PERUMAL MURUGAN'S ONE PART WOMAN: A CRITICAL ANALYSIS OF VIOLENCE VIA RELIGIOUS RITUALS
DOI:
https://doi.org/10.29121/shodhkosh.v5.i6.2024.2355Keywords:
Biological Essentialism, Religious Violence, Religious EthicsAbstract [English]
This article investigates the idea that religion is a vehicle for patriarchy. It succeeds in giving religion the right to use violence against those who refuse to believe. Such a restrictive environment is the beginning of our ongoing enslavement because ethics have the ability to justify acts of violence resulting from religious convictions. The study looks into how Ponna, the main female heroine, gets sucked into a violent cycle while being promised a life of parental joy that goes beyond even the most heinous acts of violence and transforms her into a "complete woman." In the end, the narrative tries to show how she ends herself in "a theatre of the absurd," where maintaining hope appears to be an idealistic reality in this absurdist bandwagon world.
References
Foucault, Michel. Discipline and Punish: Birth of Prison. Trans. Allen Lane. Peregrine, 1979. Murugan, Perumal. One Part Woman. Penguin Books, 2014.
Zizek, Slavoz. Agitating the Frame: Five Essays on Economy, Ideology, Sexuality and Cinema.
Navayana, 2014.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 P. Karthikeyan

This work is licensed under a Creative Commons Attribution 4.0 International License.
With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute, and/or copy their contribution. The work must be properly attributed to its author.
It is not necessary to ask for further permission from the author or journal board.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.












