DESIGN INTERVENTION AND BRANDING: POSITIONING BAGH PRINTING AS LIFESTYLE STATEMENTS FOR GEN-Z
DOI:
https://doi.org/10.29121/shodhkosh.v6.i2.2025.6107Keywords:
Bagh Printing, Design Intervention, Craft Branding, Gen-Z and Millennials, Sustainable Textile Heritage.Abstract [English]
Bagh printing, a centuries-old hand block printing tradition from Madhya Pradesh, is renowned for its intricate geometric and floral motifs, natural dyeing techniques, and cultural symbolism. Despite its heritage value and sustainable production methods, the craft faces diminishing demand due to limited product diversification, competition from mass-produced prints, and inadequate branding. This study explores the potential of design intervention and strategic branding to reposition Bagh printing for Gen-Z consumers, whose purchasing behaviour increasingly favours unique, eco-conscious, and culturally rooted products. Through literature review, artisan interviews, and consumer surveys, the research identifies opportunities for contemporary motif adaptation, expanded product lines beyond traditional garments, and incorporation of trend-led colour palettes. Branding strategies—ranging from storytelling and visual identity creation to leveraging social media and e-commerce platforms—are proposed to build a stronger market presence. The paper argues that integrating innovation with authenticity can not only attract younger audiences but also ensure the craft’s economic sustainability and cultural continuity. This approach positions Bagh printing as a relevant, desirable, and globally competitive textile art form in the 21st century.
References
Asian Journal of Management. (2016). An analysis on problems and prospects of Indian handicraft sector. Asian Journal of Management, 7(1), 7–14. DOI: https://doi.org/10.5958/2321-5763.2016.00002.0
Chouhan, S., & Patil, S. (2019). The eco-friendly Bagh printing. International Journal of Research Granthaalayah, 7(11SE), 104–110. DOI: https://doi.org/10.29121/granthaalayah.v7.i11.2019.3716
Gaatha. (n.d.). Craft of India: Bagh block print – Madhya Pradesh. Gaatha. Describes the historical, technical, and aesthetic aspects of Bagh printing, including motifs, techniques, and color palettes.
Jain, P., & Suri, R. (2018). Economic Decline in Traditional Textile Crafts: The Case of Bagh Printing. Journal of Textile Heritage, 12(2), 45–60. Analyzes economic downturns in Bagh artisan communities, identifying key challenges such as competition from machine-made fabrics and market stagnation due to limited product lines.
Joshi, P., Saxena, M., & Singh, A. B. (n.d.). Marketing in non-farm rural enterprise: A case of Bagh print. Asian Journal of Management. Retrieved from Academia.edu.
Khanna, S. (2020). Design Intervention and Craft Revival: Collaborative Models in Indian Handloom Communities. Design/Culture Journal, 7(1), 23–38. Examines collaborative design models across craft clusters, demonstrating how participatory design can drive product innovation and respect artisan autonomy.
Rao, N., & Kapoor, M. (2024). Sustainability and Authenticity: Gen-Z and Millennial Consumer Preferences in Fashion and Lifestyle. Journal of Consumer Trends, 9(1), 67–85. Investigates purchasing behaviors of younger consumers, revealing a preference for sustainable, authentic products—but also an attitude–behavior gap influenced by convenience and price.
Sharma, A., & Verma, L. (2023). Branding Strategies for Traditional Indian Handicrafts in the Global Market. International Journal of Craft Studies, 5(4), 101–119. Discusses storytelling, geographic indications, and designer partnerships as key branding tools, while highlighting digital marketing as a persistent barrier.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Nupur Srivastava, Dr. Neha Singh

This work is licensed under a Creative Commons Attribution 4.0 International License.
With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute, and/or copy their contribution. The work must be properly attributed to its author.
It is not necessary to ask for further permission from the author or journal board.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.