HANDS UP: WHAT’S UP WITH HASTAS REVIEWING THE DISCOURSE OF INTRODUCING HAND GESTURES TO CODIFY WAACKING

Authors

  • Sangram Mukhopadhyay Independent Performer, India

DOI:

https://doi.org/10.29121/shodhkosh.v4.i2.2023.515

Keywords:

Waacking, Demographic Shaped, Hand Gestures

Abstract [English]

Waacking/Whacking as a 70s Los Angeles disco gay dance form is consistently being discovered and localized in different dance ecosystems of the world. The Indian chapter of its trajectory is uniquely drawing a certain kind of display which is in direct cognizance of its own codified forms of hand movements. The present study focuses on the seepages and abstinence of hand gestures through understanding the impetus to do so. Based on the analysis of the occurrences associated with its usage, through detailed conversations, literature review and reading of performance texts, several inferences can be drawn, and a better understanding of the genre can be further achieved.

Downloads

Download data is not yet available.

References

Bagchi, T. (2010). The Signing System of Mudra in Traditional Indian Dance. Paragrana, 19(1), 259-266. https://doi.org/10.1524/para.2010.0017 DOI: https://doi.org/10.1524/para.2010.0017

Banerji, A. (2021). The Laws of Movement : The Natyashastra as Archive for Indian Classical Dance. Contemporary Theatre Review, 3(1-2), 132-152. https://doi.org/10.1080/10486801.2021.1878507 DOI: https://doi.org/10.1080/10486801.2021.1878507

Bragin, N. (2014). Techniques of Black Male Re/Dress : Corporeal Drag and Kinesthetic Politics in the Rebirth of Waacking/Punkin. Women & Performance : A Journal of Feminist Theory, 24(1), 61-78. https://doi.org/10.1080/0740770X.2014.901599 DOI: https://doi.org/10.1080/0740770X.2014.901599

Croft, C. (2017). Queer Dance : Meanings and Makings. Oxford University Press. DOI: https://doi.org/10.1093/acprof:oso/9780199377329.001.0001

DeFrantz, T. F. (2004). The Black Beat Made Visible : Hip Hop Dance and Body Power of the Presence of the Body : Essays on Dance and Performance Theory, 67, 69.

DeFrantz, T. F. (2016). Bone-Breaking, Black Social Dance, and Queer Corporeal Orature. The Black Scholar, 46(1), 66-74. https://doi.org/10.1080/00064246.2015.1119624 DOI: https://doi.org/10.1080/00064246.2015.1119624

Suraj, K. (2016, July 3). What is WAACKING ? | Queer History of Punking, Whacking, Waacking 1970-2003 |The Intro| #KUMARISWORLD [Video]. YouTube. #BOLLYWAACK HISTORY| [Video]. (2016, April 8). YouTube.

Sweet, J. D. (2016). The Anthropology of Dance : Textural, Theoretical, and Experiential Ways of Knowing. In Teaching Dance Studies. Routledge, 149-164. DOI: https://doi.org/10.4324/9781315539157-14

Ting, Y. C. (n.d.). Ethnographic Studies of the Development of Waacking in Hong Kong : Finding Real Self of Male Waackers.

Downloads

Published

2023-10-18

How to Cite

Mukhopadhyay, S. (2023). HANDS UP: WHAT’S UP WITH HASTAS REVIEWING THE DISCOURSE OF INTRODUCING HAND GESTURES TO CODIFY WAACKING. ShodhKosh: Journal of Visual and Performing Arts, 4(2), 385–392. https://doi.org/10.29121/shodhkosh.v4.i2.2023.515