[1]
Howlader, B.R. and Shah, J.A. 2024. IDENTITY AT THE INTERFACE OF COLONIAL AND POSTCOLONIAL: A SHIFTING DIASPORIC PARADIGM IN HARI KUNZRU’S THE IMPRESSIONIST (2002). ShodhKosh: Journal of Visual and Performing Arts. 5, 1 (Jan. 2024), 1459–1462. DOI:https://doi.org/10.29121/shodhkosh.v5.i1.2024.3407.