A COMPOSITIONAL EXPLORATION OF THE HORROR ELEMENTS IN THE SHINING, DRACULA AND THE HAUNTING OF HILL HOUSE: A COMPARATIVE STUDY
DOI:
https://doi.org/10.29121/shodhkosh.v5.i6.2024.2215Keywords:
Compositional Exploration, Horror Element, Intermedial Adaptation, Haunting of Hill HouseAbstract [English]
The horror genre has captivated audiences across various media, eliciting a range of emotions through its skillful manipulation of compositional elements. This research paper explores the intricate tapestry of narrative structure, character development, atmospheric construction, and thematic exploration that shape the horror experience. By employing a mixed-methods approach, integrating qualitative textual and visual analysis with quantitative data on audience responses, this study delves into the intricate dynamics of intermedial adaptation. Through a comprehensive examination of renowned literary horror works and their cinematic counterparts, including "The Shining" by Stephen King, "Dracula" by Bram Stoker, and "The Haunting of Hill House" by Shirley Jackson, this research unveils the creative strategies employed by writers and filmmakers to evoke fear, suspense, and thrill. The quantitative analysis provides empirical evidence of audience engagement and emotional resonance, while the qualitative exploration unravels the nuanced compositional elements and adaptation techniques.
By synthesizing these complementary perspectives, this study contributes to a deeper understanding of the horror experience across media platforms, offering valuable insights for artists, scholars, and audiences alike. Ultimately, this research underscores the enduring cultural significance of horror narratives and their potential to provoke meaningful discourse while captivating generations to come.
References
Aguirre, Manuel. The Closed Space: Horror Literature and Western
Arnheim, Rudolf. Art and Visual Perception: A Psychology of the Creative Eye. California. University of California Press. 2004.
Botting, Fred. Gothic. London: Routledge, 1996.
Carroll, N. The Philosophy of Horror: Or, Paradoxes of the Heart; Routledge: New York, NY, USA, 1990; ISBN 978-0415904360.
Castricano, Jodey. "Shirley Jackson's The Haunting of Hill House and the Strange Question of Trans-Subjectivity."
Conrich, I. Horror Franchise Cinema: From Halloween to Blair Witch; Palgrave Macmillan: New York, NY, USA, 2021; ISBN 978-3030706659.
Dixon, Wheeler Winston. A History of Horror. New York: Rutgers University Press, 2010.
Ellis, Markman. The History of Gothic Fiction. London: Edinburgh University Press, 2000.
Feder, Lillian. Madness in Literature. New Jersey: Princeton University Press, 1980. DOI: https://doi.org/10.1515/9780691219738
Freeland, C.A. The Naked and the Undead: Evil and the Appeal of Horror; Routledge: New York, NY, USA, 2018; ISBN 978-0367237234. DOI: https://doi.org/10.4324/9780429496233
Hutcheon, L. A Theory of Adaptation; Routledge: New York, NY, USA, 2006; ISBN 978-0415967822.
Hutcheon, Linda. A Theory of Adaptation. New York. 2006. DOI: https://doi.org/10.4324/9780203957721
Jackson, Shirley. The Hauntings of Hill House. Penguin UK, 2009.
King, S. Danse Macabre; Everest House: New York, NY, USA, 1981; ISBN 978-0345251443.
Kuznetsova, O. Horror as a Paradoxical Emotion: A Study of Fear and Disgust Responses to Horror Films. J. Media Psychol. 2022, 34, 3–15. https://doi.org/10.1027/1864-1105/a000312 DOI: https://doi.org/10.1027/1864-1105/a000312
Mariconda, Steven J. ‘’The Haunted House’’. Icons of Horror and the Supernatural: Encyclopedia of Our Worst Nightmares. Ed. S. T. Joshi. 1st ed. Vol. 1. Westport: Greenwood Press. 2007.
Robert Maulvey Marie. Houndmills: Macmillan Press, 1998. 232- 234.
Roza, Greg. Drawing Dracula. Drawing Movie Monsters Step-by-Step. The Rosen Publishing Group, Inc. 2010.
Sinyard, Neil. Filming Literature: The art of Screen adaptation. London:Croom Helm. 1986.
Spadoni, Robert. Uncanny Bodies : The coming of Sound Film and the Origins of the Horror Genre. California. University of California Press. 2003.
Stoker, Bram. Dracula. Fingerprint Publishing, 2013.
Sylka, Christina. "The Haunting of Hill House." Magill’S Guide To Science-Fiction & Fantasy Literature. 1996
Wisker, Gina. Horror Fiction: An Introduction. New York & London: Continuum.2005.
Wollen, Peter. Signs and Meaning in the Cinema. London : British Film Institute. 1969.
Wright, Angela & Nicholas Tredell. Gothic Fiction. New York : PalgraveMacmillan.2007. DOI: https://doi.org/10.1007/978-1-137-03991-0
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Salim Nisar Shaikh
This work is licensed under a Creative Commons Attribution 4.0 International License.
With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute, and/or copy their contribution. The work must be properly attributed to its author.
It is not necessary to ask for further permission from the author or journal board.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
