ECOFEMINISM AND ABYSSINIAN MAID IN COLERIDGE'S KUBLA KHAN

Authors

  • Shruti Sharma 1193 Gali no 80 Shanti Nagar Tri Nagar North West Delhi -110035

DOI:

https://doi.org/10.29121/shodhkosh.v5.i5.2024.2025

Keywords:

Ecofeminism, Abyssinian Maid, Kubla Khan, Samuel Taylor Coleridge, Nature Symbolism

Abstract [English]

The ecofeminism through an analysis of Samuel Taylor Coleridge's poem "Kubla Khan," with a specific focus on the figure of the Abyssinian maid. Ecofeminism, which examines the intersectionality of gender and environmental concerns, provides a framework to interpret the relationship between human and nature in Coleridge's work. The Abyssinian maid, depicted as a harmonious presence amidst a sublime landscape, symbolizes a nurturing and interconnected relationship with the natural world.

References

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Coleridge, Samuel Taylor. "Kubla Khan." (Read the poem itself for analysis and interpretation.)

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Adams, Carol J. The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory. Continuum, 1990.

Gaard, Greta. Ecofeminism: Women, Animals, Nature. Temple University Press, 1993.

Plumwood, Val. Feminism and the Mastery of Nature. Routledge, 1993.

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Published

2024-05-31

How to Cite

Sharma, S. (2024). ECOFEMINISM AND ABYSSINIAN MAID IN COLERIDGE’S KUBLA KHAN. ShodhKosh: Journal of Visual and Performing Arts, 5(5), 556–559. https://doi.org/10.29121/shodhkosh.v5.i5.2024.2025