THE IMPORTANCE OF NAYAKAS AND NAYIKAS IN KATHAK DANCE: AN AESTHETIC AND NARRATIVE PERSPECTIVE

Authors

  • Dr. Tripti Gupta Assistant Professor, Department of Dance, Faculty of Performing Arts, The M.S. University of Baroda, Vadodara- 390002

DOI:

https://doi.org/10.29121/shodhkosh.v5.i1.2024.5988

Keywords:

Kathak, Nayaka, Nayika, Abhinaya, Rasa Theory, Aesthetics

Abstract [English]

Kathak, one of the eight classical dance forms of India, is deeply rooted in storytelling, particularly in expressing themes of love, devotion, and human emotions. Central to Kathak's narrative expression are the figures of the Nayaka (hero) and Nayika (heroine), whose emotional states and interpersonal dynamics offer a rich palette for abhinaya (expressive dance). This paper explores the historical, theoretical, and performative significance of Nayaka and Nayikas in Kathak dance, focusing on their classifications, emotional portrayals, and continued relevance in both traditional and contemporary performances. Through classical theory and performance analysis, the study emphasizes how the Nayaka-Nayika bhava not only enhances the aesthetic value of Kathak but also provides dancers with a profound medium for emotional storytelling.

References

Bharata. (200 BCE–200 CE). Nāṭyaśāstra (Various Translations).

Keshavdas. (16th century). Rasikapriya (S. K. De, Trans. & Ed.). Sahitya Akademi, 1992.

Kothari, S. (1989). Kathak: Indian Classical Dance Art. Abhinav Publications.

Massey, R., & Massey, J. (1992). The Dances of India: A General Survey and Some Regional Variations. Abhinav Publications.

Walker, M. (2014). India’s Kathak Dance in Historical Perspective. Ashgate Publishing.

Narayan, S. (2005). Exploring Kathak: The Dance, the Dancer, and the Performance. Roli Books.

Sen, S. (2016). Personal interviews and performance reviews.

Maharaj, B. (2000). Selected performances and workshops (archival material).

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Published

2024-06-30

How to Cite

Gupta, T. (2024). THE IMPORTANCE OF NAYAKAS AND NAYIKAS IN KATHAK DANCE: AN AESTHETIC AND NARRATIVE PERSPECTIVE. ShodhKosh: Journal of Visual and Performing Arts, 5(1), 3266–3270. https://doi.org/10.29121/shodhkosh.v5.i1.2024.5988