THE PERSPECTIVE OF METAL PLATE LITHOGRAPHY

Authors

  • Dr. Prashant Phirangi Assistant Professor, Department of Graphic Art (Printmaking), Kala Bhavana Visva Bharati, Central University, Santiniketan, West Bengal, India

DOI:

https://doi.org/10.29121/shodhkosh.v4.i2CDSDAD.2023.588

Keywords:

Alternative, Challenge, Perspective, Printmaking, Re-Intervention

Abstract [English]

Printmaking is a technical medium that embraces many physical engagements in stages and processes. Various mediums like lithography, etching, wood-cut, serigraphy, and materials such as chemicals, inks, tools, accessories, and printing presses are involved. Printmakers were interested and found scope to work with the medium from their perspective, and gradually printmaking became one of the effective practices. Re-intervention metal Plate Lithography needs a basic concept, with standard plate-making techniques and principles of printmaking to develop. This method requires a practical demonstration and introduction to the new generation to understand and implement it. Yet, for those who are relatively new to plate-lithography techniques. The themes emphasize experimental projects and research on the same side. As a technique, metal plate lithography offers a wide range of possibilities in contemporary practice. It establishes the methodology depends upon the concept/idea applied to it. It marks a considerable/acceptable medium for reinventing individual pasts and anticipating the future. However, understanding the technique has potential and would impact the making. The ultimate goal to re-introduce the medium as an alternative medium of practice could be to develop practical guidance for any student interested in the medium. The experiments should be considered a challenge to produce and a new approach to the medium in a contemporary printmaking manner.

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References

Antreasian, G. Z., Antreasian, C., & Adams, C. (1970). The Tamarind Book of Lithography : Art & Techniques. New York : Harry N Abrams, Inc., Pub. DOI: https://doi.org/10.2307/1572108

Coldwell, P. (2015). Hybrid Practices Within Printmaking. Journal of Visual Art Practice, 14(3). https://doi.org/10.1080/14702029.2015.1094241. DOI: https://doi.org/10.1080/14702029.2015.1094241

Das, N. (1994). The Early Indian Printmakers : An Approach to Social Science, Ethical and Technical Study. The Lalit Kala Contemporary-39. Pub:Lalit Kala Academy, New Delhi, 4-7.

Kashi, R. (2012). ಕನ್ನೆಲೆ [Kannele]. Akshara Prakashana Pub.

Kashi, R. (2015, November 23). Exploring New Directions in Indian Art Education.

Phirangi, P. (2018). ‘New Ways of Indian Printmaking: Documentation and Critical Analysis. [PhD-Visva Bharati University].

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Published

2023-10-13

How to Cite

Phirangi, P. (2023). THE PERSPECTIVE OF METAL PLATE LITHOGRAPHY. ShodhKosh: Journal of Visual and Performing Arts, 4(2CDSDAD), 59–67. https://doi.org/10.29121/shodhkosh.v4.i2CDSDAD.2023.588