FEMINIST PERSPECTIVES AND REPRESENTATION OF WOMEN IN THEKKAN PATTU
DOI:
https://doi.org/10.29121/shodhkosh.v5.i6.2024.2973Keywords:
Thekkan Pattu, Femininity, CultureAbstract [English]
This study titled, Feminist Perspectives and Representation of women in Thekkan Pattu, is outlined on the Malayalam traditional poetic form known as Thekkan Pattu in Kerala. It reflects Kerala culture and offers a window into societal attitudes toward gender roles and women’s agency. This paper uses feminist theory, to observe in detail how women are depicted—as empowered individuals, passive subjects, or embodiments of societal ideals of femininity. The study also attempts to highlight how traditional art forms like Thekkan Pattu serve as a medium to either challenge or perpetuate gender stereotypes. research contributes to feminist discourse, emphasizing the intersections of culture, gender, and identity within regional literature and the broader socio-cultural framework.
References
Dr. P. Soman, Folklore Samskaram, p. 103.
Henry Whitehead, The Village Gods of South India, P.16-17, 30-34.
Dr. S. Bhasiraj, Penneyuth, p. 246.
Dr. S. Bhasiraj, Keralathile Thotam pattukal, p. 17.
Ibid, p. 18.
Dr. Tikurissi Gangadharan, Thekkankatha Ganagal, p. 43.
Further References
Henry Whitehead, The Village Gods of South Indian, A.E.S. Print, 1983.
Ullur S. Parameshwarayar, Kerala Sahithya Charithram, Volume 1, Travancore Sarvakala Sala, 1953.
Dr. Thikurissi Gangadharan, Thekkan Keralathile Thekkan Katha Ganagal, Kerala Bhasa Institute.
Dr. S. Bhasiraj, Thotam Pattukal, Haritam Books, 2005.
Penneyuth, Kerala Bhasha Institute, 2002.
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Copyright (c) 2024 Dr. Jaisymol Augustine

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