COW DUNG CRAFT: AN INNOVATION (WITH SPECIAL REFERENCE TO THE BHOPAL DIVISION)

Authors

  • Mayuri Nema Research Scholar (Department of Painting) Maharani Lakshmibai Girls Postgraduate College
  • Dr. Sadhana Chauhan Associate Professor, Department of Painting Maharaja Bhoj Postgraduate College

DOI:

https://doi.org/10.29121/granthaalayah.v14.i2SCE.2026.6705

Keywords:

Cow Dung Craft, Folk Art, Handicraft, Bhopal, Folk Culture, Environmental Art, Women Empowerment, Traditional Art

Abstract [English]

Craft serves as a strong foundation of human art and culture. Handicraft is an art form created by human hands, encompassing creativity, skill, and cultural consciousness. The more rich and advanced a country’s art is, the more its culture attracts global attention. Therefore, every country, region, division, and city possesses its own distinctive handicraft tradition.


The present research paper focuses on the tradition of cow dung craft (Gobar Shilp) practiced in the city of Bhopal, Madhya Pradesh. Since ancient times, cow dung has been used for religious, cultural, and environmental purposes. Cow dung cakes are traditionally used for lighting the sacred fire in havan rituals, where ghee, sugar, rice, and other offerings are made. It is believed that this practice purifies the environment and increases the level of oxygen in the atmosphere.


In contemporary times, artists have expanded the use of cow dung beyond its traditional religious functions and transformed it into an artistic medium. As a result, various decorative and ritual objects such as mandana designs, lamps, idols of Lord Ganesha and Lord Shiva–Parvati, cow dung plates, torans, Ram Darbar figures, garlands, small sacred fuel sticks for havan, and lamps are being created. These items are especially used during festivals like Diwali.


In Bhopal, artists such as Suresh Rathore, Jitendra Rathore, Pushpa Rathore, Hukum Singh Patidar, and Neeta Deep Bajpai have been actively engaged in the field of cow dung craft for many years. Along with preserving and promoting this folk art, they have played a significant role in providing employment to women and empowering them economically.


This research paper analyzes cow dung craft as a form of folk art, focusing on its relationship with folk culture, the role of artists, and its social significance.

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References

Bajpai, N. D. (2024). Personal Interview. Bhopal.

Forest Department, Government of Madhya Pradesh. (2021). Van Mela Exhibition Report. Bhopal.

Internet source. (2022, June 6). Ibid.

Kothari, K. (2013). Daadee Maandya Mandana (5, 11).

Madhya Pradesh Culture Department. (2023). Lokrang Festival Catalogue. Bhopal.

Madhya Pradesh Tourism. (2022). Khajuraho Dance and Art Festival Souvenir. Khajuraho.

Ministry of Culture, Government of India. (2019). Lok Kala Evam Paramparik Shilp. Delhi.

Ministry of Textiles, Government of India. (2016). Handicrafts of India. New Delhi: Publications Division.

Rathore, J. K. (2024). Personal Interview. Bhopal.

Rathore, S. (2023). Cow Dung Craft (गोबर शिल्प). Personal Interview.

Saxena, A. (n.d.). Mandana of Malwa: A Folk Art (मालवा की मांडना लोक कला) 16.

Sharma, L. C. (2018). A Brief History of Indian Painting (भारतीय चित्रकला का संक्षिप्त इतिहास) 168.

The Importance of Cow Dung in Our Civilization (हमारी सभ्यता में गोबर का महत्व). (2022, June 6). Internet Source.

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Published

2026-02-27

How to Cite

Nema, M., & Chauhan, S. (2026). COW DUNG CRAFT: AN INNOVATION (WITH SPECIAL REFERENCE TO THE BHOPAL DIVISION). International Journal of Research -GRANTHAALAYAH, 14(2SCE), 139–143. https://doi.org/10.29121/granthaalayah.v14.i2SCE.2026.6705