THE TRANSFORMATION OF RURAL BENGAL AMIDST THE STRONG WAVE OF GLOBALIZATION: CONTEXTUALIZING DEBESH RAY’S NOVEL
DOI:
https://doi.org/10.29121/shodhkosh.v5.i3.2024.3037Abstract [English]
"My grandfather's forest, Ranga-didi's zamindar house, and the earlier Baghmara house where I was born. Perhaps something of that house stayed with me. Towards the north of Baghmara, behind a somewhat tall house, was a large, tree-covered, secret pond with dark water."
The vivid description reflects not just his nostalgia but also the socio-cultural essence of rural Bengal, which forms the backbone of his literary works. At the age of just seven, Debesh Ray moved from East Bengal (now Bangladesh) to Jalpaiguri. As a result, he did not retain any strong memories of Bangladesh. Since he left at such a young age, it is natural that his recollection of his early childhood would be limited. Debesh Ray was opposed to indulging in nostalgia without reason. He wrote: "In West Bengal, those who came from East Bengal have turned Bangladesh into a permanent land of memory, locked within a perpetual settlement. I try to save myself from getting caught up in this emotional quagmire."
References
Debesh Roy, Baromas, Sharad 2005, "Joler Minar Jagao", page 315.
Ibid; page 317.
Ibid; page 320.
Galpo Samagra, Volume 5, Debesh Roy, Introduction, Desh Publishing, Kolkata, January, 1995, page 56.
Upanyas Notun Dharen Khoje, Debesh Roy, Dey’s Publishing, Kolkata – 700073; 2008, page 16.
Ibid; page 20.
Ibid; page 32.
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