digital Art, Non-Fungible Tokens (NFTs), Art Authentication, Digital Ownership, Provenance Tracking, Smart Contracts, Decentralization, Artist Rights, Cryptographic Security

Abstract [English]

The digital art blistering phenomenon has transformed the manner in which art is produced and contextualized in the art markets in the world, though it has occasioned concerns that border issues of ownership, authenticity and provenance which are horrifyingly questioned. Easy reproduction, editing and re transmission, and proving the authorship and protecting of the artists is difficult in digital art. The provided paper explores the possibility of the blockchain technology being a secure and open method of controlling the ownership of the digital art object and enhancing the authenticity records. Blockchain helps in the creation of verifiable histories of digital assets that cannot be changed and this is done by allowing decentralized ledger keeping, cryptographic hash and smart contracts to be used to create the records. The article also involves the research of blockchain-based systems in particular with the involvement of Non-Fungible Tokens (NFTs) as the embodiment of a unique digital piece of art. It proposes a theoretical model that entails artist registration, tokenization of artwork, ownership tracking, and verifications to ensure the safety of provenance and authenticity. The implementation plan will outline the process of the implementation of a blockchain-based tool, namely, the decentralized storage and the automation of smart contracts, which will allow facilitating an effective transaction and the payment of royalty. Furthermore, a comparison of the advantages of introducing blockchain-based systems over traditional models of art ownership is described in terms of the security, transparency, and accessibility. The paper does list such problems as scalability, regulatory uncertainty and environmental issues, despite these advantages. Based on the findings, it can be concluded that blockchain technology can change the digital art ecosystems which provide a reliable platform of ownership verification and empowering artists, and also emphasize the need to conduct further research and sustainable development.

References

Benhamou, F., and Heinich, N. (2024). Le Marché De L'art Au Risque Du Numérique: L'énigme Des Nft. Odile Jacob.

Blockchain Based Intelligent System for Non-Fungible Token (NFT) Marketplace. (2024). International Journal of Engineering Trends and Technology, 72(7). https://doi.org/10.14445/22315381/IJETT-V72I7P136

Clark, F. (2021, July 8). What are the Legal Issues Concerning Non-Fungible Tokens (NFTs)? Art Law and More.

DappRadar. (2024). Dapp Industry Report.

Fitzpatrick, S. (2023). A Guide to Non-Fungible Tokens (NFTs). Boodle Hatfield.

Kashyap, S. V., Purohit, S., Kumar, D. A., Jawaid, F. I. M., Kumar, J. R. R., and Ajani, S. N. (2025). Visual Storytelling and Explainable Intelligence in Organizational Change Communication. ShodhKosh Journal of Visual and Performing Arts, 6(5s), 696–707. https://doi.org/10.29121/shodhkosh.v6.i5s.2025.6965

Kent, C. (2022). Can You be an NFT Artist and an Environmentalist? Wired.

Khan, M. I., et al. (2025). A Scientometric Analysis on Blockchain and NFTs: Trends and Future Directions. Humanities and Social Sciences Communications. https://doi.org/10.1057/s41599-025-05979-2

Kumar, C. S., Singh, A. P., and Reddy, K. H. K. (2025). Optimized Non-Fungible Tokens (NFT)-Based Auctions for Digital Art: A Blockchain-Enabled Queueing Model Approach. Peer-to-Peer Networking and Applications, 18. https://doi.org/10.1007/s12083-025-02098-2

Li, R., Yecies, B., Wang, Q., Chen, S., and Shen, J. (2024). Empowering Visual Artists with Tokenized Digital Assets with NFTs. arXiv.

Mohammed, D. S. A. (2025). Agent-vs-Agent Cyber Warfare: Autonomous AI Systems Defending Against AI-Enabled APTs. International Journal of Advanced Computer Engineering and Communication Technology, 14(2), 9–17. https://doi.org/10.65521/ijacect.v14i2.926

Pradana, M. (2025). Revisiting Non-Fungible Token (NFT) Research Trends: A Bibliometric Analysis. Cogent Business and Management. https://doi.org/10.1080/23311975.2025.2469764

Priya, J. M. J. (2026). Understanding Consumer Behaviour Towards Eco-Friendly Products in the Context of Sustainable Consumption. International Journal of Research in Development Management Review, 14(2), 144–150. https://doi.org/10.65521/ijrdmr.v14i2.1428

Sotheby’s. (2021). Natively Digital: A Curated NFT Sale.

Zalan, T., and Toufaily, E. (2024). A Nascent Market for Digital Assets: Exploration of Consumer Value of NFTs. Digital Business, 4(1), Article 100084. https://doi.org/10.1016/j.digbus.2024.100084

Downloads

Published

2026-04-11

How to Cite

Kashid, P. V., Somatkar, A., Guo, Q., Kawale, S. R., R, A. ., & R, S. (2026). BLOCKCHAIN TECHNOLOGY FOR SECURING DIGITAL ART OWNERSHIP AND ENHANCING ARTIST AUTHENTICITY RECORDS. ShodhKosh: Journal of Visual and Performing Arts, 7(4s), 334–342. https://doi.org/10.29121/shodhkosh.v7.i4s.2026.7483