THROUGH THE LENS: PORTRAYAL OF WOMEN JOURNALISTS IN BOLLYWOOD
DOI:
https://doi.org/10.29121/shodhkosh.v5.i6.2024.2573Keywords:
Bollywood, Women Journalists, Gender Stereotypes, Feminist Film Theory, Indian Cinema, Media PortrayalAbstract [English]
This research examines the portrayal of women journalists in Bollywood films, focusing on how gender stereotypes, professional barriers, and societal expectations shape their portrayal. Using Feminist Film Theory as a framework, this study analyzes five Bollywood films—Phir Bhi Dil Hai Hindustani (2000), Lakshya (2004), Page 3 (2005), No One Killed Jessica (2011), and Noor (2017)—to assess how female journalists are characterized, the obstacles they encounter, and the extent to which these portrayals reinforce or challenge traditional views of women in journalism. Key findings reveal that while Bollywood increasingly depicts women journalists as ambitious and capable professionals, they continue to face significant challenges. Gendered expectations limit their roles, often portraying them as secondary to male counterparts or prioritizing personal relationships over career growth. Professional obstacles, including institutional gatekeeping and ethical dilemmas, further highlight the systemic issues female journalists confront. Despite some empowering narratives, Bollywood frequently reinforces stereotypical gender roles, portraying female journalists as supportive figures within male-dominated resolutions. This analysis underscores the complexities surrounding female agency and portrayal in Bollywood, revealing an ongoing tension between progressive and traditional depictions.
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