BINODINI DEVI'S ‘AMAR KATHA’: AN ACTRESS LIFE THROUGH HER AUTOBIOGRAPHY

Authors

  • Arundhuti Bhattacharjee Assistant Professor, Department of History, Yogoda Satsanga Palpara Mahavidyalaya, East Medinipur West Bengal, India

DOI:

https://doi.org/10.29121/shodhkosh.v5.i5.2024.1514

Keywords:

Bengali Theatre, Educated Bengali, Bhadrolok, Mancha, Realism, Neel Darpan, Jatra

Abstract [English]

Binodini Debi became one of the first professional actresses when she began working in theaters in 1874, she was part of the first generation of female recruits who were paid to work in theaters. Binodini Debi was brought to the world in 1863 in Kolkata. She was the main acclaimed entertainer of Bengali theatre and one of the incomparable greats who walked the path of Bengali theatre. She was introduced to the bleeding world in cash light locales in Kolkata and was a prostitute until Girish Chandra Ghosh took her to mainstream Bengali theatre. Binodini is by no means a feminist. She brings a feminist perspective to her portrayal of women and their experiences and to her works. It describes Binodini's writing process and about the exploitations of Bengali theatre.

References

Chatterjee, S. (2007). The Colonial Staged: Theatre In Colonial Calcutta.

Dutt, B., & Munsi, U. S. (2010). Engendering Performance: Indian Women Performers In Search of an Identity. DOI: https://doi.org/10.4135/9788132106128

Jamal, S., & Ahmed, A. (2012). Murshid Ghulam: "Dasi Binodini" in Islam, (eds.) Banglapedia National Encyclopedia of Bangladesh, 2nd Edition, Society of Bangladesh.

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Published

2024-05-31

How to Cite

Bhattacharjee, A. (2024). BINODINI DEVI’S ‘AMAR KATHA’: AN ACTRESS LIFE THROUGH HER AUTOBIOGRAPHY. ShodhKosh: Journal of Visual and Performing Arts, 5(5), 93–97. https://doi.org/10.29121/shodhkosh.v5.i5.2024.1514