CONFLICT AND COEXISTENCE: AN ECOCRITICAL STUDY OF PRINCESS MONONOKE
DOI:
https://doi.org/10.29121/shodhkosh.v4.i2.2023.4978Keywords:
Ecocriticism, Environmental Ethics, Princess Mononoke, Hayao Miyazaki, Human Nature Relationship, Deep Ecology, Anthropocentrism, Coexistence, IndustrializationAbstract [English]
Hayao Miyazaki’s Princess Mononoke presents a compelling narrative that foregrounds the complex relationship between humanity and nature. This ecocritical study explores the film through the lens of environmental literary theory, analyzing the ideological tensions between industrial progress and ecological preservation. The film’s portrayal of characters such as Ashitaka, San, and Lady Eboshi illustrates the nuanced moral positions that defy simple binaries of good versus evil. Through its rich symbolism, animistic worldview, and interwoven human and non-human agency, Princess Mononoke offers a powerful commentary on coexistence, environmental ethics, and the consequences of ecological imbalance. This paper examines how the film reflects deep ecological concerns while also proposing a model of symbiosis rather than dominance. It also discusses how Miyazaki critiques anthropocentrism and advocates for a more sustainable, interconnected worldview.
References
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