DISCOURSING TRANSNATION SPACE AND LOCATING SUBJECT POSITION IN JM COETZEE’S ELIZABETH COSTELLO AND SLOW MAN: DAVID MALOUF IN CONTEXT

Authors

  • Samim Reza Assistant Professor, Department of English, Amdanga Jugal Kishore Mahavidyalaya, (Affiliated to West Bengal State University, WB, India

DOI:

https://doi.org/10.29121/shodhkosh.v5.i1.2024.2213

Keywords:

Australianness, Cosmopolitanism, Hyphenated Identity, Racism, Transnation, Transnational

Abstract [English]

In the Neustadt Prize acceptance lecture (2000), David Malouf had exuded due pride as an Australian and argued that the “power of language” enables one to remap the world “so that wherever you happen to be is the center” (Le, 2019). Malouf’s statement, it is argued, embraces a conspicuous turn from cosmopolitan to transnational. Although, the transnational turn yields certain benefits which are not served in being a cosmopolitan, however, according to Bill Ashcroft, it still fails to fix a definite “subject position”. Ashcroft argues that a definable subject position can be achieved not through embracing transnational turn but being within the space which he calls “Transnation”. This article interrogates the case of JM Coetzee, the South African born Nobel Laureate (2003) who happens to be an immigrant to Australia (therefore, bearing a hyphenated identity), and also contextualizes Elizabeth Costello, a fictional character in two of Coetzee’s Australian novels, in order to discourse the transnation space and locate Costello’s subject position.

References

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Published

2024-06-30

How to Cite

Reza, S. (2024). DISCOURSING TRANSNATION SPACE AND LOCATING SUBJECT POSITION IN JM COETZEE’S ELIZABETH COSTELLO AND SLOW MAN: DAVID MALOUF IN CONTEXT. ShodhKosh: Journal of Visual and Performing Arts, 5(1), 2249–2254. https://doi.org/10.29121/shodhkosh.v5.i1.2024.2213