EDWARD SOJA'S THIRD SPACE THEORY IN WILLIAM SHAKESPEARE'S AS YOU LIKE IT

Shruti Sharma

doi:10.29121/shodhkosh.v5.i5.2024.2027

Authors

Shruti Sharma 1193 Gali no 80 Shanti Nagar Tri Nagar North West Delhi-110035

DOI:

https://doi.org/10.29121/shodhkosh.v5.i5.2024.2027

Keywords:

Edward Soja, Third Space Theory, William Shakespeare, As You Like It, Forest of Arden, Spatial Dynamics, Identity Transformation, Social Relations, Liminality, Hybridity

Abstract [English]

The application of Edward Soja's Third Space Theory to William Shakespeare's pastoral comedy "As You Like It." Third Space Theory, which emphasizes the intersection of physical, social, and imagined spaces, provides a novel lens through which to analyse the spatial dynamics within the play. By examining the Forest of Arden as a 'Third Space,' this study reveals how characters navigate and negotiate their identities and social relations beyond the constraints of the court. The fluid and hybrid nature of the Forest facilitates a transformative experience for the characters, enabling them to reconfigure their social roles and personal identities. This paper argues that Shakespeare's depiction of Arden serves as a critical commentary on the possibilities of social reformation and personal liberation within an alternative spatial framework. Through a close reading of key scenes, the analysis highlights how the play's spatial politics reflect and challenge contemporary notions of space, identity, and power.

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