ECOLOGICAL INTERCONNECTEDNESS: A STUDY ON HUMAN- NATURE RELATIONSHIPS IN RICHARD POWERS’ THE OVERSTORY

Authors

  • Dr. N. Brindha Assistant Professor, Department of English, TDMNS College, T. Kallikulam, Affiliated to Manonmaniam Sundaranar University, Tirunelveli, Tamilnadu, India

DOI:

https://doi.org/10.29121/shodhkosh.v4.i2.2023.4275

Keywords:

Deforestation, Climate Change, Environmental Activism

Abstract [English]

Every now and again, environmental issues have become more prominent, particularly in literature. Throughout the ages, the forest has been regarded as one of the most significant natural properties. However, the environment is currently suffering greatly as a result of the conversion of forested areas to non-forest areas. It has a significant effect on many aspects such as biodiversity, forestry, and climate mitigation. Richard Powers’ The Overstory exposes environmental issues like deforestation and also examines nature from an ecological and scientific standpoint. The study aims to investigate the interactions between the environment and humans. The ideas, sentiments, and thoughts of the environmentalists regarding the natural damage are expressed realistically.

References

Cosby, Matt. “The Overstory”. LitCharts, 10 Feb 2021.

Meinen, Lisanne. “Reading Richard Powers’ The Overstory: treeing the issue of

Interdisciplinary Knowledge”. Journal of Humanities, vol. 4, no. 2, oct. 2019,

DOI:10.33391/jgjh.59. DOI: https://doi.org/10.33391/jgjh.59

Powers, Richard. The Overstory. Penguin Random House, 2019.

Thompson, James. “Ethics and Activism in ‘The Overstory’: An Ecocritical Analysis.” Environmental Humanities Review, vol. 15, no. 2, 2021, pp. 45–62.

Greenberg, Emily. “Narrative Strategies for Eco-Criticism: Reading ‘The Overstory’ as Environmental Literature.” Environmental Humanities, vol. 12, no. 2, 2020, pp. 345–362.

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Published

2023-12-31

How to Cite

Brindha, N. (2023). ECOLOGICAL INTERCONNECTEDNESS: A STUDY ON HUMAN- NATURE RELATIONSHIPS IN RICHARD POWERS’ THE OVERSTORY. ShodhKosh: Journal of Visual and Performing Arts, 4(2), 3822–3826. https://doi.org/10.29121/shodhkosh.v4.i2.2023.4275