PICTORIAL ELEMENTS OF INDIAN MINIATURE PAINTING

Authors

  • Dr. K. Mrutyunjaya Rao Sr. Assistant Professor, Department of Fine Arts Yogi Vemana University, Kadapa, Andhra Pradesh, India

DOI:

https://doi.org/10.29121/shodhkosh.v3.i1.2022.62

Keywords:

Manuscripts, Vishnudharmottara, Metaphysical, Horror Vacuui, Bhakthi Cult

Abstract [English]

This  paper discusses the magnificent contribution of Indian miniature painting as the torch bearer of Indian visual culture for the future generations with transitions and various idioms.  It’s Visual imagery raised to paramount importance from the auxiliary position to the religious text. Artist has not imitated from nature  but imbibed  the spirit of divinity  and greater love  and passion on Indian culture. Its function is religious as well as decorative. “Horrorvacuue” the desire of filling space is the common characteristics of an Indian is often appears in  Indian painting. The articulations of  line, colour , space  are discussed in this  article The Climatic conditions might been allowed the Indian painter  to experience unusual color patterns. The deep rooted  veneration for religion and nature and to fulfill the taste of his patron. Which made him as a distinct artist  in  the world forever.

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References

Andrew, T, (1984). Indian Court Painting, Mumbai, 13. https://doi.org/10.2134/jeq1984.133441x. DOI: https://doi.org/10.2134/jeq1984.133441x

Edith, T, (2011). A History of Fine Arts in India and the West Orient Black Swan Pvt.Ltd, Hyderabad, 256.

Steven, K. (1997). Indian Court Painting, New York, 6.

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Published

2022-01-21

How to Cite

Rao, K. M. (2022). PICTORIAL ELEMENTS OF INDIAN MINIATURE PAINTING. ShodhKosh: Journal of Visual and Performing Arts, 3(1), 15–26. https://doi.org/10.29121/shodhkosh.v3.i1.2022.62