PERFORMANCE DATA ANALYTICS FOR MUSIC INSTITUTIONS
DOI:
https://doi.org/10.29121/shodhkosh.v6.i2s.2025.6696Keywords:
Music Education Analytics, Performance Evaluation, Key Performance Indicators (KPIS), Data-Driven Learning, Educational Data Mining, Institutional Performance MetricsAbstract [English]
Potential to transform the music education system the use of data analytics in music education has the potential to radically transform the performance, pedagogy, and institutional effectiveness assessment system. The given paper will provide a detailed Performance Data Analytics framework, which will be used in the environment of the music institutions, considering both academic and artistic sides of the performance. It also discusses the way different sources of data (student assessment, the documentation of recitals, student attendance, peer rating, etc.) can be analyzed systematically towards arriving at actionable information. The research employs mixed research model that is a blend of the quantitative analysis that is using statistics, and the qualitative interpretation, in order to measure the performance outcomes. The computation and graphical representation of complicated data patterns are done in Python, R, SPSS, and Excel. The systematic analysis of the literature shows a lack of domain-specific analytics models in music education where the traditional data evaluation practices do not take into account data-driven insights. The suggested analytics framework proposes some Key Performance Indicators (KPIs) peculiar to musical performance including technical mastery, expressive interpretations, teamwork, and temporal stability. An example of this framework application with the help of selected music institutions to case study gives the evidence of correlations between the teaching methods, practices, and performance development.
References
Cui, X., Wu, Y., Wu, J., You, Z., Xiahou, J., and Ouyang, M. (2022). A Review: Music-Emotion Recognition and Analysis Based on EEG Signals. Frontiers in Neuroinformatics, 16, 997282. https://doi.org/10.3389/fninf.2022.997282 DOI: https://doi.org/10.3389/fninf.2022.997282
Dai, S., Zhang, H., and Dannenberg, R. B. (2024). The Interconnections of Music Structure, Harmony, Melody, Rhythm, and Predictivity. Music Science, 7, 20592043241234758. https://doi.org/10.1177/20592043241234758 DOI: https://doi.org/10.1177/20592043241234758
Dao, T., and Gu, A. (2024). Transformers are SSMs: Generalized Models and Efficient Algorithms Through Structured State Space Duality. In Proceedings of the International Conference on Machine Learning (ICML). Vienna, Austria.
Duman, D., Neto, P., Mavrolampados, A., Toiviainen, P., and Luck, G. (2022). Music we Move to: Spotify Audio Features and Reasons for Listening. PLoS ONE, 17, e0275228. https://doi.org/10.1371/journal.pone.0275228 DOI: https://doi.org/10.1371/journal.pone.0275228
Ferdiana, R., Dicka, W. F., and Yudanto, F. (2022). Mood Detection Based on Last Song Listened on Spotify. ASEAN Engineering Journal, 12, 123–127. DOI: https://doi.org/10.11113/aej.v12.16834
Flieder, D. (2024). Towards a Mathematical Foundation for Music Theory and Composition: A Theory of Structure. Journal of Mathematics and Music, 19, 1–27. https://doi.org/10.1080/17459737.2024.000001 DOI: https://doi.org/10.1080/17459737.2024.2379788
Ghosh, O., Sonkusare, R., Kulkarni, S., and Laddha, S. (2022). Music Recommendation System Based on Emotion Detection Using Image Processing and Deep Networks. In Proceedings of the 2022 2nd International Conference on Intelligent Technologies (CONIT) 1–5. Hubli, India. https://doi.org/10.1109/CONIT55555.2022.00005 DOI: https://doi.org/10.1109/CONIT55038.2022.9847888
Gu, A., and Dao, T. (2023). Mamba: Linear-Time Sequence Modeling with Selective State Spaces. arXiv.
Han, X., Chen, F., and Ban, J. (2023). Music Emotion Recognition Based on a Neural Network with an Inception-Gru Residual Structure. Electronics, 12, 978. https://doi.org/10.3390/electronics12040978 DOI: https://doi.org/10.3390/electronics12040978
Kasif, A., Sevgen, S., Ozcan, A., and Catal, C. (2024). Hierarchical Multi-Head Attention LSTM for Polyphonic Symbolic Melody Generation. Multimedia Tools and Applications, 83, 30297–30317. https://doi.org/10.1007/s11042-024-17490-x DOI: https://doi.org/10.1007/s11042-024-18491-7
Khan, F., Tarimer, I., Alwageed, H. S., Karadağ, B. C., Fayaz, M., Abdusalomov, A. B., and Cho, Y.-I. (2022). Effect of Feature Selection on the Accuracy of Music Popularity Classification Using Machine Learning Algorithms. Electronics, 11, 3518. https://doi.org/10.3390/electronics11213518 DOI: https://doi.org/10.3390/electronics11213518
Majidi, M., and Toroghi, R. M. (2023). A Combination of Multi-Objective Genetic Algorithm and Deep Learning for Music Harmony Generation. Multimedia Tools and Applications, 82, 2419–2435. https://doi.org/10.1007/s11042-022-15010-y DOI: https://doi.org/10.1007/s11042-022-13329-6
Pyrovolakis, K., Tzouveli, P., and Stamou, G. (2022). Multi-Modal Song Mood Detection with Deep Learning. Sensors, 22, 1065. https://doi.org/10.3390/s22031065 DOI: https://doi.org/10.3390/s22031065
Qian, Y., Wang, T., Chen, J., Yu, P., Xu, D., Jin, X., Yu, F., and Zhu, S. C. (2025). MusicAOG: An Energy-Based Model for Learning and Sampling a Hierarchical Representation of Symbolic Music. IEEE Transactions on Computational Social Systems, 12, 873–889. https://doi.org/10.1109/TCSS.2025.000123 DOI: https://doi.org/10.1109/TCSS.2024.3521445
Xia, Y., and Xu, F. (2022). Study on Music Emotion Recognition Based on the Machine Learning Model Clustering Algorithm. Mathematical Problems in Engineering, 2022, 9256586. https://doi.org/10.1155/2022/9256586 DOI: https://doi.org/10.1155/2022/9256586
Yang, G. (2022). Research on Music Content Recognition and Recommendation Technology Based on Deep Learning. Security and Communication Networks, 2022, 7696840. https://doi.org/10.1155/2022/7696840 DOI: https://doi.org/10.1155/2022/7696840
Zheng, Z. (2022). The Classification of Music and Art Genres Under the Visual Threshold of Deep Learning. Computational Intelligence and Neuroscience, 2022, 4439738. https://doi.org/10.1155/2022/4439738 DOI: https://doi.org/10.1155/2022/4439738
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Subhash Kumar Verma, Dr. Varalakshmi Dandu, Debanjan Ghosh, Dr. Sasmeeta Tripathy, Abhiraj Malhotra, Varun Ojha

This work is licensed under a Creative Commons Attribution 4.0 International License.
With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute, and/or copy their contribution. The work must be properly attributed to its author.
It is not necessary to ask for further permission from the author or journal board.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.























