A REVIVAL OF THE EXTINCT NAIL BLOCKS OF PADRA, VADODARA

Authors

  • Dr. Rajni Yadav Assistant Professor, Department of Clothing and Textiles, Faculty of Family and Community Sciences, The Maharaja Sayajirao University of Baroda, Vadodara, 390002.
  • Dr. Falguni Patel Assistant Professor, Department of Clothing and Textiles, Faculty of Family and Community Sciences, The Maharaja Sayajirao University of Baroda, Vadodara, 390002.
  • Yash Lalwani Researcher Scholar, Department of Clothing and Textiles, Faculty of Family and Community Sciences, The Maharaja Sayajirao University of Baroda, Vadodara, 390002.

DOI:

https://doi.org/10.29121/shodhkosh.v6.i1.2025.5385

Keywords:

Mud Printing, Nail Block, Repeat Layout, Naturalistic and Geometric Motifs

Abstract [English]

Indian crafts are integral to the culture and customs of rural and tribal communities. Through the ages, crafts made in India have maintained their exclusiveness, but a lot of crafts are either extinct or on the verge of extinction due to non-diversification of product for the modern customer. One such example amongst many is the non-diversification in the motifs and colours of the Mud printing craft of Padra village. The main objective of the research was to revive indigenous nail blocks employed traditionally for mud resist printing. The blocks were revived by creating new motifs and layouts thus adding variation to prints, thereby expanding the motif vocabulary, popularizing mud resist printed fabric and reviving this dying craft tradition through traditional techniques with application of contemporary motif vocabulary and layout to open new areas of application for the craft in the global market. A case study approach was used and the information was collected from a purposely selected sample of the only surviving family of Padra, Vadodara even though they do not practice the craft, they still have the family heritage of knowledge about the craft. The researcher created new motifs and borders that were classified in two categories: Naturalistic and Geometric. Repeat layout patterns were designed using the selected motifs. Then these motifs, borders and repeat layout patterns were being evaluated through the preference schedule. The responses strongly indicated the need for intervention in this craft and that it can sustain if designs are accepted by the consumer. A consumer survey for the designed garments received good responses.

References

Chattopadhyay, K. (1976). The glory of Indian handicrafts (p. 35). Indian Book Company.

Karolia, A. (2019). Traditional Indian handcrafted textiles (Vol. 1, pp. 162–165). Niyogi Books.

Karolia, A., Patel, F., & Yadav, R. (2012). Exploring natural dyes: A user’s manual (pp. 1–31). The Maharaja Sayajirao University Printing Press.

Patel, F., & Oza, P. (2016, June–July). Traditional knowledge on dyeing of yarn with Acacia catechu and Lac in Kachchh, Gujarat and developing a standardized colour palette. Journal of Science, 7, Knowledge Consortium of Gujarat. ISSN 2320-0006.

Yadav, R., Patel, S., & Kathrotiya, K. (2024). Eco-friendly dyeing: Exploring the potential of Indian almond (Terminalia catappa) leaves for multifiber fabric. International Journal of All Research Education and Scientific Methods, 12(12), 2856–2862.

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Published

2025-06-11

How to Cite

Yadav, R., Patel, F., & Lalwani, Y. (2025). A REVIVAL OF THE EXTINCT NAIL BLOCKS OF PADRA, VADODARA. ShodhKosh: Journal of Visual and Performing Arts, 6(1), 62–69. https://doi.org/10.29121/shodhkosh.v6.i1.2025.5385