EXPLORING G.M. HOPKINS AS A RELIGIOUS POET WITH AN ECOLOGICAL AESTHETICS
DOI:
https://doi.org/10.29121/shodhkosh.v5.i1.2024.4100Keywords:
Gerard Manley Hopkins, Religious Poetry, Literature And Religion, Cultural Manifestation, Ecological SpiritualityAbstract [English]
Gerard Manley Hopkins, a precursor of modernist poetry, revolutionized English verse through his experimental language and innovative prosody. At the heart of his work lies a deep religious consciousness that integrates poetic expression with theological reflection. Rooted in his Jesuit faith, Hopkins’ poetry elevates nature to a sacramental realm, portraying the material world as a manifestation of divine presence. His engagement with religious themes places him within the longstanding tradition of religious poetry, where literature serves as both spiritual expression and cultural critique.
This study explores the interconnections between literature and religion as cultural manifestations, emphasizing how Hopkins’ poetry functions as both devotional art and a response to the challenges of his time. His work bridges theological insight with artistic innovation, reinforcing the symbiotic relationship between faith and poetic imagination. By uniting religious devotion with ecological awareness, Hopkins enriches the tradition of religious poetry and anticipates modern concerns about the sacredness of nature, positioning him as a vital voice in the discourse on spirituality and literature.
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