RAJESWARI, R.; L. M., S. FRAGMENTED SELVES: INTERSECTIONS OF RACIAL TRAUMA AND FEMININITY IN TONI MORRISON’S THE BLUEST EYE AND BELOVED. ShodhKosh: Journal of Visual and Performing Arts, [S. l.], v. 7, n. 1, p. 663–667, 2026. DOI: 10.29121/shodhkosh.v7.i1.2026.8329. Disponível em: https://www.granthaalayahpublication.org/Arts-Journal/ShodhKosh/article/view/8329. Acesso em: 26 may. 2026.