THE THESPIAN'S VOICE: MAYA RAO AND HER ARTICULATE DISCOURSE

Authors

  • Vineetha Krishnan Assistant Professor & Head, Department of English, N. S. S. College, Nilamel, Kollam (Dist),

DOI:

https://doi.org/10.29121/shodhkosh.v5.i6.2024.3472

Keywords:

Feminist Theatre, Performance, Social Critique, Cultural Introspection Kathakali, Brechtian Techniques Patriarchal Norms, Marginalized Voices Nuanced Storytelling Maya Rao, Experimental Forms, Gender-Based Violence, Equitable Futures

Abstract [English]

The intersection of articulate discourse and feminist theatre in India exemplifies the power of performance as a transformative medium for social critique and cultural introspection. Rooted in classical traditions like Kathakali and enriched by Brechtian techniques, feminist theatre challenges patriarchal norms, amplifies marginalized voices, and fosters critical engagement through nuanced storytelling. Practitioners like Maya Rao blend traditional aesthetics with experimental forms, creating performances that provoke thought, inspire action, and bridge local and universal feminist concerns. Using irony, participatory methods, and meta-theatrical commentary, these works interrogate societal structures, critique gender-based violence, and envision equitable futures. The fusion of cultural resonance and innovative storytelling ensures that feminist theatre remains a dynamic space for inclusive dialogue and social change, with articulate discourse at its core driving equity, collaboration, and activism.

References

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Published

2024-06-30

How to Cite

Vineetha Krishnan. (2024). THE THESPIAN’S VOICE: MAYA RAO AND HER ARTICULATE DISCOURSE. ShodhKosh: Journal of Visual and Performing Arts, 5(6), 2903–2907. https://doi.org/10.29121/shodhkosh.v5.i6.2024.3472