DIGITIZATION AND DOCUMENTATION OF TANGALIYA CRAFT: A STUDY OF ITS DESIGN PRACTICES IN SURENDRANAGAR, GUJARAT

Authors

  • Shohrat Saiyed Ph.D. Scholar, Department of Clothing and Textiles, Faculty of Family and Community Science, The Maharaja Sayajirao University of Baroda, Vadodara.
  • Dr. Reena Bhatia Assistant Professor, Department of Clothing and Textiles, Faculty of Family and Community Sciences, The Maharaja Sayajirao University of Baroda, Vadodara, India.

DOI:

https://doi.org/10.29121/shodhkosh.v5.i4.2024.5261

Keywords:

Handloom, Tangaliya, Warp Binding Technique, CAD, Layout Designing

Abstract [English]

Tangaliya, a 700-year-old handloom textile weaving tradition upheld by the Dangasia community of Surendranagar represents a vibrant cultural heritage of Gujarat. The textile intricately woven and adorned with unique dana, created through warp binding technique. This technique is visible only in Tangaliya textile craft. This textile serves as lower garments for the women of the Bharwad community. It is traditionally woven on a hand-operated throw shuttle pit loom. Due to the limited width of the loom, it is woven in two halves and after weaving two continuous half lengths, it is separated and hand-stitched from the center. “Desi Oon” i.e. regional sheep wool is used as raw material which was historically provided by the Bharwad (the user community). Tangaliya were traditionally woven in the villages of Surendranagar district, Gujarat.
The study focused on covering the design process followed by the weavers and converting the traditional motifs into Computer-Aided Design (CAD). The data was collected through field visits through interviews and observation. The understanding of design development from the weavers' perspective was gained and documented. The layouts of traditional tangaliya layouts were prepared in CAD and explored in different colourways.

References

Geographical Indications Registry. (n.d.). GI journal 29. Government of India, Department for Promotion of Industry and Internal Trade (DPIIT).

Kumar, A. (2017). Impact of digitization on traditional textiles and apparels design [Unpublished doctoral dissertation], The Gandhigram Rural Institute, Tamil Nadu.

Seth, V. (2016). Study of Tangaliya craft of Saurashtra: A model for sustainable development through design intervention [Unpublished master’s dissertation]. National Institute of Fashion Technology, Delhi.

Saiyed, S. & Bhatia R. (2019, October). Need assessment of the design process in handloom craft of Gujarat. Proceedings of the 5th International Textiles and Costume Congress, Vadodara, India, 417-425.

Tomar, S. (2018). Pachhedi: A study on vernacular cotton textiles of Gujarat [Unpublished doctoral dissertation]. The Maharaja Sayajirao University of Baroda, Vadodara.

UNESCO. (n.d.). Intangible heritage domains in the 2003 convention. https://ich.unesco.org/en/what-is-intangible-heritage-00003

Vohra, K. (2010). A study on Tangaliya of Saurashtra and its product diversification [Unpublished master’s dissertation]. The Maharaja Sayajirao University of Baroda, Vadodara, Gujarat.

Downloads

Published

2024-04-30

How to Cite

Saiyed, S., & Bhatia, R. (2024). DIGITIZATION AND DOCUMENTATION OF TANGALIYA CRAFT: A STUDY OF ITS DESIGN PRACTICES IN SURENDRANAGAR, GUJARAT. ShodhKosh: Journal of Visual and Performing Arts, 5(4), 1735–1744. https://doi.org/10.29121/shodhkosh.v5.i4.2024.5261