ELITE SUBALTERNITY AND WOMANIST RESISTANCE: A STUDY OF LALITHAMBIKA ANTHARJANAM'S AGNISAKSHI

Authors

  • Jessykutty M. Jose Assistant Professor, Department of English, Mahatma Gandhi College, Thiruvananthapuram.

DOI:

https://doi.org/10.29121/shodhkosh.v2.i2.2021.3475

Keywords:

Womanism, Namboodiri, Kerala, Lalithambika Antharjanam, Agnisakshi, Patriarchy, Elite Subaltern, Gender, Caste, India, Feminism, Africana Womanism, Antharjanam

Abstract [English]

This paper examines the dual oppression faced by Namboodiri Brahmin women in early 20th-century Kerala, as depicted in Lalithambika Antharjanam's novel Agnisakshi (1976). Drawing on Alice Walker's idea of Womanism and Clenora Hudson-Weems' theory of Africana Womanism, the study analyzes how the protagonist, Thethikutty, navigates the constraints of patriarchal Namboodiri society and starts a journey of self-discovery and social activism. The analysis highlights the novel's portrayal of female bonding, the struggle for education and autonomy, and the ultimate embrace of a Womanist ethos that transcends individual liberation to encompass communal well-being. The study argues that Agnisakshi offers a nuanced understanding of "elite subalternity," where women within a privileged caste are subjected to unique forms of gendered oppression, and shows how Womanist principles provide a framework for resistance and empowerment.

References

Antharjanam, Lalithambika. Agnisakshi. Translated by Vasanthi Sankaranarayanan, Cosmo Books, 1976.

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Hudson-Weems, Clenora. "Africana Womanism: The Flip Side of a Coin." Western Journal of Black Studies, vol. 25, no. 3, 2001, pp. 137-45.

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Tharu, Susie. Foreword. Cast Me Out If You Will: Stories and Memoir, by Lalithambika Antherjanam, translated by Gita Krishnankutty, Stree, 1998, pp. vii–ix.

Walker, Alice. In Search of Our Mothers' Gardens: Womanist Prose. 1983. Phoenix, 2005.

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Published

2021-12-31

How to Cite

Jose, J. M. (2021). ELITE SUBALTERNITY AND WOMANIST RESISTANCE: A STUDY OF LALITHAMBIKA ANTHARJANAM’S AGNISAKSHI. ShodhKosh: Journal of Visual and Performing Arts, 2(2), 258–261. https://doi.org/10.29121/shodhkosh.v2.i2.2021.3475