CRAFTING IDENTITY: GEOGRAPHICAL INDICATIONS AND THE LEGACY OF INDIAN ARTISANAL CRAFTS

Authors

  • Richa Yadav Assistant Professor, Amity Law School Noida, Amity University, India
  • Dr. Meenu Gupta Professor, Amity Law Schoil Noida, Amity University

DOI:

https://doi.org/10.29121/shodhkosh.v5.i5.2024.814

Keywords:

Handicraft, Geographical Indications, Unorganized, Trips, Cultural Identity

Abstract [English]

India's art and craft, which represent its culture, customs, and social ideals, are its greatest attributes. One of India's largest and oldest sectors is the handicraft sector which includes handicrafts and handloom. About 7 million artisans are employed by it, and it is a significant provider of artisanal crafts to international markets. A significant portion of our economy's decentralised/unorganised sector is made up of handicrafts. Due to strong market demand throughout time, what began as a part-time hobby in rural areas has now developed into a thriving commercial sector. Handicrafts and handloom have enormous potential since they are essential to the continued existence of millions of current artisans dispersed throughout the nation as well as an ever-growing number of new participants in the craft industry. Handicrafts and handloom currently provide a significant contribution to export and job creation. Geographical indication (GI) has become a significant type of intellectual property rights in the Indian environment in recent times. It is an effective tool for protecting and valuing both the traditional knowledge that goes along with exclusive items and their commercial potential. The handicraft business may benefit greatly from GI, but its interests are compromised if it is only viewed as intellectual property. In India, handicrafts make up more than half of 542 GI-registered products, with agricultural products coming in second followed by manufactured products and foodstuffs. The present study throws light on the current status of diverse GI Tagged Handicrafts and handloom of the Indian states.
In the context of Indian handicrafts, this research article examines the complex interrelationships among tradition, identity, and the preservation of cultural heritage via the lens of Geographical Indications (GIs). With an emphasis on the rich tapestry of India's varied cultural landscape, the paper explores how Geographical Indications (GIs) function as a vital mechanism for preserving traditional craftsmanship associated with certain geographical locations.

References

The Geographical Indications of Goods (Registration and Protection) Act, 1999 No.48 of 1999).

Agrawal, A. (2019, July 31). Craft chiseled in Indian culture : Crafts N Chisel India.

Banga R. ‘Geographical Indications : UNCTAD’s Initiatives’. Presentation delivered in the ‘Regional Conference on IPR Protection through Geographical Indications’, co- organized by the UNCTAD India Programme and the Textiles Committee, Lucknow, India, 4–5 September ; c2008.

Basole, A. (2015). Authenticity, Innovation, and the Geographical Indication in an Artisanal Industry : The Case of the Banarasi Sari. The Journal of World Intellectual Property, 18, 127-149. DOI: https://doi.org/10.1111/jwip.12035

Bose, C. (2016). Geographical Fixity or Affective Ties : How do Artists Respond to Geographical Indications ? The Journal of Modern Craft, 9, 117 - 137.

Bose, C. (2016). Geographical Fixity or Affective Ties : How do Artists Respond to Geographical Indications ? The Journal of Modern Craft, 9, 117 - 137. DOI: https://doi.org/10.1080/17496772.2016.1205277

Chaudhary, M., Agarwal, B., & Bhatia, M. (2022). Geographical indications in India : A case of Handicraft industry in Uttar Pradesh. The Journal of World Intellectual Property, 25(3), 617–634. https://doi.org/10.1111/jwip.12244 DOI: https://doi.org/10.1111/jwip.12244

Das K. ‘Protection of India’s Geographical Indications : An Overview of the Indian Legislation and the TRIPS Scenario’, Indian Journal of International Law. 2006b ;46(1):39-73.

Das K. ‘Unresolved Issues on Geographical Indications in the WTO’, in C. M. Correa (ed.), Research Handbook on Intellectual Property Law and the WTO. Edward Elgar Publishing, Cheltenham (forthcoming); c2009. DOI: https://doi.org/10.4337/9781849806596.00021

Das, Kasturi. (2010). Prospects and Challenges of Geographical Indications in India. The Journal of World Intellectual Property. 13. 148 - 201. 10.1111/j.1747-1796.2009.00363. x. DOI: https://doi.org/10.1111/j.1747-1796.2009.00363.x

Dhanyata M Poovaiah, Karnataka's heritage weaves Handcrafted elegance.

European Commission ‘Why Do Geographical Indications Matter to Us ?’ 30 July [online];c2003.

Gopalakrishnan NS, Nair PS, Babu AK. Exploring the Relationship between Geographical Indications and Traditional Knowledge : An Analysis of the Legal Tools for the Protection of Geographical Indications in Asia, International Centre for Trade and Sustainable Development (ICTSD), Geneva ; c2007

Irene Calboli & Wee L. Ng-Loy, Geographical Indications at the Crossroads of Trade, Development, and Culture : Focus on AsiaPacific (Irene Calboli and Wee Loon Ng-Loy eds., 2017). DOI: https://doi.org/10.1017/9781316711002

M.Ghouse, S. Indian Handicraft Industry : Problems and Strategies. International Journal of Management Research and Review, 2(7), 1183-1199. doi: https://doi.org/10.20935/AL2838 DOI: https://doi.org/10.20935/AL2838

Prathap, S.K., & C.C., S. (2020). Determinants of purchase intention of traditional handloom apparels with geographical indication among Indian consumers. Journal of Humanities and Applied Social Sciences. DOI: https://doi.org/10.1108/JHASS-04-2020-0055

Protection of Traditional Art Forms under Geographical Indications Law : A Case Study of Madhubani and Sujini Art Forms of Bihar, India Journal of Intellectual Property Law & Practice 2022

Saqib, N., & Sultan, A. (2013). An Overview of Geographical Indication in Jammu & Kashmir. Indian Journal of Applied Research, 3(4).5.

The Geographical Indications of Goods (Registration and Protection) Rules, 2002, Rule 32(1)(6)(g).

The history of Indian handicrafts : From ancient times to the present day - Authindia. (n.d.). Authindia.

Varu, D. K., Barad, A. V., & Dhruj, I. U. (2017). Geographical indication (GI) of Kesar Mango : A pride of Saurashtra region. International Journal of Innovative Horticulture, 6(1), 69- 74.

Venkatesan, S. (2009). Craft Matters : Artisans, Development and the Indian Nation.

Verma, S., & Mishra, N. (2018). Recognition and Marketing Opportunities of a “GI” Tag in Handloom Product : A Study of Banaras Brocades and Sarees.

Vinayan, S. (2017). Geographical indications in India : Issues and challenges-An overview. The Journal of World Intellectual Property, 20(3–4), 119–132. https://doi.org/10.1111/jwip.12076 DOI: https://doi.org/10.1111/jwip.12076

Greru, C., & Kalkreuter, B. (2017). Design and the Evolving Tradition of Sanganer Hand Block Printing : Formation and Negotiation of Artisanal Knowledge and Identities Against the Backdrop of Intangible Cultural Heritage. The Journal of Modern Craft, 10, 137 - 156. DOI: https://doi.org/10.1080/17496772.2017.1351102

Downloads

Published

2024-05-31

How to Cite

Yadav, R., & Gupta, M. (2024). CRAFTING IDENTITY: GEOGRAPHICAL INDICATIONS AND THE LEGACY OF INDIAN ARTISANAL CRAFTS. ShodhKosh: Journal of Visual and Performing Arts, 5(5), 98–117. https://doi.org/10.29121/shodhkosh.v5.i5.2024.814