BHARATI MUKHERJEE’S DESIRABLE DAUGHTERS: A NOVEL OF MULTICULTURAL REPRESENTATION

Abstract [English]

This research paper examines Bharati Mukherjee’s Desirable Daughters (2002) as a seminal work of diasporic literature, exploring its nuanced portrayal of multicultural representation through the lens of postcolonial and feminist theories. The novel follows three Calcutta-born Brahmin sisters Tara, Padma, and Parvati as they navigate the tensions between traditional Indian values and modern American identities. Focusing on Tara, the protagonist, the study analyzes how Mukherjee employs narrative strategies to depict the complexities of cultural hybridity, identity crisis, and gender dynamics in a globalized world. Through Tara’s journey, Mukherjee challenges essentialist notions of culture, illustrating the fluidity of identity shaped by migration, patriarchy, and assimilation. The paper argues that Desirable Daughters transcends simplistic East-West binaries by presenting a multifaceted view of multiculturalism, where characters negotiate their Indian heritage and American realities, embodying both alienation and empowerment. Drawing on Stuart Hall’s concept of diasporic identity and third-wave feminism, the analysis highlights how Mukherjee critiques patriarchal constraints while celebrating female agency. The novel’s rich tapestry of historical and personal narratives, including the symbolic “Tree Bride” story, underscores the interplay of past and present in shaping transnational identities. By examining Mukherjee’s stylistic choices, such as first-person narration and cultural interweaving, this study reveals how the novel bridges cultural divides, offering a critique of both Indian traditionalism and Western individualism. Ultimately, Desirable Daughters emerges as a powerful commentary on the immigrant experience, contributing significantly to discussions of multiculturalism, gender, and belonging in contemporary literature. This research underscores Mukherjee’s role as a pioneering voice in articulating the diasporic consciousness, making the novel a critical text for understanding the intersections of culture, identity, and globalization in the 21st century.