A STUDY ON THE ORIGINS AND EVOLUTION OF SATTRIYA DANCE IN ASSAM
DOI:
https://doi.org/10.29121/shodhkosh.v5.i3.2024.2638Keywords:
Neo-Vaishnavism, Sankardeva, Sattriya Dance, Ek-Saran Naam DharmaAbstract [English]
Sattriya dance was established in the 15th century A.D. by the Vaishnava saint Mahapurusha Sankaradeva as a vital means of propagating the Vaishnava faith. It has been maintained, as a unique dance form, by the Sattras or Vaishnava monasteries for centuries, hence the name. The tradition is strict on the principles of hand gestures, footwork, costumes, and music. It mainly consists of two streams of Bhaona repertoire such as Gayan-Bhayanar Nach and Kharmanar Nach and independent dances such as Chali, Rajagharia Chali, Jhumura, and Nadu Bhangi. Chali is characterized by grace, while Jhumura is characterized by vigor and grandeur. Sankardeva integrated his new form of art with elements from other treatises and local folk dances. Even before the neo-Vaishnava movement, Ojapali and Devadasi dances were prevalent in Assam to infuse classical elements to the Sattriya. While both Ojapalis-Sukananni and Vyah Goa Ojah are still performed, Vyah Goa Ojah is now an integral part of Sattras rituals. Devadasi influence can be seen in rhythmic syllables and postures. Assamese folk dances, such as Bihu and Bodos, have also influenced Sattriya, with some very visible similarities in gestures and rhythms.
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