IDEOLOGICAL BACKGROUND OF HINDI CINEMA IN THE ERA OF COLONIALISM
उपनिवेशवाद के दौर में हिंदी सिनेमा की वैचारिक पृष्ठभूमि
DOI:
https://doi.org/10.29121/shodhkosh.v4.i2.2023.469Keywords:
Cinema, Colonialism, Politics, Silent Cinema, Hindi CinemaAbstract [English]
The advent of Cinema in India happened under the British rule. At that time, the country was fighting colonialism by adopting a new political and cultural discourse. The presented research paper is based on the reciprocity of those ideological discussions with cinema, which starts from colonial India and extends till independent India. In this journey, various themes of silent cinema (Raja Harishchandra, 1913) and talkies (1931, Alamara), its struggle against colonialism, social and political commitments have been studied critically
Abstract [Hindi]
सारांशरू भारत मे सिनेमा का सूत्रपात ब्रितानी हुकूमत के परिवेश में संपन्न हुआ। उस वक्त देश, एक नए राजनीतिक और सांस्कृतिक विमर्शों को अंगीकार कर उपनिवेशवाद से लड़ रहा था। प्रस्तुत शोध पत्र उन्ही वैचारिक विमर्शों का सिनेमा के साथ पारस्परिकता पर आधारित है, जिसकी शुरुआत औपनिवेशिक भारत से शुरू होकर आजाद भारत तक विस्तृत है। इस सफर में मूक (राजा हरिश्चंद्र,1913) और सवाक (1931,आलमआरा) सिनेमा के विविध प्रसंगों, उपनिवेशवाद के विरुद्ध उसके संघर्ष,सामाजिक और राजनैतिक प्रतिबद्धताओं का विवेचनात्मक अध्ययन किया गया है।
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