THE UTILITY OF DIGITAL ILLUSTRATIVE VISUALS IN THE DEVELOPMENT OF GRAPHIC DESIGN WITHIN THE REGIONAL CONTEXT OF MAHARASHTRA
DOI:
https://doi.org/10.29121/shodhkosh.v5.i1.2024.1202Keywords:
Graphic Design, Digital Illustrative Visuals, Digital Illustrations, Visual Communication, Illustrators & DesignersAbstract [English]
The primary goal of the study is to understand the utility of digital illustrative visuals in the development of graphic design in Maharashtra. The research has been meticulously structured, incorporating sections on introduction, aim, methodology, importance, history, discussion, case studies, advantages, disadvantages, implications for the future, and concluding remarks. The study employs a qualitative method to systematically assess the data through interviews, observations, and case studies. The literature within this document provides relevant data, along with links, charts, and visuals pertaining to the subject of study. The main outcomes are constructive. The digital illustrations have brought revolutionary positive changes in the graphic design sectors of Maharashtra. It has been established that the effective use of human hand skills and intelligence is used to create quality digital illustrative visuals through computers. The findings and interpretation aligned closely with the research title. The arrival of computers in Maharashtra post-1984 led to a swift uptake of the more efficient 'Desk-Top Publishing (DTP)' model by 1995. Presently, the most advanced generation of computers is operating in Maharashtra. This period marked the evolution of 'digital illustrative visuals' as artists experimented with a combination of manual and digital methods (collaborative methods). The digital method has become highly convenient for illustrators, producing creative results similar to traditional visual art. The utilization of 'Digital Illustrative Visuals' offers numerous advantages, including the swift creation of creative imaginative visuals, the ability to easily edit any image, and the resolution of issues related to human errors, time consumption, and quality.
References
Peng, Bowen., Li, Hua, (2021). Analysis of Computer Graphic Image Design and Visual Communication Design, Journal of Physics, China, Conf. Ser. 1827 012141. https://doi:10.1088/1742-6596/1827/1/012141 DOI: https://doi.org/10.1088/1742-6596/1827/1/012141
Souto, V.T., (2017). Creativity in Digital Design: Differences from Print-Based Graphic Design, User Experience, and Usability: Theory, Methodology, and Management. DUXU 2017. Lecture Notes in Computer Science, vol 10288, pp 755–766, Springer, Cham. https://doi.org/10.1007/978-3-319-58634-2_54 DOI: https://doi.org/10.1007/978-3-319-58634-2_54
Zhenyu, Li, (2019), Application research of digital image technology in graphic design, Journal of Visual Communication and Image Representation, Article, Volume 65, December 2019, 102689, ISSN 1047-3203. https://doi.org/10.1016/j.jvcir.2019.102689 DOI: https://doi.org/10.1016/j.jvcir.2019.102689
Singh, Ajay, (2015). Manipulation of Images with Computer Graphics in Digital India, Gian Jyoti E-journal, ISSN 2250-348X, Volume 6, Issue 1, pp 4-8, Punjab, India. http://www.gjimt.ac.in/web/wp-content/uploads/2017/10/Ajay-Singh_Manipulation-of-Images-with-Computer-Graphics-in-Digital-India.pdf
Bluehost. (2023, November 30). AI in Graphic Design: Benefits and Caveats. https://www.bluehost.com/blog/ai-in-graphic-design/
Dean, Ian. (2024, April 15), The best drawing tablets. https://www.creativebloq.com/features/best-drawing-tablet
Garces, Karen. (2024, April 2), What is the best tablet for graphic design? https://penji.co/best-tablet-for-graphic-design/
Foley, Joe. (2024, January 12), The best graphic design software in 2024. https://www.creativebloq.com/graphic-design/free-graphic-design-software-8134039
Sundararajan. (2024, April 23), Top AI Tools for Graphic Design to Boost Your Efficiency in 2024. https://design.careers360.com/articles/top-ai-graphic-design-tools
Browne, Camren. (2023, December 22), Best AI Tools for Graphic Design. https://careerfoundry.com/en/blog/ux-design/ai-graphic-design-tools/#how-to-use-ai-for-graphic-design
Acharya, Manoj. (2024 January 13), telephonic interview, Pune.
Awachat, Subhash. (2024 January 10), telephonic interview, Mumbai.
Barve, Reshma. (2024 March 3), telephonic interview, Pune.
Bhavsar, Satish. (2024 February 7), telephonic interview, Mumbai.
Bodhankar, Vijay. (2024 January 12), telephonic interview, Thane.
Deshmukh, Ghanshyam. (2024 January 13), telephonic interview, Pune.
Deshpande, Rahul. (2024 February 23), interview, Pune. DOI: https://doi.org/10.32964/TJ23.2
Gholap, Kapil. (2024 February 19), telephonic interview, Pune.
Golegaonkar, Santuk. (2024 January 13), telephonic interview, Aurangabad.
Jadhav, Nilesh. (2024 April 2), telephonic interview, Mumbai.
Kadu, Jaideep. (2024 March 2), interview, Pune.
Kate, Pratik. (2024 February 2), interview, office, Pune.
Kulkarni, Chandramohan. (2024 March 3), interview, studio, Pune.
Mehetre, Vivek. (2024 January 12), telephonic interview, Thane
Mhmane, Niranjan. (2024 March 7), telephonic interview, Pune.
Nandurkar, Gopal. (2024 January 9), interview, Pune.
Padekar, Dattatraya. (2024 February 5), telephonic interview, Ale, Ahilyanagar.
Pandit, Charuhas, (2024 January 16), interview, Pune.
Patil, Maruti. (2024 January 3), interview, Pune
Phadnis, S. D. (2024 January 10), interview, Pune.
Pore, Rohan. (2024 February 3), interview, Pune
Ravimukul. (2024 January 24), interview, Pune. DOI: https://doi.org/10.22233/20412495.0624.24
Sahasrabuddhe, Girish. (2024 February 3), interview, Pune.
Sankpal, Deepak. (2024 January 6), telephonic interview, Pune.
Sonar, Dyanesh. (2024 January 25), interview, Nashik.
Udupi, Babu. (2024 February 19), interview, Pune
Upalekar, Anil. (2024 January 2), interview, Pune
Pune, Pulse. (2023, November 24), Book Festival, Shivaji Nagar, Pune. https://www.mypunepulse.com/pune-book-festival-2023-to-beorganized-in-fergusson-college-check-details-here/
Pune, book fair. (2023, October 11), Book Fair, Kotharud, Pune. https://in.linkedin.com/company/punebookfair
Nashik, Book Festival. (2023, October 20), 99bookscart, Book festival, Untwadi Road, Nashik. https://in.linkedin.com/company/punebookfair
Book Gallery, Akshardhara. (2023 December 4-9), Subhashnagar, Pune. https://akshardhara.com/pages/contact
Book Gallery, Dnyanganga. (2023 January 22-25), Patil Enterprises,Pune. https://dnyangangabooks.com/
Exhibition, Fine Art. (2024 February 21), J. J. School of Art, Mumbai. https://www.sirjjschoolofart.in/events/
Exhibition, Applied Art. (2024 February 21), J. J. Institute of Applied Art, Mumbai. https://www.youtube.com/watch?v=aCN3E2JEpe0
Exhibition, Applied Art, Aakruti. (2024 March 19), D.Y.P. College of Applied Art, Pune. https://www.dypcaac.ac.in/media/news-and-media
Exhibition, Fine Art. (2024 January 18), BVs. College of Fine Art, Pune. https://cofa.bharatividyapeeth.edu/index.php/activities#2023-24
Exhibition, Fine Art. (2024 January 30), R.S.Gosavi Kalaniketan Mahavidyalaya, Kolhapur.
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Mandre Shailesh Bajirao, Dr. Avadhut Atre

This work is licensed under a Creative Commons Attribution 4.0 International License.
With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute, and/or copy their contribution. The work must be properly attributed to its author.
It is not necessary to ask for further permission from the author or journal board.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.