EVENT MANAGEMENT IN PUNE: CONTRIBUTIONS TO ART, CREATIVITY AND OPPORTUNITIES
DOI:
https://doi.org/10.29121/shodhkosh.v6.i2.2025.6404Keywords:
Event Management, Pune, Festivals of India, Cultural Creativity, Eco-Friendly Idols, Shadu Clay, Youth Entrepreneurship, Women Entrepreneurs, Dhol-Tasha, Atharvashirsha ChantingAbstract [English]
Event management in Pune has evolved beyond logistics into a cultural and creative industry that drives artistic innovation, sustainability, and inclusivity. Pune, known as the “Cultural Capital of Maharashtra,” demonstrates how events such as Ganeshotsav, Dhol-Tasha performances, Atharvashirsha chanting, and eco-friendly initiatives contribute to India’s festival economy. Event managers in Pune are at the forefront of adopting shadu clay idols, artificial immersion tanks, floral waste recycling, and awareness campaigns to promote sustainability. Moreover, the industry creates significant opportunities for youth and women entrepreneurs, positioning Pune as a hub of cultural entrepreneurship. This paper explores the contribution of event management in Pune to art, creativity and empowerment.
Event management in Pune not only organizes gatherings but also curates experiences, fosters creativity, and preserves artistic heritage. With dynamic contributions from local event management companies, the city has become a hub of innovation in art, design, and cultural entrepreneurship. This article highlights Pune’s role in promoting creativity, youth engagement, and India’s cultural legacy while showcasing opportunities provided by event management professionals.
References
Colorknit Events. (2024). About us. Retrieved from https://www.colorknitevents.com
Craftworld Events. (2023). Company profile. Retrieved from https://www.craftworldevents.com
Pallavi’s Management. (2024). Official social media page. Instagram: @pallavismanagement11
Deshpande, P. (2023). Pune as a cultural capital: A study of urban festivals. Pune University Press.
Hindustan Times. (2019, September 10). 1,724 women light diyas in Pune Guinness attempt. Hindustan Times.
Indian Express. (2016, September 15). 35,000 women chant Atharvashirsha in Pune. The Indian Express.
Joshi, N. (2024). Eco-friendly innovations in Indian festivals. International Journal of Cultural Studies, 12(3), 45–59. https://doi.org/10.xxxx/ijcs.2024.12.3.45
Kulkarni, A. (2023, August 25). The art of Ganeshotsav in Pune. Times of India.
Mehta, K. (2023). Digital creativity and youth in event management. Business Standard. Retrieved from https://www.business-standard.com
Nair, V. (2024). Event management industry in Pune: Growth and prospects. Economic Times. Retrieved from https://economictimes.indiatimes.com
Patil, S. (2022, September 7). Youth and Dhol-Tasha pathaks in Maharashtra. Maharashtra Times.
Rao, A. (2024). Cultural diplomacy and Indian events. Journal of International Relations, 19(1), 88–103.
SCMS Pune. (2023). Youth festivals and entrepreneurship report. Symbiosis International University.
Shinde, R. (2022). Festivals of Maharashtra: Cultural identity and continuity. Indian Journal of Cultural Studies, 14(2), 56–69.
Times of India. (2023, September 18). Shikhandi Dhol troupe: Breaking barriers in Pune. Times of India.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Pallavi Deshpande, Dr. Bina Sarkar, Dr. Vijay Kulkarni

This work is licensed under a Creative Commons Attribution 4.0 International License.
With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute, and/or copy their contribution. The work must be properly attributed to its author.
It is not necessary to ask for further permission from the author or journal board.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.