EVALUATING AUTHENTICITY OF CRAFT AND CRAFTMANSHIP IN THE INDIAN CRAFTS

Authors

  • Harminder Singh Research scholar Sushant University, Gurgaon, Associate Professor, ISDI Atlas Skill Tech University, Mumbai
  • Dr. Tejwant Brar Professor, School of Art and Architecture, Sushant University, Gurgaon
  • Dr. Sachin Dat Associate Professor, School of Design, Sushant University, Gurgaon

DOI:

https://doi.org/10.29121/shodhkosh.v5.i1.2024.3565

Keywords:

Handicrafts, Craft, Craftsperson, Artisans, Rejection, Authenticity, Products, Genuine

Abstract [English]

The handicraft industry's expansion has been hindered by several factors, including the lack of awareness and training among craftspeople and their inability to command higher prices for their products based on the unique selling proposition of being "Hand Crafted." These craftsmen's ability to charge premium rates was further hindered by competition from comparable products offered in other areas or nations that unfairly profited from the reputation of these distinctive products but discounted the inherent authenticity of the craft. The artisans felt that there was no future for them because they could not support their families with their crafts, which demotivated them. Nonetheless, artisans can set fair pricing for their authentic goods since they can prevent piracy by exercising their IPRs to the fullest extent possible.
The craftspeople must also recognise that standards for quality and how they are measured might vary across time and space. Goods that were legal in the past are now prohibited. For instance, ivory, which was once widely utilised, is now completely banned. Similar to how certain nations forbid the use of plastic, many other limitations and encumbrances are enforced globally. It has been difficult for the craftspeople to stay up to date. In several global rejections of handicraft products, the lack of the stamp of authenticity makes these goods likely to be rejected. Artisans need to reconcile to the fact that there is an urgent need to recognise the accurate picture where cheap imitations are challenging their genuine articles. They need to take cognisance of the fact that they should be agreeable to putting their items through extensive testing and inspection processes to determine their quality so that they can obtain the accurate valuation and cost for their hard work and their exquisite artistry in turning out such breathtakingly beautiful works of craftsmanship for posterity.

References

GoI (2020). Index of Industrial Production, Monthly, Ministry of Statistics and Programme Implementation. Government of India

GoI (2020). Registration of Micro, Small and Medium Enterprises (MSMEs) in India (Udyog Aadhaar Memorandum), Office of Development Commissioner, Ministry of MSME, Government of India.

GoI (Various years). Annual Reports of the Ministry, DC MSME, Ministry of Micro, Small and Medium Enterprises, Government of India.

Mohi-us-din, Mir., (2014). A Study of the Impact of Government Policies on Marketing Strategy of Handicrafts. Journal of Economics and Sustainable Development 5(2).

GoI (2020). Registration of Micro, Small and Medium Enterprises (MSMEs) in India (Udyog Aadhaar Memorandum), Office of Development Commissioner, Ministry of MSME, Government of India

Indian Handicrafts Industry & Exports (2024). https://www.ibef.org/exports/handicrafts-industry-india

https://www.epch.in/about-epch

Jigyasu N., (2021). Contextualising “traditional crafts” in historic urban areas, J. Cult. Herit. Manag. Sustain. Dev. 11, 330–343, https://doi.org/10.1108/ JCHMSD-02-2020-0025. DOI: https://doi.org/10.1108/JCHMSD-02-2020-0025

Jordan, T., Raubal, M., Gartrell, B., and Egenhofer, M. (1998). An affordance-based model of place in GIS, in: 8th Int. Symp. Spat.DataHandl. SDH. 98, pp. 98–109. http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.37.9367&rep=rep1& type=pdf.

Kang Y., Jia Q., Gao S., Zeng X., Wang Y., Angsuesser S., Liu Y., Ye X., Fei T., (2019). Extracting human emotions at different places based on facial expressions and spatial clustering analysis, Trans. GIS 23, 450–480, https://doi.org/10.1111/tgis.12552. DOI: https://doi.org/10.1111/tgis.12552

Kawagley A.O., Barnhardt R., (1998). Education Indigenous to Place: Western Science MeetsNative Reality, ERIC Clear, Rural Educ. Small Sch., pp. 1–17. http://www.ankn.uaf.edu/curriculum/Articles/BarnhardtKawagley/EIP.html.

Loureiro S.M.C. et al (2021). Stand by me: analysing the tourist–intelligent voice assistant relationship quality, Int. J. Contemp. Hosp. Manag. 33 3840–3859, https://doi.org/10.1108/IJCHM-09-2020-1032. DOI: https://doi.org/10.1108/IJCHM-09-2020-1032

Natarajan, V (2008). ‘Indian perspective of GI Registration’, presentation delivered in the ‘Regional Conference on IPR protection through Geographical Indication’, organised by the UNCTAD Indiaprogarmme and the Textiles Committee, Hyderabad, India, 3-4, June.

Soukhathammavong and Park (2019). The authentic souvenir: what does it mean to souvenir suppliers in the heritage destination. Tour. Manag, 72, 105-116 DOI: https://doi.org/10.1016/j.tourman.2018.11.015

Shtudiner Z., Klein G., Zwilling M., Kantor J., (2019). The value of souvenirs: endowment effect and religion, Ann. Tour. Res. 74 17–32, https://doi.org/10.1016/j.annals.2018.10.003. DOI: https://doi.org/10.1016/j.annals.2018.10.003

Singh, H, and Datt S. (2023) Promotion of Handicrafts and Intellectual Property Rights of the Artisans across the world: The Case for India. Journal of Chemical Health Risks. 13(3), 1130-1138

Steiner, C. J., & Reisinger, Y. (2006). Understanding existential authenticity. https://doi.org/10.1016/j.annals.2005.08.002 DOI: https://doi.org/10.1016/j.annals.2005.08.002

Swanson K.K., Timothy D.J. (2012). Souvenirs: icons of meaning, commercialization and commoditization, Tour, Manag 33 489–499, https://doi.org/10.1016/j.tourman.2011.10.007. DOI: https://doi.org/10.1016/j.tourman.2011.10.007

World Intellectual Property Organization (2016) No. 5 Intellectual Property and Traditional Handicrafts. https://www.wipo.int/edocs/pubdocs/en/wipo_pub_tk_5.pdf

Downloads

Published

2024-06-30

How to Cite

Singh, H., Brar, T., & Dat, S. (2024). EVALUATING AUTHENTICITY OF CRAFT AND CRAFTMANSHIP IN THE INDIAN CRAFTS. ShodhKosh: Journal of Visual and Performing Arts, 5(1), 463–471. https://doi.org/10.29121/shodhkosh.v5.i1.2024.3565