INDIAN ART AND RELIGION
DOI:
https://doi.org/10.29121/shodhkosh.v5.i1.2024.3736Keywords:
Indian Art, Religion, Tradition, Ancient, Ajanta, Culture, BeliefsAbstract [English]
Art has long been interwoven with myth, magic, and religion, maintaining its profound influence through a sense of sacred allure. Just as revered religious artifacts captivate our attention, artworks enchant with their mesmerizing presence. Unlike ordinary objects, art offers an intensified perception of reality and suggests deeper truths that transcend everyday understanding and scientific knowledge.
India’s rich and diverse traditions reveal a deep connection between religion and art. The country’s cultural heritage mirrors its spiritual beliefs, with artistic expressions—from majestic tabernacle puppets to intricate delve oils—shaped by evolving religious traditions. This paper explores the profound impact of spirituality on India’s artistic creations. Religion is pivotal in Indian society, profoundly shaping cultural expressions. For centuries, it has offered artists themes, symbols, and narratives to express their faith.
To understand the link between religion and art in India, we must explore ancient times. Early civilizations like the Indus Valley, Maurya, Gupta, and Chola dynasties were deeply rooted in religious practices, giving rise to Hinduism, Buddhism, and Jainism, which profoundly influenced Indian art. Hinduism, the oldest religion, inspired intricate sculptures, vibrant paintings, and stunning temple architecture, as seen in Khajuraho, Konark, and Varanasi. Buddhism, originating in India, focused on the teachings of Gautama Buddha and is exemplified by the Ajanta and Ellora caves' detailed murals and rock-cut sculptures. Jainism, emphasizing non-violence and compassion, is reflected in the ornate marble carvings of Jain temples in Rajasthan and Gujarat.
References
Robins, G. (2000). “The Art of Ancient Egypt”, Cambridge, Mass, Harvard University Press.
Pollitt, J. J. (1972). “Art and Experience in Classical Greece”, Cambridge University Press.
Miller, B. (1984). *Buddhist Art: An Introduction*. University of California Press.
Cooper, J. C. (1990). *Hindu Art*. Thames & Hudson.
Srinivasan, K. (1986). *The Hindu Temple: An Introduction*. Harvard University Press.
Kramrisch, S. (1994). *The Hindu Temple*. Motilal Banarsidass.
Harris, J., & Zucker, R. (2005). *Gothic Art: Glorious Visions*. Thames & Hudson.
King, R. (2000). *Michelangelo and the Sistine Chapel*. Yale University Press.
Fergusson, J., & Burgess, J. (1910). *The Cave Temples of India*. Macmillan.
Srinivasan, K. (1986). *The Hindu Temple: An Introduction*. Harvard University Press.
Chakrabarti, K. (2007). *The Art of the Pala Period*. India Book House.
Cort, J. E. (2001). *Jainism and Art*. Cambridge University Press.
Nath, R. (2000). *Dilwara Temples*. India Book House.
Jain, R. (1994). *Jain Art and Architecture*. Motilal Banarsidass.
Blair,S. S., & Bloom, J. (2003). *Islamic Arts*. Phaidon Press. DOI: https://doi.org/10.1093/gao/9781884446054.article.T041771
Kaplan, J. (1998). *Contemporary Art and Religion*. Routledge.
O’Connor, J. (2011). *Global Perspectives in Contemporary Art*. Routledge.
Skelton, R. (1956). *Mughal Miniature Paintings*. Oxford University Press.
Koch, E. (1991). *Mughal Architecture: An Outline of Its History and Development (1526–1857)*. Harvard University Press.
Bhattacharya, R. (2004). *Modern Indian Art*. Oxford University Press.
O’Connor, J. (2011). Global Perspectives in Contemporary Art. Routledge.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Dr. Manvir Kaur

This work is licensed under a Creative Commons Attribution 4.0 International License.
With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute, and/or copy their contribution. The work must be properly attributed to its author.
It is not necessary to ask for further permission from the author or journal board.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.