IMPORTANCE OF FLORA PAINTINGS IN INDIAN ART AND MYTHOLOGY
DOI:
https://doi.org/10.29121/granthaalayah.v13.i1.2025.5921Keywords:
Buddhism Art, Flora Painting, Hinduism Art, Indian Art, Islamic Art, Jainism Art, MythologyAbstract [English]
Since ancient times, India has had a tradition of worshipping objects that serve its needs, evidenced in the Vedas and Puranas, and their significance in our lives has been written and painted in many books, texts, and on walls. This research paper discusses flora paintings and their relevance in Indian art and mythology. Indian art is known for its rich tradition of depicting nature. Flora in Indian art is a medium to express the interrelationship of the divine and natural world. Through flora paintings, artists depict the sanctity of nature, drawing inspiration from ancient texts, folklore and religious traditions. Many trees, plants, flowers, mountains, and rivers symbolize fertility and wisdom. In mythology, flora has symbolic significance, representing deities and cosmic forces. How artists from different groups and periods have captured the essence of the natural world through brushstrokes and vibrant colors invites contemplation on the interconnectedness of all living beings. The researcher using secondary data and descriptive research methodology, this paper re-examines the role of flora painting in promoting societal expression and needs. Finally, the paper presents a detailed analysis of how different regions depict flora in the context of their local myths and religious beliefs and highlights the diversity and richness of Indian art.
Downloads
References
Chanda-Vaz, U. (2019). From Temple Walls to Instagram: The Long and Rich History of Botanical Art in India. Scroll.In.Retrieved August 10, 2023
Chauhan, S., & Chauhan, S. V. S. (2019). Worship and trees in India. *Сибирский Лесной Журнал*, 4. https://doi.org/10.15372/ sjfs20190404 Retrieved October 20, 2023
Edu, L. (2022). History of Indian art. Leverage Edu. Retrieved September 20, 2023
Fergusson, J. (2023). Tree and Serpent Worship, or Illustrations of Mythology and Art in India in the 1st and 4th cent. A. chr. *Legare Street Press*. Retrieved October 12, 2023
India, M. (2015). The lotus in Indian art. The Mysterious India. Retrieved October 10, 2023
Iscovery: Trees in Indian mythology. (n.d.). Scribd. Retrieved September 4, 2023, from
Kadam, S. (2016). Significance of Paintings in Indian History. History Discussion - Discuss Anything About History. Retrieved September 20, 2023
Lion's Roar. (2018, January 17). What is the Meaning of the Lotus in Buddhism? Lion's Roar. Retrieved July 25, 2024
Malla, B. L. (2002). Trees in Indian art Mythology and Folklore. *Aryan Books International*. Retrieved September 8, 2023
Professor, B. A. K. (n.d.). Islamic art and Architecture unity in Diversity. Jetir.org. Retrieved July 27, 2024
Rehman, S. (2016). Indian Mythological Hybrid forms in Contemporary Indian Artworks. International Journal of Research -GRANTHAALAYAH, 4(12), 155-169. https://doi.org/10.29121/granthaalayah.v4.i12.2016.2405
Religious Plant. (n.d.). Scribd. Retrieved September 4, 2023, Religious-Plant Retrieved September 10, 2023
Sariya, T. (2023). The Importance of Flowers in Indian Culture and Tradition. Caleidoscope | Indian Culture, Heritage; Caleidoscope. Retrieved September 12, 2023
Sariya, T. (2022). The Importance of Flowers in Indian Culture and Tradition. Caleidoscope | Indian Culture, Heritage; Caleidoscope. Retrieved October 10, 2023
What does Jainism say about Plucking Flowers and/or Offering them to Deities? (n.d.). *Quora*. Retrieved July 27, 2024
What is the Buddhist philosophy on flowers? (n.d.). *Quora*. Retrieved July 27, 2024
Wonder of the age: Master Painters of India, 1100-1900. (n.d.). Metmuseum.org. Retrieved July 27, 2024
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Faizullah Ahmad, Prof. Badar Jahan

This work is licensed under a Creative Commons Attribution 4.0 International License.
With the licence CC-BY, authors retain the copyright, allowing anyone to download, reuse, re-print, modify, distribute, and/or copy their contribution. The work must be properly attributed to its author.
It is not necessary to ask for further permission from the author or journal board.
This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.